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Numerous tents are seen during the 2013 International Camping Festival on Mount Wugongshan in Pingxiang, Jiangxi province, China. The event attracted more than 15,000 campers from all over the world, according to Xinhua News Agency.

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TIME Photo Department

“For centuries, Cuba’s greatest resource has been its people,” writes Pico Iyer in an extended essay on the Caribbean nation in this week’s magazine. In the twilight of the Castro era, Cubans are finding that change brings both hope and anxiety.

To pair with Iyer’s tome, TIME called upon Danish photographer Joakim Eskildsen. Eskildsen, who previously photographed a large portfolio for TIME on the state of poverty in America, traveled to Cuba for ten days, photographing urban housing projects in Havana and rural settlements across the countryside. With the help of local journalist Abel Gonzalez Alayon, Eskildsen photographed tobacco plantations, roadside fruit vendors, migrant workers and beachfront resorts — capturing all in the vibrant saturation of medium-format color film.

“I immediately fell in awe with the complexity of this country,” says Eskildsen. “The more you learn about the situation and how people are living, the more difficult it becomes to understand. It was like learning to view the world form a Cuban angle that kept surprising and inspiring me.”

To read Pico Iyer’s extended essay on Cuba, subscribe here. Already a subscriber? Click here.

Joakim Eskildsen is a Danish photographer based in Berlin. LightBox previously featured Eskildsen’s Home Works and Below the Line: Portraits of American Poverty.

Abel Gonzalez Alayon is a journalist based in Cuba. Follow him on Twitter @abelcuba.

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Liz Ronk

Elaine Mayes might well be the most accomplished photographer and photography educator that many passionate photography aficionados have never heard of. As one of the very first women teachers of photography who learned her craft primarily in art school, Mayes has influenced generations of photographers while quietly, steadily and tenaciously pursuing her own vision as a creative artist. This summer, Mayes’ work from her seminal Autolandscapes series will go on display through January 2014 at the Smithsonian’s American Art Museum, alongside work by Steve Fitch and Robbert Flick.

Mayes, who defines her aesthetic, in part, as a “Walt Whitman approach” to photography — i.e., embracing influences found in “everything and in nothing” — has taught both photography and film at the University of Minnesota, Hampshire College (where she was a founding member of the faculty), Pratt, Bard and several other schools. (She’s currently Professor Emerita in NYU’s Tisch School of the Arts.)  She studied with Minor White; was friendly with the likes of Bruce Davidson, John Szarkowski and Diane Arbus in the 1960s and beyond; has shown her work at MoMA New York, MoMa San Francisco, the Brooklyn Museum and elsewhere; and cites fellow artists like Paul Caponigro and Wynn Bullock as major influences on her photography.

Her work belongs to no “school.” Instead, across six decades, Mayes has employed a deeply individualistic sensibility — nowhere more evident than in the Autolandscapes (1971). She had just gotten a job teaching at Hampshire when, after requesting an NEA grant for $3,000, she won a grant for a mere third of that. Undeterred, she drove across country with her husband and four cats, chronicling the landscape — other automobiles, gas stations, homes, factories, road signs, cows, empty tarmac. The result is a marvelous, unadorned, understated and perfectly “of its time” document of early Seventies Americana. Focusing on the horizontal plane witnessed outside of her moving car, the photos formalize the idea of capturing movement in a way that also seems to slow, and even stop, time.

The work seen in this gallery, meanwhile, is primarily comprised of photos that are part of an ongoing series Mayes began when she moved to Minnesota to teach in the 1960s, and has continued to work on through today. With her keen interest in photos that have a mysterious quality, and images where the scene is big, but the tiniest details are still cleanly visible, Mayes characterizes her own goal as an effort to make photographs by “responding [to her environment], but not knowing why.”

This body of work will be on view as part of a group exhibition, Landscapes in Passing: Photographs by Steve Fitch, Robbert Flick and Elaine Mayes, at the American Art Museum in Washington D.C.

Liz Ronk is the photo editor of LIFE.com.

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Original author: 
Mikko Takkunen

Features and Essays

Rena Effendi / INSTITUTE  for National Geographic

Rena Effendi / National Geographic

Rena Effendi: Transylvania Hay Country (National Geographic)  The old art of making hay on the grass-growing meadows of Transylvania | from the July issue of National Geographic magazine | Effendi’s agency

Ami Vitale: Montana Ranch (Photo Booth)  A testament to a disappearing way of life and an ode to its endurance.

Rena Effendi: Spirit Lake (Institute) Located in an isolated and economically languishing area of North Dakota, Spirit Lake is a Sioux Indian reservation home to some 6,200 inhabitants

Raphaela Rosella: Teen Mothers in Australia (Feature Shoot)

Giorgos Moutafis

Giorgos Moutafis

Giorgos Moutafis: Istanbul’s Taksim Square (Photo Booth) Moutafis’s website

Guy Martin: Turmoil in Istanbul: Turkey’s Gezi Park Protests (LightBox) Full edit on Panos Pictures here

Guillaume Herbaut: Unrest in Turkey (Institute)

LouLou d’Aki: Occupy Istanbul: Portraits of Turkey’s Protest Kids (NY magazine)

Enri Canaj

Enri Canaj

Enri Canaj: City of Shadows (Foto8) Athens, Greece

Yannis Behrakis: Homelessness in Greece (Guardian) Related on Reuters photoblog here

Lauren Greenfield: The Fast and The Fashionable (ESPN) In Monaco during F1 Grand Prix

Giovanni Cocco: The Life Of A Sibling With Disability (NPR Picture Show)

Riverboom: Giro d’Italia (Institute)

Robert Nickelsberg: Surviving Cold War (World Policy) Forces from Norway, Britain, and the Netherlands in training in the planet’s harshest climate in the Arctic Circle

Diana Markosian

Diana Markosian

Diana Markosian: My Father, The Stranger (NYT) Markosian writes about her father here | Related on the NYT Lens blog here

Ian Willms: Following in the Mennonites’ Footsteps (LightBox)

Tomasz Lazar: In Kosovo, Bridging an Ethnic Divide (NYT)

Cathal McNaughton: Yarnbombers (Guardian) Photographer Cathal McNaughton has caught up with the Yarnbombers, the guerrilla knitters who plan to target the G8 using knitting or crochet rather than graffiti

Sebastian Liste / Reportage by Getty Images for TIME

Sebastian Liste / Reportage by Getty Images for TIME

Sebastian Liste: On the Inside: Venezuela’s Most Dangerous Prison (LightBox)

Pietro Paolini: Ecuador: Balance on the Zero (Terra Project)

Elizabeth Griffin and Amelia Coffaro: Capturing Life With Cancer At Age 28 (NPR Picture Show)

Lars Tunbjörk: Cremation: The New American Way of Death (LightBox)

Lucas Jackson: Tornado survivors of Moore (Reuters photo blog) multimedia

Andy Levin: Coney Island (NYT Lens)

Daniel Love: 200 Hours (Guardian)

Robert Herman: New York: A View of Inner Turmoil (NYT Lens)

Reed Young: The Ground Zero of Immigration: El Paso (LightBox)

Sara Lewkowicz: An unflinching look at domestic abuse (CNN photo blog)

Tony Fouhse: The Simple View of Ottawa (NYT Lens)

Justin Jin for the New York Times

Justin Jin for the New York Times

Justin Jin: A Chinese Push for Urbanization (NYT)

Sean Gallagher: Climate change on the Tibetan plateau (Guardian) audio slideshow

Nic Dunlop: On the frontlines of a ‘Brave New Burma’ (CNN photo blog)

Zohra Bensemra: Pakistan’s female Top Gun (Reuters)

Paolo Marchetti: The Stains of Kerala (LightBox)

Behrouz Mehri / AFP / Getty Images

Behrouz Mehri / AFP / Getty Images

Behrouz Mehri: Life in Tehran, glimpsed through the rear window (AFP Correspondent)

Tyler Hicks: A New Strategy on One Syrian Front (NYT)

Laurent Van der Stockt: On The Damascus Front Lines (Le Monde)

Jason Larkin: Suez – Egypt’s Lifeline (Panos Pictures)

Nyani Quarmyne: Bridging Approaches to Mental Illness in Sierra Leone (NYT Lens)

Jake Naughton: Education of Girls in Kibera (Feature Shoot)

David Guttenfelder: Last Song for Migrating Birds (NGM) Across the Mediterranean, millions are killed for food, profit, and cruel amusement.

Nick Cobbing: Follow the Creatures (Photographer’s website) Antarctica

Nelli Palomäki: Portraits of Children (LightBox)

Articles

AP Explore

AP Explore

The Burning Monk 50th anniversary (AP) Malcolm Wilde Browne was 30 years old when he arrived in Saigon on Nov. 7, 1961, as AP’s first permanent correspondent there. From the start, Browne was filing the kind of big stories that would win him the Pulitzer Prize for reporting in 1964. But today, he is primarily remembered for a photograph taken 50 years ago on June 11, 1963, depicting the dignified yet horrific death by fiery suicide of Buddhist monk Thich Quang Duc.

Malcolm Browne: The Story Behind The Burning Monk (LightBox)

Love struck: Photographs of JFK’s visit to Berlin 50 years ago reveal a nation instantly smitten (The Independent) Photographer Ulrich Mack accompanied Kennedy on the entire trip. The results, published this month as Kennedy in Berlin, have mostly never been seen before

Osman Orsal / Reuters

Osman Orsal / Reuters

Images of Protest in Istanbul: The Woman in Red (No Caption Needed)

Turkey’s “Lady in Red” and the Importance of Professional Photographers (NPPA)

The photo that encapsulates Turkey’s protests and the severe police crackdown (Washington Post)

‘Woman in red’ sprayed with teargas becomes symbol of Turkey protests (Guardian)

Photographer documents Istanbul ‘war zone’ in his own backyard on Facebook (NBC News photo blog)

Photographic Mood, on the Eve of Destruction (No Caption Needed)

Photographer Injured in Istanbul Protests (PDN)

Pixelating the reality? (Al Jazeera: Listening Post) Photography is a subjective medium, and how it is used will always depend on who is using it. | On Paul Hansen’s World Press Photo of the Year and post-processing in photojournalism in general

The Art of War – Ron Haviv (Viewpoint on Vimeo) A documentary from the public television of Greece, year 2013. Language: English | Greek Subtitles

Leading photojournalist captures the beating heart of a brutal world (Sydney Morning Herald) Forty years of covering atrocities has only reinforced James Nachtwey’s faith in humanity

Rita Leistner: Looking for Marshall McLuhan in Afghanistan (BagNewsNotes)

Profile of a Curatorial Master: Yolanda Cuomo (LightBox)

A Glance at the 2013 LOOK3 Photo Festival (LightBox)

Edouard Elias / Getty Images

Edouard Elias / Getty Images

Two journalists, including photographer Edouard Elias, abducted in Syria (BJP) According to Le Monde and BBC News, the two journalists, Didier François and Edouard Elias, were travelling to Aleppo in Syria when they were abducted by four armed men at a checkpoint 

Syrian teacher turned war photographer (CNN) Nour Kelze describes her transition from English teacher in Aleppo to war photographer in the middle of Syria’s conflict.

Frontline Freelance Register created to help freelance war reporters (BJP)

Margaret Bourke-White’s Damaged Negatives From a Classic Assignment (LIFE)

A Paean to Forbearance (the Rough Draft) (NYT) The origins behind James Agee’s 1941 book, “Let Us Now Praise Famous Men,” a literary description of abject poverty in the South, accompanied by Walker Evans photographs.

In pictures: Saul Leiter’s pioneering colour photography (BBC)

Ageing and creative decline in photography: a taboo subject (BJP)

The Woman in a Jim Crow Photo (NYT Lens)

Abigail Heyman, Feminist Photojournalist, Dies at 70 (NYT) Related

Denver photographer Steven Nickerson who shocked, awed, dead at 55 (Denver Post)

Bolivar Arellano’s Photos for El Diario-La Prensa (NYT Lens)

Nelson Mandela: a life in focus (Guardian) Pulitzer Prize-winning photographer Greg Marinovich reflects on a legend of our time

Eman Mohammed in the Gaza Strip (Denver Post Plog)

Robert Capa’s vintage prints on show (BBC) To mark what would have been the 100th birthday of photographer Robert Capa, the Atlas gallery in London is holding an exhibition of his work. It comprises a wide range of prints from his time in Spain during the Civil War through World War II, and ending with the Indo China conflict where he lost his life.

Uzbek migrant workers in Kazakhstan

Chloe Dewe Mathews

Chloe Dewe Mathews’s best photograph – Uzbek migrant workers (Guardian)

Featured photographer: Scout Tufankjian (Verve Photo)

Featured photographer: Carlo Gianferro (Verve Photo)

Featured photographer: Antonia Zennaro (Verve Photo)

Deutsche Börse photography prize 2013 won by Broomberg and Chanarin (Guardian)

American Girls: Photographs Offer Vision into American Girlhood (Daily Beast) Polish photographer Ilona Szwarc’s new exhibit captures 100 kids with their cult-classic toy, the American Girl doll.

Northern Ireland: 30 Years of Photography by Colin Graham – review (Guardian) This catalogue of recent Northern Irish photography shows a determination to leave the documentary style of the Troubles behind

After Lowry (FT magazine) Landscape photographer John Davies takes a series of pictures in the northwest of England inspired by the work of LS Lowry

Eric Maierson: This is what editing feels like (MediaStorm blog)

Yunghi Kim: Protecting Our Images (NPPA)

I Spy: Photographer who secretly snapped neighbors goes to court (Yahoo)

Beyonce Photoshopped Into Starvation for Latest Ad Campaign (PetaPixel)

Interviews and Talks

C-SPAN

C-SPAN

Rodrigo Abd and Javier Manzano (C-Span)

Carolyn Drake (cestandard) An interview with Carolyn Drake, author of Two Rivers

Paul Conroy (Amanpour) The deadliest country on earth for journalists | Conroy on Marie Colvin’s last assignment

Alex Webb (LA Times Framed)

Christopher Anderson (GUP magazine)

Stuart Franklin (Vice) There’s More to Stuart Franklin Than the Most Famous Photo of the 20th Century

Paula Bronstein / Getty Images

Paula Bronstein / Getty Images

Paula Bronstein (ABC Radio National Australia) Internationally acclaimed US photo journalist Paula Bronstein talks about bearing witness to human suffering through her photo essays.

John H. White (NPR Picture Show) Photo Staff Firings Won’t Shake Pulitzer Winner’s Focus

Joe McNally (NYT Lens) Photographing on Top of the World

David Guttenfelder (NGM) Photographer David Guttenfelder reflects upon why taking pictures of the slaughter of songbirds is like covering a war.

Alexandra Avakian / Contact Press Images

Alexandra Avakian / Contact Press Images

Jean-François Leroy (BJP) Visa pour l’Image organizer on the festival’s editorial line and the cost of covering war

Jean-François Leroy (BJP) Visa pour l’Image organizer on social media, the future of photojournalism and the need for greater cooperation

Marco Di Lauro (Image Deconstructed)

Evgenia Arbugaeva (Leica blog) Leica Oskar Barnack Award Winner 2013

Jenn Ackerman (PBS NewsHours) One Photographer’s Experience Documenting Mentally Ill Inmates

Richard Misrach (PDN Pulse) Misrach on Documentary vs. Art, the Complications of Portraiture, and Digital Photography

Daniel Etter / Redux

Daniel Etter / Redux

Daniel Etter (LightBox Tumblr)

Espen Rasmussen (Panos Social)

Michael Christopher Brown (Window magazine)

Terry O’Neill (WSJ) The photographer on starlets, the Stones and Sinatra

Ewen Spencer (Vice) The Soul of UK Garage, As Photographed by Ewen Spencer

Mikko Takkunen is an associate photo editor at TIME.com. Follow him on Twitter @photojournalism.

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TIME Photo Department

TIME LightBox presents our monthly round-up of the best books, exhibitions and ways to experience photography beyond the web—from the Steve McCurry exhibition in Colorado and the 55th Venice Biennale to Roger Ballen’s ‘Portraits from South Africa’ in Los Angeles and the Belfast Photo Festival.

‘The Guide’ on LightBox will be published monthly. If you have submissions or suggestions for upcoming round-ups of the best books and exhibitions, feel free to pass them along via email before June 15. We’ll also be updating this gallery throughout the month.

See the previous editions of The Guide:

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Mikko Takkunen

Features and Essays

Lucas Jackson / Reuters

Lucas Jackson / Reuters

Lucas Jackson: Haunting Night Scenes of Oklahoma’s Devastation (ABC News) Reuters photographer Lucas Jackson traveled to Moore and used the twilight night sky to illuminate some haunting landscapes the tornado left behind.

Katie Hayes Luke: Faces And Places The Tornado Left Behind (NPR Picture Show)

Ashley Gilbertson: Intricate Rituals for Fallen American Troops (NYT)

Steve Ruark: Honoring the Fallen (LightBox) One Photographer’s Witness to 490 Dignified Transfers

Luke Sharrett: Sacrifices Set in Adorned Stone (NYT Lens) Gravestones at Arlington National Cemetery in Virginia.

Sergey Ponomarev: A Supporting Role (NYT) In Afghan Transition, U.S. Forces Take a Step Back

Andrew Burton: Afghanistan (CNN Photo blog) Photographing ‘my generation’ at war

Eugene Richards: Inside Guantanamo (LightBox)

Ilona Szwarc

Ilona Szwarc

Ilona Szwarc: The Little Cowgirls (Telegraph) Deep in the heart of Texas, young girls are bucking the trend and breaking into the traditionally macho world of rodeo. The photographer Ilona Szwarc has corralled some of these junior ropers and riders into a compelling visual essay | Related article here

Aaron Huey: Pine Ridge (LightBox) Aaron Huey has photographed the Oglala Lakota for seven years on the Pine Ridge Indian Reservation in South Dakota.

Ilona Szwarc: American Girls (Photo Booth)

Andrew Moore: Stuck in the Shadow of Affluence (NYT Magazine) How the epidemic of empty, foreclosed homes in Chicago’s poorest neighborhoods ignited a new form of guerrilla activism.

Justin Maxon: Gunland (LightBox) Chicago’s South Side

Billie Mandle: Reconciliation (Wired Raw File photo blog) American confessionals and reconciliation rooms

Christopher Anderson: Skin on Parade in Central Park (NY Magazine) New York Magazine sent photographer Christopher Anderson to meander around Central Park on a 79-degree day

Charles Ommanney: Heavy Metal Cruise (Reportage by Getty Images)

Anderson Scott: Civil War Lovers Can’t Leave the Past Behind at Awkward Reenactments (Wires Raw File)

Arne Svenson: The Neighbors (Photo Booth)

Martin Parr: Life’s a Beach / USA Color (Slate Behold)

Joshua Yospyn: America’s Quirky Coincidences (NYT Lens)

Saul Robbins: Behind Closed Doors at New York Shrink Offices (Slate Behold)

Ruth Prieto: Safe Heaven (burn magazine)  The second chapter of a documentary project about Mexican immigrant women in New York.

Lynsey Addario / VII for TIME

Lynsey Addario / VII for TIME

Lynsey Addario: Rich Nation, Poor People (LightBox) With its vast oil wealth, Saudi Arabia has one of the highest concentrations of super rich households in the world. But an estimated 20 percent of the population, if not more, lives in crippling poverty.  

Kiana Hayeri: Young Iranian Immigrants (NYT Lens) Leaving Tehran and Restraints Behind

Carolyn Drake: Two Rivers: A Journey Through Central Asia (Photo Booth) A photographic record of the area in Central Asia that follows the Amu Darya and the Syr Darya, the region’s major rivers.

Linda Forsell: Refugee Crisis (zReportage) Syria | Jordan’s Zaatari refugee camp is home to 170,000 people from Syria who have fled the fighting.

Kalpesh Lathigra: Passport-Style Portraits of Displaced Syrians Living in the Za’atari Refugee Camp (Feature Shoot)

Guillaume Herbaut: Chinese Weddings (CNN Photo blog)

Peter Pin: Life Beyond The Killing Fields (NPR Picture Show)

Angelos Tzortzinis

Angelos Tzortzinis

Angelos Tzortzinis: Societal Ills Spike in Crisis-Stricken Greece (NYT Lens)

Espen Rasmussen: Mud, Fire and Pain (Panos Pictures) Tough Guy claims to be the world’s most demanding one-day survival ordeal and it has been widely described as ‘the toughest race in the world’

Espen Rasmussen: Pain (Panos Pictures) As part of a longer project looking at masculinity and middle aged men, Espen visits the longest single stage cycle race in the world, from Tronheim to Oslo in Norway.

Kirsten Luce: Matadora (NYT Lens) In the Arena With a Smile — and a Bull

Brett Gundlock: One Small Town’s Fight to Banish a Brutal Mexican Cartel (Wired Raw File)

Yann Gross: A snake story in the Brazilian far west (Institute)

Kate Holt: Somalia surgeons: under the knife in Mogadishu (Guardian) audio slideshow

Siegfried Modola: Ethiopia’s ancient salt trail (Guardian)

Takayuki Maekawa: Wild Animals (CNN Photo blog)

Articles

030-035_FTMAG_0106_FINAL.indd

The Financial Times Magazine, June 1/2 2013

My friend, Robert Capa (FT Magazine) John Morris, former picture editor of Life, talks about the great photographer and his most historic roll of film – of D-Day

The month in photography – audio slideshow (Guardian) Vanessa Winship, Erwin Blumenfeld and Nobuyoshi Araki feature in June’s guide to the best photography around the world.

World Press Photo controversy: Objectivity, manipulation and the search for truth (BJP) Beyond the attacks leveraged against Paul Hansen’s winning World Press Photo, the recent controversy over image toning is symptomatic of the current state of photojournalism and its place in a society that has learned not to trust what it sees. Photojournalists, photography directors and post-producers speak to Olivier Laurent, and ask whether objectivity in photojournalism is actually attainable

Drama, Manipulation and Truth: Keeping Photojournalism Useful (Picture Dept)

chrishondrosfilm.com

chrishondrosfilm.com

Hondros: A Life in Frames – trailer (Chris Hondros film website)

Censored – images of our ugly truths, natural and man-made (Sydney Morning Herald)

A Photographer, A Fixer, the New York Times and Child Servitude in Haiti: A Story Gone Haywire, then Simply Gone (BagNewsNotes)

American beauty: Vanessa Winship’s photos of still, small-town US life (Guardian) Winship used her Henri-Cartier Bresson prize money well: to fund a book, She Dances on Jackson, in which she has captured the silence at the heart of a clamorous nation

Photographing What Endures For Australia’s Aboriginals (NPR Picture Show) Amy Toensing’s project for the National Geographic

Don McCullin guest of honour at 25th Visa pour l’Image (CPN)

A war photographer’s rediscovered images from Vietnam (CBS News)

Andrea Bruce

Andrea Bruce / Noor Images

War Through a Woman’s Eyes (American Photo magazine) Some of today’s top conflict photographers just happen to be women. We spoke with a handful of these photojournalists about their experiences—and how they differ from their male colleagues’

Photojournalists Tell the Untold Stories From Iraq (Slate Behold)

Kathy Ryan: Office Romance: Renzo Piano’s Light (NYT Magazine 6th Floor Blog)

Capturing ‘Out Cold’ Commuters with TIME’s Patrick Witty (Instagram blog)

Martin Parr: All the world’s a beach (FT Magazine) For one photographer, there is no better place than the seaside to observe human eccentricity in all its glory

Finding And Photographing Alaska’s Remote Veterans (NPR Picture Show)

‘Pictures from the Real World’: Derby, England in 1988 (LightBox)

Q&A: Why is Emphas.is now turning to its own platform to survive? (BJP)

Who Will Crowdfund the Crowdfunder? (NYT Lens)

Moving Walls (The Foreign Policy) Looking back on 15 years of human rights photography.

Through the Lens of Eggleston (WSJ) The selection of William Eggleston’s photographs, “At War with the Obvious,” currently on view at The Metropolitan Museum of Art in New York City, reminds us why he an American master. For the June issue of WSJ. Magazine,  the legendary photographer agreed to shoot part of his extensive collection of Leica and Canon cameras | Related

Garry Winogrand and the Art of the Opening (The Paris Review)

Wayne Miller obituary (Guardian) Magnum photographer celebrated for his images of the second world war and Chicago’s South Side

In Memoriam: Wayne Miller (1918 – 2013) (LightBox)

Stephanie Sinclair’s best photograph: child brides in Yemen (Guardian)

Featured photographer: Tim Richmond (Verve Photo)

Featured photographer: Albertina d’Urso (Verve Photo)

Featured photographer: Katharine MacDaid (Verve Photo)

Featured photographer: Joel van Houdt (Verve Photo)

The little girl in the photo, all grown up (AFP Correspondent blog) AFP photographer Jean-Philippe Ksiazek hears from a girl he photographed in Pristina at the end of the war in Kosovo

When Photography Imitates Voyeurism (NYT Magazine 6th Floor blog)

Joseph Eid / AFP / Getty Images

Joseph Eid / AFP / Getty Images

War and Representation: Showing the Limits of Comprehension (No Caption Needed)

Digital and the the desire for long form journalism (David Campbell blog)

What a Photograph Can Accomplish: Bending the Frame by Fred Ritchin (LightBox)

Chicago Sun-Times lays off its photo staff (Chicago Tribune)

Chicago Sun-Times will train reporters on ‘iPhone photography basics’ (Poynter.)

Alex Garcia: The Idiocy of Eliminating a Photo Staff (Chicago Tribune Assignment Chicago photo blog)

Do Newspapers Need Photographers? (NYT)

How the Internet Killed Photojournalism (PetaPixel)

Spitting on the Grave (Jim Colton website) On Yahoo CEO Marissa Mayer’s comment ‘there’s really no such thing as professional photographers anymore’

Defining “News photographer” for the future (Reuters photo blog)

Anton Corbijn to shoot James Dean biopic, Life (Guardian) Control director to explore real-life friendship between 50s icon and Life magazine photographer in new film

Harlequin Without His Mask (Francis Hodgson blog) On Rankin

NY Times Public Editor Questions T Magazine Photoshopping Policy (PDN)

NYC Tribeca Residents Enraged Over Photos They Claim Violate Their Privacy (ABC News)

‘Control Order House’ by Edmund Clark – Photographing our response to terrorism (The Independent)

Ponte City: An Apartheid-Era High Rise Mired in Myth (LightBox) In 2008, South African photographer Mikhael Subotzky, in collaboration with British artist Patrick Waterhouse, set out to create a visual document of the building as monumental as the structure itself, exploring a long, complex history mired in myth.

Interviews and Talks

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind (Nat Geo Live) Mothers, Models, and Fighters | A rising star on the photography scene, Anastasia Taylor-Lind documents the lives of women who live isolated from male society, including in schools for Siberian supermodels and military training camps for Cossack women | video

John H. White (CNN) Howard Kurtz talks to Pulitzer prize-winning photographer John H. White about what the layoffs mean for the news industry after Chicago Sun-Times drops photographers

Jonas Bendiksen (Vice) Bendiksen Takes Photos in Countries That Don’t Exist

Winners from the 2013 World Press Photo Contest (WPP) Nineteen prizewinners discuss their award-winning work.

Alec Soth (A Photo Editor)

 Tom Powel Imaging inc.

Richard Mosse, The Enclave, 2013. Six screen film installation, color infrared film transferred to HD video. Filmed in Eastern Congo. Courtesy of the artist and Jack Shainman Gallery. Photo: Tom Powel Imaging inc.

Richard Mosse (Frieze Vimeo) The Impossible Image | Artist and photographer Richard Mosse reveals the stories behind the making of his latest film, ‘The Enclave’ (2013), in the Democratic Republic of Congo, which will be shown in the Irish Pavilion at this year’s 55th Venice Biennale.

Lauren Greenfield (Rookie magazine) Money Changes Everything: An Interview With Lauren Greenfield

Donna Ferrato (Vogue Italy) “I really believe in the power of photography to change the world. I think without it we would be like cavemen”

Fabio Bucciarelli (Photographic Museum of Humanity)

James Nachtwey (National Geographic magazine) Longer version on Stephen Alvarez’s Facebook page here

Maggie Steber  Part 1 | Part 2 (Leica blog)

John G. Morris (Vogue Italy)

Tim Page (Radio Australia) Page on history, photography and the Vietnam War

Thomas Dworzak (Roads and Kingdoms) Dworzak’s Instagram Chapbooks

Saul Leiter (In-Public)

Alan Chin

Alan Chin

Photojournalists on Covering the War in Iraq (The Leonard Lopate Show / WNYC) audio | Michael Kamber interviewed photojournalists from many leading news organizations to create a comprehensive collection of eyewitness accounts of the Iraq War—Photojournalists on War. He’s joined by photographers Alan Chin and Ashley Gilbertson, who discuss trying to cover the war in Iraq and examine the role of the media and issues of censorship

New booktells ‘untold stories’ from Iraq (MSNBC) Photojournalist Michael Kamber joins MSNBC’s Craig Melvin and fellow photojournalists Carolyn Cole and Ed Kashi to talk about his new book, “The Untold Stories From Iraq: Photojournalists on War”.

Doug Richard (ABC Arts) A New American Picture: Doug Rickard’s Google Street View road-trip

David Guttenfelder (The World) Inside the Hermit Kingdom: David Guttenfelder on Photographing North Korea

Mads Nissen

Mads Nissen

Mads Nissen (Panos Social) The Making of Amazonas

Ben Lowy (ABC Arts)

Ben Lowy (MSN Australia) Covering warzones with an iPhone

Kai Löffelbein (Leica blog) A Hidden World in Hong Kong

Tomas van Houtryve (The Story)

Michal Chelbin (The Voice of Russia)

Sue Ogrocki (LightBox) Moments of Hope in Oklahoma: One Photographer’s Story

Paul Hellstern (CNN) Photographer captures snapshots of courage after tornado levels OKC school

Ed Jones (LightBox Tumblr)

Stacy Pearsall (Peach Pit) In the Trenches with Combat Photographer

Katrin Koenning (No Borders Magazine) A sense of belonging

Alonzo J. Adams (LightBox Tumblr)

Laura Pannack (Photo Whoa) Speaking Through Your Photographs & Connecting with Your Viewer

Mikko Takkunen is an associate photo editor at TIME.com

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Original author: 
David Von Drehle

In February, Justin Maxon, a photographer and Northern California native, spent several days and nights on Chicago’s South Side for TIME, trying to make fresh images that convey the sadly familiar fact of gun violence in the great but troubled city.

There is a fire, an intensity, to Maxon’s work that may partly be the end result of a journalist in his 20s seeing a story with fresh eyes. But even more, it is a measure of his honest desire to go past the surface of a picture to the complicated humanity that lies at the core of all conflict. These are real people, and left behind are real survivors wrestling with grief, guilt, and anger.

“What I witnessed and gathered from the stories of people living in the South Side is that their community is about survival,” Maxon tells TIME. “With that dynamic comes fight. Violence is built into the structure of survival.”

Maxon questioned how to best represent the complex issues facing the community, revealing just how critical it is to show the nuances when covering an environment saddled by intense transformation. Too often, reports of urban violence begin and end with data: name, age, street address — and how many murders does that make for this year? Maxon’s pictures are the opposite, pulling viewers from the grim facts toward the search for meaning.

“These are communities of strength and hope,” Maxon says. “Where people come together to grieve but to also encourage and inspire. I obviously had to illustrate the story of violence, but I was most interested in searching for how the community was trying to critically engage with the issue in an adaptive and positive way.”

Click here to read editor-at-large David Von Drehle’s full magazine story on Chicago and Mayor Rahm Emanuel available exclusively for TIME subscribers.

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Justin Maxon is a Northern California native whose recent work When the Spirit Moves (featured on LightBox June 10, 2011) documents Chester, Pennsylvania—a community facing upwards of 300 unsolved murder cases since the mid-nineties.

David Von Drehle is an editor-at-large for TIME, where he has covered politics, breaking news and the Supreme Court since 2007. He is the author of four books, including Abraham Lincoln and America’s Most Perilous Year, published in 2012, and Triangle: The Fire That Changed America

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Original author: 
Myles Little

Spring has finally sprung, and what better way to celebrate — on World Goth Day, no less — than with a bunch of haunting photos of graveyards, romantic ruins and landscapes laid waste by time?

Today’s distinctive, global Goth culture can trace its black-clad lineage back several hundred years, to a revolutionary series of literary works, from Mary Shelley’s Frankenstein in 1818 to Edgar Allan Poe’s bleak, evocative novels, stories and poems to, of course, Bram Stoker’s 1897 psycho-sexual horror masterpiece, Dracula.

In the middle part of the last century, England’s beloved Hammer Films kept the Goth spirit alive with a slew of dark, campy — and often critically panned — gems (The Curse of Frankenstein, The Mummy and more). In the Sixties, Goth received a slightly lighter treatment with the hit American TV series, The Addams Family, based on Charles Addams’ wry, gloomy New Yorker cartoons.

In the 1970s, the romance of Goth culture revived in a big way when British bands like Bauhaus, Siouxsie & the Banshees and, above all, The Cure slouched onto the scene, crafting lovely, somber albums that appealed to misanthropes and misunderstood teens everywhere. Bands like Depeche Mode, Marilyn Manson and The Knife have helped carry the movement into the present day. (If interested, check out The Guardian’s selection of its favorite goth tunes curated for last year’s World Goth Day.)

Millions of bottles of black eyeliner and nail polish later, Goth’s influence can be felt everywhere from Alexander McQueen’s fashion to Tim Burton’s films.

Here, LightBox presents a selection of images from more than 150 years of photo history—photographs made not by Goth photographers, but pictures that instead evoke the original, dark and beautiful spirit of Goth — the spirit articulated so perfectly by Shelley’s Victor Frankenstein himself: “Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world.”

So, on World Goth Day 2013, why sit on your couch and mope when you can sit in front of your computer and mope?

Enjoy! (But no smiling allowed.)

Myles Little is an associate photo editor at TIME.

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Original author: 
Megan Gibson

Many artists perceive power in movement. Photographer and visual artist Chris Levine seeks to illuminate the power inherent in stillness.

His larger-than-life subjects — which include Queen Elizabeth II and singer Grace Jones — might be among the most photographed people in the world, but Levine has a knack for capturing them at rest, as if in the calm of a storm. “Every opportunity I got [to shoot a portrait], I tried to distill it back to just pure essence without any suggestion or iconography or anything,” he told TIME during a recent visit to his studio in Oxfordshire, England, ahead of his solo retrospective show at The Fine Art Society on May 17. “I’m experimenting with that and trying to get stillness in the image.”

He says the challenge as a photographer is to distance himself from the idea of his subject  and focus on the person he has right in front of his lens. In a recent sitting with Kate Moss, Levine says he was determined to ignore Kate Moss, the supermodel, and instead tried “to bring her back, just to Kate – Kate, Kate, Kate.” In doing this, he manages to take one of the fashion world’s most recognizable faces and show it in a new light.

Which may explain why an artist who largely focuses on lights, lasers and holography — as Levine has done since his student days at London’s Chelsea School of Art; his light installations will be included in the retrospective at The Fine Art Society — has made a name for himself in recent years for his portraits. The Canadian-born Brit, now 41, says that he never expected to be shooting icons at this stage in his career. In fact, back in 2004, when he received a call from Buckingham Palace asking him to shoot a portrait of the Queen, Levine initially thought it was a prank. “I thought it was a hoax at first! Seriously, I really did. It just seemed so far-fetched.”

Once Levine was sufficiently convinced that it was not a ruse but a Royal request, he went to work preparing lights and equipment, wanting to put his knowledge of light and holography to use capturing the monarch in a truly modern fashion. Setting up the visual light equipment in Buckingham Palace took Levine about three days – “and it took every second,” he recalls – and the shoot itself took about an hour and a half. However, the resulting images, including Lightness of Being as well as the shot selected for TIME’s cover on the Queen’s Diamond Jubilee in 2012, are arresting and timeless.

“I think [these images] struck such a chord because it’s going somewhere into a more spiritual dimension and into a deeper realm,” he says. ”It’s what we are but people don’t very often connect with it.”

Chris Levine: Light 3.142 is on display from May 17 to June 15, 2013 at The Fine Art Society in London.

Chris Levine is a Canadian born light artist based in the United Kingdom.

Megan Gibson is a writer and reporter at the London bureau of TIME. Find her on Twitter at @MeganJGibson.

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Original author: 
Ishaan Tharoor

The build-up to Pakistan’s elections, which will be held May 11, has been clouded by a disturbing streak of violence. Suicide bombers, militants and gunmen have attacked rallies and assassinated candidates. Some of Pakistan’s leading secular political parties, including the incumbent ruling PPP, have even eschewed campaigning in public because of the alarming threat to their security.

The contest for governance, then, has become a battle between two more religiously-inclined heavyweights — former Prime Minister Nawaz Sharif and cricketer-turned-politician Imran Khan. Of the duo, Khan’s story is far more interesting. Not long ago, he was known simply as a handsome star athlete with an alleged “playboy” lifestyle. But his subsequent entrance into Pakistani politics as a pious outsider keen to clean up the corrupt status quo galvanized much of the country’s youth and urban middle class.

He has been staging dozens of rallies across Pakistan — a series of which are documented here by Italian photographer Massimo Berruti. On May 7, at a rally in Lahore, Khan was being hoisted onto stage on a forklift when a press of bodies sent him sprawling fifteen feet head-first to the ground. His injuries include three fractured vertebrae, but he is expected to make a full recovery — and may well even go on to win an electoral outcome few thought possible only months ago.

Massimo Berruti is a photographer based in Paris and Rome, represented by Agence VU. In 2010, Berruti was awarded the Carmignac Gestion Prize for his work from Pakistan.

Ishaan Tharoor is a staff writer at TIME and co-editor of TIME World.

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