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Original author: 
Nathan Ingraham

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Conflict photographers have the opportunity to create powerful and enduring images that can live on to define a time period — the downside is that they typically have to put themselves in harm's way to do so. Tim Hetherington, one of the more famous conflict photographers in recent memory, was killed while covering the front lines of Libyan city Misrata in April of 2011; now, his story will be told by his friend and filmmaker Sebastian Junger in Which Way is the Front Line From Here: The Life and Time of Tim Hetherington. Junger previous worked with Hetherington on Restrepo, a documentary about the Afghanistan war that premiered just before Hetherington's death.

The documentary, which was shown at this year's Sundance Film Festival,...

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When photojournalist Tim Hetherington suffered a mortar shell wound to the groin in Libya in April of last year, he ultimately died of massive blood loss. His death, according to friends, may have been prevented.

“Tim was my closest friend,” says Michael Kamber, founder and director of the Bronx Documentary Center. “He bled to death because he was surrounded by photographers who didn’t know how to stop the bleeding.”

In response to this assessment, Hetherington’s other close friend and co-director of the Oscar winning documentary Restrepo, Sebastian Junger, founded Reporters Instructed in Saving Colleagues (RISC), of which Kamber sits on the board. The organization simulates real war-injury scenarios at the Bronx Documentary Center, complete with pools of blood, contorted limbs and frenetic movement amid smoke-clad air, in order to train photographers and journalists in potentially life-saving techniques. “We go to great lengths to achieve the feel of war,” says Kamber.

“My adrenaline was going after I finished shooting the drills,” says photographer and Bronx Documentary Center volunteer, Katie Khouri. ”There was a real sense of urgency once trainer Sergeant Sawyer Alberi threw the smoke bombs and the CD of wailing and sporadic gunfire started. The trainees — all of whom are experienced conflict journalists – are a fun group of people but when the simulation began everyone switched into go mode.”

The need for medical training among journalists is especially desperate now as news outlets are employing freelancers — many without insurance or institutional support – to deliver stories.

“The industry is closing down bureaus. Increasing we are relying on freelancers for photographs. Look at the images from Syria, almost all of those are by freelancers, many of whom are without medical training or medical kits. It’s a recipe for disaster,” says Kamber, who has reported from over a dozen conflict zones during his career and even admits that he was unprepared in the past.

In recent years, the deaths of several photojournalists have reminded us of the extreme dangers faced by reporters in conflict zones. Getty photographer Chris Hondros died in the same mortar explosion as Hetherington; Anton Hammerle was killed by Gaddafi loyalists in April 2011; and Rémi Ochlik died in the bombing of Homs, Syria, in February of this year.

Prior to Hetherington’s death, he and Kamber were in the planning stages of a center devoted to video and photo documentary work.

“The Bronx Documentary Center is in Tim’s honor,” says Kamber. “It is dedicated to exactly what he believed in.”

Producing still and moving images for news, for film, for art spaces and for education, Hetherington believed in and practiced an approach to visual journalism that broke through the traditional confines of genre. The Bronx Documentary Center described by Kamber as a “community space, but not a hangout space” is devoted to serious application of skills and engagement. That extends from practical and vital training to exhibitions, lectures and workshops.

“We’re inventing new ways [to support documentary] and finding new outlets for documentary work, now that traditional media is dying and the public are distracted by a million points of white noise,” says Kamber.

Kamber lived in the Bronx during the eighties and says the support form the local community has been only positive, even during the conflict simulations that spill smoke, noise and blood onto the adjacents streets.

“Hundreds of people come by to stop, watch, comment, take photos and encourage us,” says Kamber. “Last year, when some neighbors heard the recording of the gunfire, they called the police, which is understandable. This year we’ve been very conscious to reach out to the NYPD.”

Unlike general hostile-environment training, RISC is focused on exclusively on medical training and on the procedures that will sustain someone between injury and the hospital front door. Tim Hetherington was only minutes from a hospital when he was struck by mortar fire in Misrata, Libya.

Through fundraising, RISC covers the cost of training which is approximately $1,000 per journalist. Following successful programs in New York, RISC plans training in London and Beirut. The response has been overwhelming. Kamber says, ”We’ve waiting lists. Journalists are desperate to get this training.”

Rookies, veterans, untrained and partially trained alike, there is a very real need for RISC’s type of training and photographers know it.

“You could see in some faces that it was taking them back to some bad memories,” says Khouri. “The reality is that potentially having to save an injured fellow journalist is a very real possibility when you report from the front lines. No one there took that responsibility lightly.”

RISC has an ongoing fundraising effort at Global Giving. Visit the RISC website and follow RISC on Facebook and Twitter

All images: Katie Khouri

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TIME contract photographer Yuri Kozyrev and I recently spent two weeks driving across Libya, from east to west, surveying the aftermath of the Arab Spring’s most thorough revolution to get a sense of the lessons learned and the challenges that still lie ahead for the vast, oil-rich country. The war-ravaged city of Misrata was one of the key stops on our journey, not only for its significance as perhaps the most brutally repressed flashpoint in Libya’s uprising against Muammar Gaddafi, but also because of its significance on the emotional map of many foreign correspondents who covered this war, myself and Yuri included. Yuri lost one of his close friends here, Tim Hetherington. Hetherington, an award-winning British photographer and director, was killed along with the great American photographer Chris Hondros, while covering the fighting on Misrata’s Tripoli Street on April 20, 2011. The two had travelled, along with other journalists, to Misrata by boat from the rebel-held eastern city of Benghazi.

At the time, Misrata was under a fierce and brutal siege by Gaddafi’s forces, but the city had become a symbol of the Libyan resistance—and Gaddafi’s violent tactics to stop it. Yuri was in frequent contact with Hetherington at the time, hoping to make the same perilous journey by boat. “I thought it was very important to go there,” he told LightBox this month. “It was almost impossible to cover the war from the eastern front line, and Misrata was a hotspot.”

Yuri never made it there; the sudden deaths of Hetherington and Hondros put an end to those plans. So our trip last month marked his first visit. “We had never heard about Misrata before the war, but when the war happened, Misrata was a very important place. And not just Misrata, but Tripoli Street,” he says. “For me it was on a personal level. It was in the news, and everybody mentioned it. But for me, it’s also about friends.”

Seeing Tripoli Street was hard for Yuri. There were moments, as we surveyed the wreckage, moving silently past block after block of shell-shocked neighborhoods, that I could see the grief on his face. Misrata’s war museum—“The Ali Hassan Gaber Exhibit,” named for the al-Jazeera cameraman killed covering the revolution—is something we came across by chance on our first day in the city. In it, Misrata’s residents and former fighters have meticulously documented the horrors of their city’s experience in war. There are rows of rockets, missiles, and tanks; clothing and furniture hauled away from Gaddafi’s compound in Tripoli; photographs of the rebels’ gruesome injuries; official documents detailing regime corruption; and the portraits of all 1,215 of the city’s martyrs. Yuri told Lightbox what it was like to visit the exhibit, set amid the destruction on Misrata’s Tripoli Street: “Inside there are hundreds of portraits of Libyans who were killed. When I walked through, looking through these portraits for the dates they were killed, suddenly I stopped. On the left side there were two portraits of Tim and Chris.”

Misrata’s residents are keen never to forget the details of this horrific point in their history. Indeed, everywhere we traveled in Libya, we found similar efforts to immortalize the names and faces of those lost; and the tragic events that transpired. But all along Tripoli Street, there is also rebirth, and there is hope. New billboards and storefronts have sprung up from the city’s ashes. Uniformed traffic cops in white gloves patrol intersections—despite the absence of a fully functioning central government. And construction workers in orange vests clear rubble and tend to new flowers in the grassy medians. Stores selling wedding dresses and school supplies have re-opened their ground floor display windows; even as the gaping holes caused by rockets and tank shells remain to be fixed just above. “There are a lot of signs of war but you can see that there is life,” Yuri says. “There is life in different ways, girls on the street, boys on motorbikes, and flower shops.”

“At the same time I didn’t want to do any kind of investigation [into Tim and Chris’ deaths], to try to understand what happened,” he says. “It happened. It happened last year, and I remember it, and that’s it. I was not in the mood yet to try to understand. I know that’s the street. I know that’s the place.”

Abigail Hauslohner is TIME’s Cairo correspondent.

Yuri Kozyrev is a contract photographer for TIME and was named the 2011 Photographer of the Year in the Pictures of the Year International competition.

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A new book, Photographs Not Taken, conceived and edited by photographer Will Steacy compiles personal essays written by more than 60 photographers about a time when they didn’t or just couldn’t use their camera.

The book, released by Daylight, is a fascinating compilation by a wide cross-section of image makers from around the world and is often filled with thoughts of regret, restraint and poignant self-realizations.

On the eve of the one-year anniversary of Tim Hetherington’s tragic death in Misrata, Libya, we present one of the most eloquent chapters from the book, in which the photographer offers his thoughts on depicting the dead in photographs and the questioning moment he had after making a picture of a dead soldier in Afhganistan:

There are many reasons not to take a picture—especially if you find the
 act of making pictures difficult. I was not brought up with a camera, I
 had no early fascination for pictures, no romantic encounters with the 
darkroom—in fact I didn’t become a photographer until much later on 
in life when I came to realize that photography—especially documentary 
photography—had many possibilities. One thing for sure was that
 it would make me confront any inherent shyness that I might feel. It
 did, but I still find making pictures difficult, especially negotiating and 
confronting “the other,” the subject, and dealing with my own motivations
 and feelings about that process.

This personal debate about making pictures was particularly apparent 
during the years I lived and worked in West Africa. In 2003 I lived as one 
of the only outsiders with a rebel group that was attempting to overthrow 
then-President Charles Taylor. It was a surreal experience—cut off
 and living in the interior of the country, I accompanied a rag-tag army 
of heavily armed young men as they fought their way from the interior 
forest into the outskirts of the capital, Monrovia. Reaching the edges of
the city was an exhilarating experience after weeks of living in a derelict 
front-line town with little food. At one point, the rebels took over the
 beer factory and, after liberating its supplies, turned part of the facility 
into a field hospital where people with gunshot wounds were treated 
with paracetamol. Outside the factory compound lay about five bodies 
of people who, from the look of things, had been executed. A number 
had their hands tied behind their backs and most had been shot in the
 head and, despite the graphic nature, I had no qualms about making 
some photographs of these people.

Not long after, government forces counterattacked to push the rebels out 
of the city. Everyone was exhausted from the lack of sleep and constant 
fighting, and the retreat quickly turned into a disorganized scramble
 to get out of the city. Soldiers commandeered looted vehicles, and I 
even remember one dragging a speedboat behind it in the stampede 
to escape. To make matters worse, government soldiers were closing in
on the escape route and began firing from different directions on the 
convoy of vehicles. One rocket-propelled grenade took out a car behind
ours, and at one point we abandoned our vehicles and took shelter in a
nearby group of houses. I began seriously considering abandoning the rebels and heading out on my own toward the coastline on foot, but luckily thought better of it and got back inside the car with the group I was with.

The road slowly wound its way away from the low-slung shacks of
 the suburbs and back into the lush green forest. Our close-knit convoy 
started to thin a little as some cars sped out ahead while others, laden 
with people and booty, took their time. The landscape slid by as I tried
 to come down and calm my mind from the earlier events—I was in a
 heightened state of tension, tired, hungry, and aware that I was totally 
out of control of events. Just as I started to feel the euphoria of being
 alive, our car slowed in the commotion of a traffic jam. A soft-topped 
truck up ahead that was carrying about 30 civilians had skidded as it
 went around a corner and turned over on itself. A number of people 
had been killed and wounded—probably having the same thoughts of 
relief that I had before calamity struck. Now they were dead and their 
squashed bodies were being carried out from the wreckage. Someone 
asked me if I was going to photograph this—but I was too far gone to be
able to attempt any recording of the event. I couldn’t think straight, let 
alone muster the energy needed to make a picture. I just watched from 
a distance as people mourned and carried away the dead. My brain was
 like a plate of scrambled eggs.

There isn’t much more to add, but I always remember that day and the 
feeling of being so empty—physically, mentally, and spiritually—that it
 was impossible to make the photograph.

Years later, when I put together a book about those events in Liberia, I
 included a photograph of one of the people who had been killed outside 
of the beer factory. I thought it was an important picture but didn’t
 dwell on what it might mean for the mother of that boy to come across 
it printed in a book. My thoughts about this resurfaced recently as I put
 together a new book about a group of American soldiers I spent a lot of 
time with in Afghanistan. They reminded me a lot of the young Liberian 
rebel fighters, and yet, when I came to selecting a picture of one of their
 dead in the battlefield, I hesitated and wondered if printing a graphic 
image was appropriate. It was an image I had made of a young man 
shot in the head after the American lines had been overrun—not dissimilar
 from the one in Liberia. My hesitation troubled me. Was I sensitive
 this time because the soldier wasn’t a nameless African? Perhaps I had 
changed and realized that there should be limits on what is released 
into the public? I certainly wouldn’t have been in that questioning position 
if I’d never taken the photograph in the first place….but I did, and 
perhaps these things are worth thinking about and confronting after all.

—Tim Hetherington

Tim Hetherington (1970-2011) was a British-American photographer and 
filmmaker. His artwork ranged from digital projections and fly-poster exhibitions to handheld-device downloads. Hetherington published two monographs, Long Story Bit by Bit: Liberia Retold (Umbrage Editions, 2009), 
and Infidel (Chris Boot, 2010). His Oscar-nominated 
film Restrepo, about young men at war in Afghanistan, was also released in 2010.
 Tragically, Hetherington was killed while covering the 2011 Libyan civil war.

Photographs Not Taken also features work by Roger Ballen, Ed Kashi, Mary Ellen Mark, Alec Soth, Peter van Agtmael and many others. More information about the book and how to purchase it is available here

On April 22, 2012 from 2:00-4:00pm, MoMA PS1, located in Queens, NY, will host a a panel discussion with contributors Nina Berman, Gregory Halpern, Will Steacy, Amy Stein, moderated by Daylight founders Michael Itkoff and Taj Forer.

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Tim Hetherington's video diary shows unpublished work from Liberia, Afghanistan and other places the late war photographer covered.

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‘Diary’ is a highly personal and experimental film that expresses the subjective experience of my work, and was made as an attempt to locate myself after ten years of reporting. It’s a kaleidoscope of images that link our western reality to the seemingly distant worlds we see in the media. - Tim Hetherington

Camera + Directed by Tim Hetherington
Edit + Sound design by Magali Charrier

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Editor’s note: This post has been updated most recently on 1 May 2011. All the link additions can be found at the bottom of the post.

The world lost Tim Hetherington and Chris Hondros in Libya yesterday, two not only great photojournalists, but based on tributes I have read,  two wonderful human beings. Both men were in their very early forties. Two other photographers, Guy Martin and Michael Christopher Brown were also injured by the blast that killed Hetherington and Hondros. Wednesday 20 April 2011 will remain as one of the darkest days in the history of photojournalism, along with 10 February 1971, the day when Larry Burrows, Henry Huet, Kent Potter, and Keisaburo Shimamoto were downed in Laos. I had never met either Tim Hetherington or Chris Hondros, but I had huge amount of respect and admiration for their work, not only the courage and willingness to put themselves in harm’s way  for their stories but especially for the compelling photographs they produced under the difficult and dangerous circumstances forever present in conflict situations. As soon as the terrible news were announced  during yesterday afternoon and evening,  countless tributes and memorials began flooding online on both sides of the Atlantic from both men’s friends and colleagues. I would like to show my own appreciation towards Tim Hetherington and Chris Hondros by compiling here some of those mentioned tributes, as well links to some interviews and work of both the photojournalists. I would like to dedicate this post  to the memory of the two men and to their friends and family. My thoughts are with them at this very sad time. I can only imagine the pain felt by those who knew Tim and Chris personally.  I hope friends and family can find some solace in the fact that neither of them lived their lives in vain. Not only did both Hetherington and Hondros spend most of  their careers highlighting important issues  that would have otherwise been ignored or overlooked by the general public in countries such the UK and US, but they also practiced their craft at the very top tier of our industry to a very high standard and they were setting a mark towards which the rest of us should always strive for. Tim and Chris will be greatly missed.

Tim Hetherington 1970-2011

“My pictures were being used to illustrate others’ ideas, so I started making stories to express my own ideas about the world”  - Tim Hetherington

“My work is about trying to get us to understand that we are connected and trying to build bridges and understanding between people.”  - Tim Hetherington on Twitter August 27, 2010

Please take a moment to write a message to Tim Hetherington’s family and share it with his friends http://timhetherington.org/condolences/

Chris Hondros 1970-2011

Chris Hondros Guest Book

Funeral Services Announced For Chris Hondros

The initial news…

Articles – New York Times: ‘Restrepo’ Director and a Photographer Are Killed in Libya (NYT: April 2011)

Articles – BBC: Two photojournalists killed in Libyan city of Misrata (BBC: April 2011)

Articles – PDN: Tim Hetherington Killed In Libya (PDN: April 2011)

Articles – PDN: Chris Hondros Killed in Libya (PDN: April 2011)

“He was driven to make the most compelling images in some of the world’s most chaotic places. He strove to make a difference, to make people feel what he was seeing.” Los Angeles Times staff photographer Rick Loomis on Chris Hondros

Articles – LA Times: Photojournalists Tim Hetherington and Chris Hondros killed in Libya (LAT Framework: April 2011)

Articles – BJP: Two photojournalists killed, others severely injured in Libya (BJP: April 2011)

Articles – MSNBC: Two photojournalists are killed and two others injured in rocket attack in Misrata (MSNBC: April 2011)

Articles – CPJ: Photojournalists Hetherington, Hondros dead in Libya (CPJ: April 2011)

Articles – Guardian: Documentary maker Tim Hetherington and photographer Chris Hondros killed (Guardian: April 2011)

Tributes and memorials…

Articles – NPPA: Tim Hetherington, Chris Hondros Killed In Libya (NPPA: April 2011)

Articles – Guardian: Tim Hetherington obituary (Guardian: April 2011)

“He knew what path he wanted to follow, his work was direct and purposeful and stood as an example to many of his proteges.”

Articles – Panos Pictures: Tim Hetherington 1970 – 2011 (Panos: April 2011)

Articles – BBC: Tim Hetherington: 1970 – 2011 (BBC: April 2011)

Blogs – CJ Chivers: Almost Dawn in Libya: Chris & Tim, Heading Home. (Writer’s blog: April 2011)

Articles – TIME: Tim Hetherington in Memoriam (TIME LB: April 2011)

Articles – TIME: Chris Hondros in Memoriam (TIME LB: April 2011)

Articles – NYT Lens: Parting Glance: Chris Hondros (NYT Lens: April 2011)

Articles – NYT Lens: Parting Glance: Tim Hetherington (NYT Lens: April 2011)

Articles – Wall Street Journal: Remembering Chris Hondros (WSJ: April 2011)

Articles – New Yorker Photo Booth: In Memoriam: Tim Hetherington (New Yorker: April 2011)

Articles – Sue Turton (Al Jazeera): Remembering Tim Hetherington (Al Jazeera: April 2011)

Blogs – FotoBoogie: Tim Hetherington gone but never forgotten 

Blogs – Fred Ritchin: Tim Hetherington, a casualty of war 

Blogs – Michael Grieve: The integrity of Tim Hetherington

Blogs – David Alan Harvey: only the good die young..

Blogs – Kenneth Jarecke: For What’s It’s Worth

Blogs – Vincent Laforet: 2 Great photographers lost today in Libya – doing what they loved to do. (Photographer’s blog: April 2011)

Blogs – Andrew Hetherington: Dear Tim (WTJ: April 2011)

Blogs – Pete Kiehart: Chris and Tim

Articles – Dana Stevens (Slate): Tim Hetherington’s Diary (Slate: April 2011)

Articles – Peter Bradshaw: Tim Hetherington: a brilliant journalist and a courageous, radical film-maker (Guardian: April 2011)

Articles – Xan Brooks: Tim Hetherington: one of the finest photojournalists on the planet (Guardian: April 2011)

Articles - Sebastian Junger:  Tim Hetherington (Vanity Fair: April 2011)

NYT Mag DoP Kathy Ryan’s tribute to Tim…

Articles – Kathy Ryan: Remembering Tim Hetherington (6thfloor blog NYT: April 2011)

“Tim died in pursuit of a story for us” – David Campbell

Articles – David Campbell: Post-photography: Tim Hetherington’s living legacy (DC blog: April 2011)

“Without Chris, Tim, and other photojournalists like them, the truth about the horrors of war can easily be hidden. Dismissed. Accepted.” – Andrea Bruce

Articles – Andrea Bruce: Chris Hondros : A Photojournalist Remembered (NPR: April 2011)

Articles – Craydon Carter (Vanity Fair): A Loss in the Family: Tim Hetherington 1970-2011 (VF: April 2011)

Articles – Sebastian Doggart: Tim Hetherington: A hero’s journey (Telegraph: April 2011)

Articles – Channel4 (UK): Tim Hetherington : a Tribute (Channel4: April 2011)

Articles – Life: Chris Hondros in Memoriam (Life.com: April 2011)

Articles – Getty Images blog: Chris Hondros, friend and colleague (Getty blog: April 2011)

Articles – Life: Remembering Tim Hetherington (Life.com: April 2011)

Articles – Doctors Without Borders: In Memoriam: Chris Hondros (Doctors without Borders: April 2011)

InterviewsSebastian Junger on Tim Hetherington (ABC News: April 2011)

Articles – ABC News: A Filmmaker Tim Hetherington’s Last Message (ABC News: April 2011)

““The news that Chris Hondros was killed in Misurata is a gut punch to so many people, for so many reasons, both because he was so young, so talented, and perhaps most of all because he was so fearless. It is impossible to imagine him doing anything but the work he loved doing. The world is a more enlightened and more aware place today because Chris Hondros felt such a profound responsibility to brave war zones in order to share the truth in poignant images with the rest of the world.” – John Kerry

“Everything about him — his passion, his sense of purpose, and his spirit — gave meaning to the word `photojournalist.” – John Kerry

Articles – Boston Globe: John Kerry recalls photographer Chris Hondros killed in Libya (Boston Globe: April 2011)

We should never forget how dangerous it is to cover conflicts…

Articles – Roger Tooth: ‘Photographers have to be near the action. Sometimes too near’ (Guardian: April 2011) Tim Hetherington and Chris Hondros were killed while shooting the war in Libya. The Guardian head of photography explains the unique challenge of war photojournalism

Articles – NPR: The Toll of Covering Conflicts (NPR: April 2011)

Articles – Sean Smith: War photographers are not addicted to danger (Guardian: April 2011)

Articles – Boston Globe Big Picture: Photographers in Peril (Boston Globe: April 2011)

Articles – NPR: War Photographers Joao Silva and Greg Marinovich on their injuries,ethics (NPR: April 2011)

Articles – Scott Strazzante: On life and loss, death and photojournalism (Chicago Tribune: April 2011)

Articles - Daily Beast: Libya War Photographers’ Final Hours (DB: April 2011)

Some debate going on regarding if the news were appropriate to be broken on social media first…

Articles – Teru Kuwayama: Notifying Next of Kin in the Age of Facebook (PBS: April 2011)

Articles – Wired Rawfile blog: Journalists Killed in Libya, News Breaks on Facebook (Raw File: April 2011)

Some interviews with Tim and Chris…

InterviewsTim Hetherington’s Last Interview (Outsideonline.com: 2011)

InterviewsTim Hetherington : The fault lines of West Africa (Frontline Club: 2009)

InterviewsTim Hetherington (PBS video from 2009 on on A Photo Editor blog)

Essential reading…

InterviewsTim Hetherington : By Any Means Necessary (Foto8: 2008)

InterviewsTim Hetherington and Gary Knight discuss war photography (Dispatches)

InterviewsChris Hondros (Chicago Tribune Assignment Chicago blog: 2011)

InterviewsChris Hondros : Me and Joseph Duo (Digital Journalist: 2005)

InterviewsChris Hondros : Life Behind the Lens (MSNBC)

Some Tim Hetherington interviews from the PJ Links archive…

Hetherington, Tim (BBC: October 2010)

Hetherington, Tim (Guernica: September 2010)

Hetherington, Tim talks about his documentary Restrepo (NPR: June 2010)

“If you are interested in mass communication, then you have to stop thinking of yourself as a photographer. We live in a post-photographic world. If you are interested in photography, then you are interested in something — in terms of mass communication — that is past. I am interested in reaching as many people as possible.” – Tim Hetherington

Hetherington, Tim (NYT Lens: June 2010)

Hetherington Tim (video) (VF: December 2007) Pushing back the Taliban and al-Qaeda in Afghanistan’s strategically crucial Korengal Valley is one of the U.S. Army’s deadliest challenges. For “Into the Valley of Death” (January 2008), Sebastian Junger dug in with the men of Second Platoon, whose humor, courage, and camaraderie come under daily fire. In this video, which features battlefront footage shot by Junger and photographer Tim Hetherington for ABC News, Junger and Hetherington talk about their experiences in Afghanistan while working on the story.

Hetherington, Tim on his Liberia project (BBC: 2009)

Hetherington, Tim at NYPH (video c. 45 minutes) (What’s the Jackanory: May 2009)

Their work…

The photojournalism community is in shock today, but we can take some comfort in knowing that both men died doing what they most loved. We can celebrate and applaud their lives’ work and achievements.

Tim’s website

Chris’ website

Features and Essays – NYT: Chris Hondros, at Work in Libya (NYT Lens: April 2011)

Features and Essays - MSNBC: Photojournalist Chris Hondros  tribute slideshow (MSNBC: April 2011)

Features and Essays – Guardian: Chris Hondros – a retrospective in pictures (Guardian: April 2011)

Features and Essays – BBC: Chris Hondros in Libya: The last photographs (BBC: April 2011)

Features and Essays – Chris Hondros: Baghdad in D Minor (NYT Lens: 2010)

Some Chris Hondros features from the PJ Links archive…

101st Airborne in Afghanistan (Newsnet5.com: October 2010)

Firefight in Afghanistan (Montreal Gazette: July 2010) Hondros NYT Lens

Afghanistan, seen through a Humvee window (MSNBC: June 2010)

My window onto Kandahar (Tampabay.com: June 2010) M-ATV vehicle in Kandahar, Afghanistan

Features and Essays – Guardians: Tim Hetherington – a retrospective in pictures (Guardian: April 2011)

Features and EssaysTim Hetherington’s photographs (MSNBC: April 2011)

Features and Essays – Vanity Fair: Tim Hetherington: A Vanity Fair Portfolio (VF: April 2011)

Videos – Tim Hetherington: Diary (Photographer’s Vimeo: 2010)

Videos – Tim Hetherington: Sleeping Soldiers (Photographer’s Vimeo: 2009)

Videos - Tim Hetherington: Healing Sport (The Photography Channel)

Some Tim Hetherington features from the PJ Links archive…

Infidel (NYT Lens: October 2010) A Family Album: American Soldiers at War

Restrepo (Visura: August 2010)

Death Valley Days article (NYT: June 2010) About Restrepo documentary

Tim Hetherington : In focus (New Yorker: April 2010)

As mentioned at the start of this post, two other photographers, Guy Martin and Michael Christopher Brown, were also injured by the same blast that killed Tim and Chris. Guy Martin’s injuries were serious. I wish him safest of recoveries.

MSNBC: Doctor: Two Western photographers recovering in Misrata

Articles – PDN: Guy Martin Critical But Stable (PDN: April 2011)

Articles – BJP: Injured British photographer in serious, but stable condition (BJP: April 2011)

Articles – Huck: Photographer Guy Martin seriously injured (Huck Magazine: April 2011)

Friday 22 April Update:

Lens blog have just put up a piece about Guy Martin…

Articles – NYT Lens: At 27, Guy Martin Becomes a Veteran (NYT Lens: April 2011)

Saturday 23 April Update:

New York Magazine: Shooters: The City’s War Photographers Mourn Two of Their Own (NY Mag: April 2011)

James Rainey: The deaths in Libya of Tim Hetherington and Chris Hondros hit home with their fellow photojournalists. (LAT: April 2011)

David Schonauer: The Risky History of the War Photographer (Monroe Gallery blog: April 2011)

Michael Kamber: A Group of Conflict Photographers Runs Out of Luck (NYT: April 2011)

Greg Campbell:  Chris Hondros, RIP (Salon: April 2011) How my best friend died in a combat zone

NYT At War blog:  Service Held for Combat Photographers and Doctor Killed in Misurata (NYT: April 2011)

Photojournalists embark on final journey home (Storyful.com: April 2011)

Al Jazeera: Ajdabiya honours fallen British photojournalist (Al Jazeera: April 2011)

Wall Street Journal: A look at the NYC photojournalism community in the wake of this weeks tragedies (WSJ: April 2011)

“As those close to him knew, Tim was preparing to apply to Magnum this June, while we were preparing to welcome him into our family. Many of us will now always feel there is an empty chair with his name on it during our gatherings.” – Jonas Bendiksen

Magnum Photos: Remembering Tim Hetherington & Chris Hondros (Magnum: April 2011)

Peter van Agtmael: Testimony from a Colleague: Looking Back at Tim Hetherington’s Liberia (TIME LB: April 2011)

Nic Bothma: Tribute to Chris Hondros, who ventured far with his torch (CPJ: April 2011)

Andrew Burton: Hetherington and Hondros, In Memoriam (Photographer’s blog: April 2011)

Amanda Rivkin: Tumbling through Chris Hondros’ Getty Archive (Photographer’s Tumblr: April 2011)

Guardian have put up a slideshow of some of Guy Martin’s work…

Guardian: Photographer Guy Martin capturing the conflict in Libya : in pictures (Guardian: April 2011)

Sunday 24 April Update:

Brian Till: “The Bang Bang Club,” Tim Hetherington, and Bearing Witness (The Atlantic: April 2011)

Boston Globe Big Picture blog: Photojournalist Chris Hondros: At Work in Misurata, Libya (Boston Globe: April 2011)

TIME - Libyan Rebels Dedicate Town Square to Journalist Tim Hetherington (TIME: April 2011)

Amanda Rivkin: In Memoriam: Chris Hondros and Tim Hetherington (Photographer’s blog: April 2011)

InterviewsGreg Marinovich talks about conflict photojournalism, The Bang Bang Club (Daily Beast: April 2011)

NY service for Chris Hondros Wednesday 27 April at 1 pm Sacred Hearts St. Stephens Church 125 Summit St. Brooklyn

Monday 25 April update:

BBC World Service: From Our Own Correspondent:  Stuart Hughes reflects on the risks of reporting wars (BBC: April 2011)

Newsweek: The Last Witnesses (Newsweek: April 2011) War photographers Tim Hetherington and Chris Hondros

Charles Glass: Photographers: The First Casualties of War (Takimag.com: April 2011)

NPPA: Funeral Services Announced For Chris Hondros 

Matt Lutton: The Chris Hondros photograph that changed me (dvafoto: April 2011)

John Louis Lucaites: Of Totems and Taboos (No Caption Needed: April 2011)

Tuesday 26 April Update:

David Carr: War, in Life and Death (NYT: April 2011) Carr on Tim Hetherington and Chris Hondros

Michael Ware : To Talk With Ghosts (Newsweek: April 2011) Ware on the Pain of War Reporting

Bagnewsnotes: Remembering Chris Hondros, Part I (BNN: April 2011)

Chris Hondros’ memorial service will be streamed live here Wednesday 1pm EST.

Thursday 28 April Update: 

Barrie Peach Special Envoy’s Mission, Benghazi: In Memory of Tim Hetherington (FCO.gov.uk: April 2011)

NPPA: London Funeral For Tim Hetherington In May (NPPA: April 2011)

NPPA: Chris Hondros Remembered As A “Prophetic Humanist” (NPPA: April 2011)

Lucy Davies: Tim Hetherington: a tribute (Telegraph: April 2011)

Todd Heisler: Chris Hondros in New York (NYT Lens: April 2011)

BagNewsNotes: Remembering Chris Hondros, Part II (BNN: April 2011)

Amy Yenkin: Remembering Tim Hetherington (Open Society: April 2011)

Christina Larson: In Memoriam, Chris Hondros (Foreign Policy: April 2011)

Saturday 30 April 2011 Update:

Peter Bouckaert: The Vulture Club Tim Hetherington was a member of a special, close-knit brotherhood: people who work in war zones. (Foreign Policy: April 2011)

BagNewsNotes: Remembering Chris Hondros, Part III: Tal Afar (BNN: April 2011)

Getty Images: Fiancée of Getty Images Photographer Chris Hondros Announces Fund to Aid Photojournalists   April 28, 2011 – The fiancée of Chris Hondros, the award-winning Getty Images photographer killed on April 20 in an attack by government forces in Misrata, Libya, has announced the formation of The Chris Hondros Fund, which will encourage and assist aspiring photojournalists, aid photojournalists and other journalists in conflict zones and raise awareness of issues surrounding their work.   Christina Piaia, who was engaged to Mr. Hondros, announced that contributions could be made by check to The Chris Hondros Fund, c/o Getty Images, 75 Varick St., 5th Floor, New York, NY 10013.   “Chris devoted his life to bringing the hardships of conflicts from Kosovo to Liberia to Afghanistan to Iraq into the public eye,” said Ms. Piaia. “We are setting up this fund to honor Chris’ memory, protect his colleagues in war-torn areas, and help aspiring journalists and photographers cover these events.”   Please direct requests for information to Jim Rosenfeld at Davis Wright Tremaine, LLP, 1633 Broadway, 27th Floor | New York, NY 10019; Tel: (212) 603-6455; Fax: (212) 489-8340; Email: jamesrosenfeld@dwt.com.

1 May 2011 Update: 

Max Hastings: Death or Glory (Financial Times: April 2011)

Régis Le Sommier: My Footsteps in Your Footsteps (Paris Match: April 2011)

Washington Post: Style writer Dan Zak reflects on collaborating with photographers (WP: April 2011)

Olivier Laurent: Remembering Chris Hondros (BJP: April 2011)

Donald R. Winslow: Chris Hondros Remembered As A “Prophetic Humanist” (NPPA: April 2011

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