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Chris Hondros

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(author unknown)

Al Bello’s photograph of a springboard diver entering the water is one of many great pictures being auctioned for the Chris Hondros Fund Benefit. Bidding ends tonight. See more prints in the auction here: http://paddle8.com/auctions/chrishondrosfund

The Chris Hondros Fund was founded in honor of the Getty Images photographer who died on assignment in Misurata, Libya, in 2011. Chris had covered many of the world’s conflicts since the late 1990s, including the wars in Kosovo, Sierra Leone, Liberia, Afghanistan and Iraq. The fund seeks to raise awareness about the work of photojournalists through lecture series, exhibitions and grants.

Caption: Christina Loukas of the United States competes in the Women’s 3m Springboard Diving Semifinal on Day 8 of the London 2012 Olympic Games at the Aquatics Centre on August 4, 2012 in London, England. (Photo by Al Bello/Getty Images)

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Original author: 
Mikko Takkunen

Features and Essays

Lucas Jackson / Reuters

Lucas Jackson / Reuters

Lucas Jackson: Haunting Night Scenes of Oklahoma’s Devastation (ABC News) Reuters photographer Lucas Jackson traveled to Moore and used the twilight night sky to illuminate some haunting landscapes the tornado left behind.

Katie Hayes Luke: Faces And Places The Tornado Left Behind (NPR Picture Show)

Ashley Gilbertson: Intricate Rituals for Fallen American Troops (NYT)

Steve Ruark: Honoring the Fallen (LightBox) One Photographer’s Witness to 490 Dignified Transfers

Luke Sharrett: Sacrifices Set in Adorned Stone (NYT Lens) Gravestones at Arlington National Cemetery in Virginia.

Sergey Ponomarev: A Supporting Role (NYT) In Afghan Transition, U.S. Forces Take a Step Back

Andrew Burton: Afghanistan (CNN Photo blog) Photographing ‘my generation’ at war

Eugene Richards: Inside Guantanamo (LightBox)

Ilona Szwarc

Ilona Szwarc

Ilona Szwarc: The Little Cowgirls (Telegraph) Deep in the heart of Texas, young girls are bucking the trend and breaking into the traditionally macho world of rodeo. The photographer Ilona Szwarc has corralled some of these junior ropers and riders into a compelling visual essay | Related article here

Aaron Huey: Pine Ridge (LightBox) Aaron Huey has photographed the Oglala Lakota for seven years on the Pine Ridge Indian Reservation in South Dakota.

Ilona Szwarc: American Girls (Photo Booth)

Andrew Moore: Stuck in the Shadow of Affluence (NYT Magazine) How the epidemic of empty, foreclosed homes in Chicago’s poorest neighborhoods ignited a new form of guerrilla activism.

Justin Maxon: Gunland (LightBox) Chicago’s South Side

Billie Mandle: Reconciliation (Wired Raw File photo blog) American confessionals and reconciliation rooms

Christopher Anderson: Skin on Parade in Central Park (NY Magazine) New York Magazine sent photographer Christopher Anderson to meander around Central Park on a 79-degree day

Charles Ommanney: Heavy Metal Cruise (Reportage by Getty Images)

Anderson Scott: Civil War Lovers Can’t Leave the Past Behind at Awkward Reenactments (Wires Raw File)

Arne Svenson: The Neighbors (Photo Booth)

Martin Parr: Life’s a Beach / USA Color (Slate Behold)

Joshua Yospyn: America’s Quirky Coincidences (NYT Lens)

Saul Robbins: Behind Closed Doors at New York Shrink Offices (Slate Behold)

Ruth Prieto: Safe Heaven (burn magazine)  The second chapter of a documentary project about Mexican immigrant women in New York.

Lynsey Addario / VII for TIME

Lynsey Addario / VII for TIME

Lynsey Addario: Rich Nation, Poor People (LightBox) With its vast oil wealth, Saudi Arabia has one of the highest concentrations of super rich households in the world. But an estimated 20 percent of the population, if not more, lives in crippling poverty.  

Kiana Hayeri: Young Iranian Immigrants (NYT Lens) Leaving Tehran and Restraints Behind

Carolyn Drake: Two Rivers: A Journey Through Central Asia (Photo Booth) A photographic record of the area in Central Asia that follows the Amu Darya and the Syr Darya, the region’s major rivers.

Linda Forsell: Refugee Crisis (zReportage) Syria | Jordan’s Zaatari refugee camp is home to 170,000 people from Syria who have fled the fighting.

Kalpesh Lathigra: Passport-Style Portraits of Displaced Syrians Living in the Za’atari Refugee Camp (Feature Shoot)

Guillaume Herbaut: Chinese Weddings (CNN Photo blog)

Peter Pin: Life Beyond The Killing Fields (NPR Picture Show)

Angelos Tzortzinis

Angelos Tzortzinis

Angelos Tzortzinis: Societal Ills Spike in Crisis-Stricken Greece (NYT Lens)

Espen Rasmussen: Mud, Fire and Pain (Panos Pictures) Tough Guy claims to be the world’s most demanding one-day survival ordeal and it has been widely described as ‘the toughest race in the world’

Espen Rasmussen: Pain (Panos Pictures) As part of a longer project looking at masculinity and middle aged men, Espen visits the longest single stage cycle race in the world, from Tronheim to Oslo in Norway.

Kirsten Luce: Matadora (NYT Lens) In the Arena With a Smile — and a Bull

Brett Gundlock: One Small Town’s Fight to Banish a Brutal Mexican Cartel (Wired Raw File)

Yann Gross: A snake story in the Brazilian far west (Institute)

Kate Holt: Somalia surgeons: under the knife in Mogadishu (Guardian) audio slideshow

Siegfried Modola: Ethiopia’s ancient salt trail (Guardian)

Takayuki Maekawa: Wild Animals (CNN Photo blog)

Articles

030-035_FTMAG_0106_FINAL.indd

The Financial Times Magazine, June 1/2 2013

My friend, Robert Capa (FT Magazine) John Morris, former picture editor of Life, talks about the great photographer and his most historic roll of film – of D-Day

The month in photography – audio slideshow (Guardian) Vanessa Winship, Erwin Blumenfeld and Nobuyoshi Araki feature in June’s guide to the best photography around the world.

World Press Photo controversy: Objectivity, manipulation and the search for truth (BJP) Beyond the attacks leveraged against Paul Hansen’s winning World Press Photo, the recent controversy over image toning is symptomatic of the current state of photojournalism and its place in a society that has learned not to trust what it sees. Photojournalists, photography directors and post-producers speak to Olivier Laurent, and ask whether objectivity in photojournalism is actually attainable

Drama, Manipulation and Truth: Keeping Photojournalism Useful (Picture Dept)

chrishondrosfilm.com

chrishondrosfilm.com

Hondros: A Life in Frames – trailer (Chris Hondros film website)

Censored – images of our ugly truths, natural and man-made (Sydney Morning Herald)

A Photographer, A Fixer, the New York Times and Child Servitude in Haiti: A Story Gone Haywire, then Simply Gone (BagNewsNotes)

American beauty: Vanessa Winship’s photos of still, small-town US life (Guardian) Winship used her Henri-Cartier Bresson prize money well: to fund a book, She Dances on Jackson, in which she has captured the silence at the heart of a clamorous nation

Photographing What Endures For Australia’s Aboriginals (NPR Picture Show) Amy Toensing’s project for the National Geographic

Don McCullin guest of honour at 25th Visa pour l’Image (CPN)

A war photographer’s rediscovered images from Vietnam (CBS News)

Andrea Bruce

Andrea Bruce / Noor Images

War Through a Woman’s Eyes (American Photo magazine) Some of today’s top conflict photographers just happen to be women. We spoke with a handful of these photojournalists about their experiences—and how they differ from their male colleagues’

Photojournalists Tell the Untold Stories From Iraq (Slate Behold)

Kathy Ryan: Office Romance: Renzo Piano’s Light (NYT Magazine 6th Floor Blog)

Capturing ‘Out Cold’ Commuters with TIME’s Patrick Witty (Instagram blog)

Martin Parr: All the world’s a beach (FT Magazine) For one photographer, there is no better place than the seaside to observe human eccentricity in all its glory

Finding And Photographing Alaska’s Remote Veterans (NPR Picture Show)

‘Pictures from the Real World’: Derby, England in 1988 (LightBox)

Q&A: Why is Emphas.is now turning to its own platform to survive? (BJP)

Who Will Crowdfund the Crowdfunder? (NYT Lens)

Moving Walls (The Foreign Policy) Looking back on 15 years of human rights photography.

Through the Lens of Eggleston (WSJ) The selection of William Eggleston’s photographs, “At War with the Obvious,” currently on view at The Metropolitan Museum of Art in New York City, reminds us why he an American master. For the June issue of WSJ. Magazine,  the legendary photographer agreed to shoot part of his extensive collection of Leica and Canon cameras | Related

Garry Winogrand and the Art of the Opening (The Paris Review)

Wayne Miller obituary (Guardian) Magnum photographer celebrated for his images of the second world war and Chicago’s South Side

In Memoriam: Wayne Miller (1918 – 2013) (LightBox)

Stephanie Sinclair’s best photograph: child brides in Yemen (Guardian)

Featured photographer: Tim Richmond (Verve Photo)

Featured photographer: Albertina d’Urso (Verve Photo)

Featured photographer: Katharine MacDaid (Verve Photo)

Featured photographer: Joel van Houdt (Verve Photo)

The little girl in the photo, all grown up (AFP Correspondent blog) AFP photographer Jean-Philippe Ksiazek hears from a girl he photographed in Pristina at the end of the war in Kosovo

When Photography Imitates Voyeurism (NYT Magazine 6th Floor blog)

Joseph Eid / AFP / Getty Images

Joseph Eid / AFP / Getty Images

War and Representation: Showing the Limits of Comprehension (No Caption Needed)

Digital and the the desire for long form journalism (David Campbell blog)

What a Photograph Can Accomplish: Bending the Frame by Fred Ritchin (LightBox)

Chicago Sun-Times lays off its photo staff (Chicago Tribune)

Chicago Sun-Times will train reporters on ‘iPhone photography basics’ (Poynter.)

Alex Garcia: The Idiocy of Eliminating a Photo Staff (Chicago Tribune Assignment Chicago photo blog)

Do Newspapers Need Photographers? (NYT)

How the Internet Killed Photojournalism (PetaPixel)

Spitting on the Grave (Jim Colton website) On Yahoo CEO Marissa Mayer’s comment ‘there’s really no such thing as professional photographers anymore’

Defining “News photographer” for the future (Reuters photo blog)

Anton Corbijn to shoot James Dean biopic, Life (Guardian) Control director to explore real-life friendship between 50s icon and Life magazine photographer in new film

Harlequin Without His Mask (Francis Hodgson blog) On Rankin

NY Times Public Editor Questions T Magazine Photoshopping Policy (PDN)

NYC Tribeca Residents Enraged Over Photos They Claim Violate Their Privacy (ABC News)

‘Control Order House’ by Edmund Clark – Photographing our response to terrorism (The Independent)

Ponte City: An Apartheid-Era High Rise Mired in Myth (LightBox) In 2008, South African photographer Mikhael Subotzky, in collaboration with British artist Patrick Waterhouse, set out to create a visual document of the building as monumental as the structure itself, exploring a long, complex history mired in myth.

Interviews and Talks

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind (Nat Geo Live) Mothers, Models, and Fighters | A rising star on the photography scene, Anastasia Taylor-Lind documents the lives of women who live isolated from male society, including in schools for Siberian supermodels and military training camps for Cossack women | video

John H. White (CNN) Howard Kurtz talks to Pulitzer prize-winning photographer John H. White about what the layoffs mean for the news industry after Chicago Sun-Times drops photographers

Jonas Bendiksen (Vice) Bendiksen Takes Photos in Countries That Don’t Exist

Winners from the 2013 World Press Photo Contest (WPP) Nineteen prizewinners discuss their award-winning work.

Alec Soth (A Photo Editor)

 Tom Powel Imaging inc.

Richard Mosse, The Enclave, 2013. Six screen film installation, color infrared film transferred to HD video. Filmed in Eastern Congo. Courtesy of the artist and Jack Shainman Gallery. Photo: Tom Powel Imaging inc.

Richard Mosse (Frieze Vimeo) The Impossible Image | Artist and photographer Richard Mosse reveals the stories behind the making of his latest film, ‘The Enclave’ (2013), in the Democratic Republic of Congo, which will be shown in the Irish Pavilion at this year’s 55th Venice Biennale.

Lauren Greenfield (Rookie magazine) Money Changes Everything: An Interview With Lauren Greenfield

Donna Ferrato (Vogue Italy) “I really believe in the power of photography to change the world. I think without it we would be like cavemen”

Fabio Bucciarelli (Photographic Museum of Humanity)

James Nachtwey (National Geographic magazine) Longer version on Stephen Alvarez’s Facebook page here

Maggie Steber  Part 1 | Part 2 (Leica blog)

John G. Morris (Vogue Italy)

Tim Page (Radio Australia) Page on history, photography and the Vietnam War

Thomas Dworzak (Roads and Kingdoms) Dworzak’s Instagram Chapbooks

Saul Leiter (In-Public)

Alan Chin

Alan Chin

Photojournalists on Covering the War in Iraq (The Leonard Lopate Show / WNYC) audio | Michael Kamber interviewed photojournalists from many leading news organizations to create a comprehensive collection of eyewitness accounts of the Iraq War—Photojournalists on War. He’s joined by photographers Alan Chin and Ashley Gilbertson, who discuss trying to cover the war in Iraq and examine the role of the media and issues of censorship

New booktells ‘untold stories’ from Iraq (MSNBC) Photojournalist Michael Kamber joins MSNBC’s Craig Melvin and fellow photojournalists Carolyn Cole and Ed Kashi to talk about his new book, “The Untold Stories From Iraq: Photojournalists on War”.

Doug Richard (ABC Arts) A New American Picture: Doug Rickard’s Google Street View road-trip

David Guttenfelder (The World) Inside the Hermit Kingdom: David Guttenfelder on Photographing North Korea

Mads Nissen

Mads Nissen

Mads Nissen (Panos Social) The Making of Amazonas

Ben Lowy (ABC Arts)

Ben Lowy (MSN Australia) Covering warzones with an iPhone

Kai Löffelbein (Leica blog) A Hidden World in Hong Kong

Tomas van Houtryve (The Story)

Michal Chelbin (The Voice of Russia)

Sue Ogrocki (LightBox) Moments of Hope in Oklahoma: One Photographer’s Story

Paul Hellstern (CNN) Photographer captures snapshots of courage after tornado levels OKC school

Ed Jones (LightBox Tumblr)

Stacy Pearsall (Peach Pit) In the Trenches with Combat Photographer

Katrin Koenning (No Borders Magazine) A sense of belonging

Alonzo J. Adams (LightBox Tumblr)

Laura Pannack (Photo Whoa) Speaking Through Your Photographs & Connecting with Your Viewer

Mikko Takkunen is an associate photo editor at TIME.com

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Original author: 
Vaughn Wallace

Shared human experience.

That was the driving force behind photojournalist Chris Hondros’ work. Moments of humanity, brought into the light and into the consciousness of the greater public. His images — whether made within the baked-clay walls of a compound in Basra, the mold-blanketed alleys of post-Katrina New Orleans or the quiet glades of a snow-covered Central Park — reflected an innate desire to photograph the human world he saw unfolding around him. His work was deeply empathetic, a quality that allowed him to tell stories that lingered in viewers’ minds long after the page was turned. And Hondros’ staff position at Getty Images amplified his reach — his photos sent on the wire to thousands of publications around the world, with the potential to reach literally billions of eyes.

In April 2011, in the very midst of doing the hard, important work that he loved, Hondros’ life was cut short by a mortar round.

The Chris Hondros Fund, established in his name by his fiancée Christina Piaia and close friends, aims to “continue and preserve Hondros’ distinctive abilities to bring shared human experiences into the public eye.” Now in its second year, the Fund offers financial support to photographers who work in the same vein that Hondros did — with empathy, dedication and humility.

“This award recognizes and supports photojournalists who bring the news stories of our time into view,” says Piaia.

Today, the fund, in conjunction with Getty Images, gave Chilean photographer Tomás Munita the $20,000 award, citing his “fierce commitment to photojournalism and endless drive to tell a story.” Munita’s portfolio of work, shot in a wide variety of settings and locales, reflects a strong and nuanced grasp of the human condition. His photographs of refugees in Afghanistan, prisoners in El Salvador and daily life in Cuba all demonstrate just how in touch Munita is with the currents (and undercurrents) of life.

“I would like to express my gratitude,” Munita told TIME. “[This award] is not just a recognition. It is the means to keep working on personal projects, which I am definitely going to do.”

Photographer Bryan Denton was selected as a finalist for the 2013 award; the committee cited Denton’s “rare ability to capture both the complexities and daily life of those living in conflict and its aftermath with an unyielding commitment and intellectual curiosity.”

Bryan Denton

Bryan Denton

Libyan residents of Tripoli stormed through the Bab al-Azizia compound in search of weapons as a structure burned in the background. Aug. 23, 2011.

Previously, on the first anniversary of Hondros’ death after he was killed in Libya in 2011, the fund awarded $20,000 to NOOR photographer Andrea Bruce. Emerging photographer Dominic Bracco received a $5000 runner-up award.

Tomás Munita is a freelance photographer based in Santiago, Chile. He previously photographed Church and State: The Role of Religion in Cuba for TIME.

For more information on the Chris Hondros Fund, visit ChrisHondrosFund.org.

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When photojournalist Tim Hetherington suffered a mortar shell wound to the groin in Libya in April of last year, he ultimately died of massive blood loss. His death, according to friends, may have been prevented.

“Tim was my closest friend,” says Michael Kamber, founder and director of the Bronx Documentary Center. “He bled to death because he was surrounded by photographers who didn’t know how to stop the bleeding.”

In response to this assessment, Hetherington’s other close friend and co-director of the Oscar winning documentary Restrepo, Sebastian Junger, founded Reporters Instructed in Saving Colleagues (RISC), of which Kamber sits on the board. The organization simulates real war-injury scenarios at the Bronx Documentary Center, complete with pools of blood, contorted limbs and frenetic movement amid smoke-clad air, in order to train photographers and journalists in potentially life-saving techniques. “We go to great lengths to achieve the feel of war,” says Kamber.

“My adrenaline was going after I finished shooting the drills,” says photographer and Bronx Documentary Center volunteer, Katie Khouri. ”There was a real sense of urgency once trainer Sergeant Sawyer Alberi threw the smoke bombs and the CD of wailing and sporadic gunfire started. The trainees — all of whom are experienced conflict journalists – are a fun group of people but when the simulation began everyone switched into go mode.”

The need for medical training among journalists is especially desperate now as news outlets are employing freelancers — many without insurance or institutional support – to deliver stories.

“The industry is closing down bureaus. Increasing we are relying on freelancers for photographs. Look at the images from Syria, almost all of those are by freelancers, many of whom are without medical training or medical kits. It’s a recipe for disaster,” says Kamber, who has reported from over a dozen conflict zones during his career and even admits that he was unprepared in the past.

In recent years, the deaths of several photojournalists have reminded us of the extreme dangers faced by reporters in conflict zones. Getty photographer Chris Hondros died in the same mortar explosion as Hetherington; Anton Hammerle was killed by Gaddafi loyalists in April 2011; and Rémi Ochlik died in the bombing of Homs, Syria, in February of this year.

Prior to Hetherington’s death, he and Kamber were in the planning stages of a center devoted to video and photo documentary work.

“The Bronx Documentary Center is in Tim’s honor,” says Kamber. “It is dedicated to exactly what he believed in.”

Producing still and moving images for news, for film, for art spaces and for education, Hetherington believed in and practiced an approach to visual journalism that broke through the traditional confines of genre. The Bronx Documentary Center described by Kamber as a “community space, but not a hangout space” is devoted to serious application of skills and engagement. That extends from practical and vital training to exhibitions, lectures and workshops.

“We’re inventing new ways [to support documentary] and finding new outlets for documentary work, now that traditional media is dying and the public are distracted by a million points of white noise,” says Kamber.

Kamber lived in the Bronx during the eighties and says the support form the local community has been only positive, even during the conflict simulations that spill smoke, noise and blood onto the adjacents streets.

“Hundreds of people come by to stop, watch, comment, take photos and encourage us,” says Kamber. “Last year, when some neighbors heard the recording of the gunfire, they called the police, which is understandable. This year we’ve been very conscious to reach out to the NYPD.”

Unlike general hostile-environment training, RISC is focused on exclusively on medical training and on the procedures that will sustain someone between injury and the hospital front door. Tim Hetherington was only minutes from a hospital when he was struck by mortar fire in Misrata, Libya.

Through fundraising, RISC covers the cost of training which is approximately $1,000 per journalist. Following successful programs in New York, RISC plans training in London and Beirut. The response has been overwhelming. Kamber says, ”We’ve waiting lists. Journalists are desperate to get this training.”

Rookies, veterans, untrained and partially trained alike, there is a very real need for RISC’s type of training and photographers know it.

“You could see in some faces that it was taking them back to some bad memories,” says Khouri. “The reality is that potentially having to save an injured fellow journalist is a very real possibility when you report from the front lines. No one there took that responsibility lightly.”

RISC has an ongoing fundraising effort at Global Giving. Visit the RISC website and follow RISC on Facebook and Twitter

All images: Katie Khouri

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