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Photographers around the world looked up to the sky this past weekend to capture the "supermoon." This is the phenomenon when the moon makes its closest approach to Earth, appearing 30 percent brighter and about 14 percent larger than a typical full moon. It occurs about once every 14 months and is technically called a perigee full moon. At 221,823 miles from Earth, the supermoon was a feast for the eyes.-Leanne Burden Seidel (24 photos total)
A cotton candy vendor walks in from of the moon during the Los Angeles Angels' baseball game against the Pittsburgh Pirates, June 22 in Anaheim, Calif. (Mark J. Terrill/Associated Press)    

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Yesterday marked World Refugee Day, as the United Nations high commissioner for refugees, António Guterres, visited Jordan to highlight the 1.6 million registered people who have fled the ongoing conflict in Syria. The UN refugee agency, which was set up in 1950 to aid those still displaced after World War II, reports that there are some 10.5 million refugees worldwide. -- Lloyd Young ( 29 photos total)
Afghan refugee children, swim in muddy water created from a broken water pipe, on the outskirts of Islamabad, Pakistan, on June 17. Pakistan hosts over 1.6 million registered Afghans, the largest and most protracted refugee population in the world, according to the UN refugee agency. (Muhammed Muheisen/Associated Press)     

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Mikko Takkunen

Features and Essays

Rena Effendi / INSTITUTE  for National Geographic

Rena Effendi / National Geographic

Rena Effendi: Transylvania Hay Country (National Geographic)  The old art of making hay on the grass-growing meadows of Transylvania | from the July issue of National Geographic magazine | Effendi’s agency

Ami Vitale: Montana Ranch (Photo Booth)  A testament to a disappearing way of life and an ode to its endurance.

Rena Effendi: Spirit Lake (Institute) Located in an isolated and economically languishing area of North Dakota, Spirit Lake is a Sioux Indian reservation home to some 6,200 inhabitants

Raphaela Rosella: Teen Mothers in Australia (Feature Shoot)

Giorgos Moutafis

Giorgos Moutafis

Giorgos Moutafis: Istanbul’s Taksim Square (Photo Booth) Moutafis’s website

Guy Martin: Turmoil in Istanbul: Turkey’s Gezi Park Protests (LightBox) Full edit on Panos Pictures here

Guillaume Herbaut: Unrest in Turkey (Institute)

LouLou d’Aki: Occupy Istanbul: Portraits of Turkey’s Protest Kids (NY magazine)

Enri Canaj

Enri Canaj

Enri Canaj: City of Shadows (Foto8) Athens, Greece

Yannis Behrakis: Homelessness in Greece (Guardian) Related on Reuters photoblog here

Lauren Greenfield: The Fast and The Fashionable (ESPN) In Monaco during F1 Grand Prix

Giovanni Cocco: The Life Of A Sibling With Disability (NPR Picture Show)

Riverboom: Giro d’Italia (Institute)

Robert Nickelsberg: Surviving Cold War (World Policy) Forces from Norway, Britain, and the Netherlands in training in the planet’s harshest climate in the Arctic Circle

Diana Markosian

Diana Markosian

Diana Markosian: My Father, The Stranger (NYT) Markosian writes about her father here | Related on the NYT Lens blog here

Ian Willms: Following in the Mennonites’ Footsteps (LightBox)

Tomasz Lazar: In Kosovo, Bridging an Ethnic Divide (NYT)

Cathal McNaughton: Yarnbombers (Guardian) Photographer Cathal McNaughton has caught up with the Yarnbombers, the guerrilla knitters who plan to target the G8 using knitting or crochet rather than graffiti

Sebastian Liste / Reportage by Getty Images for TIME

Sebastian Liste / Reportage by Getty Images for TIME

Sebastian Liste: On the Inside: Venezuela’s Most Dangerous Prison (LightBox)

Pietro Paolini: Ecuador: Balance on the Zero (Terra Project)

Elizabeth Griffin and Amelia Coffaro: Capturing Life With Cancer At Age 28 (NPR Picture Show)

Lars Tunbjörk: Cremation: The New American Way of Death (LightBox)

Lucas Jackson: Tornado survivors of Moore (Reuters photo blog) multimedia

Andy Levin: Coney Island (NYT Lens)

Daniel Love: 200 Hours (Guardian)

Robert Herman: New York: A View of Inner Turmoil (NYT Lens)

Reed Young: The Ground Zero of Immigration: El Paso (LightBox)

Sara Lewkowicz: An unflinching look at domestic abuse (CNN photo blog)

Tony Fouhse: The Simple View of Ottawa (NYT Lens)

Justin Jin for the New York Times

Justin Jin for the New York Times

Justin Jin: A Chinese Push for Urbanization (NYT)

Sean Gallagher: Climate change on the Tibetan plateau (Guardian) audio slideshow

Nic Dunlop: On the frontlines of a ‘Brave New Burma’ (CNN photo blog)

Zohra Bensemra: Pakistan’s female Top Gun (Reuters)

Paolo Marchetti: The Stains of Kerala (LightBox)

Behrouz Mehri / AFP / Getty Images

Behrouz Mehri / AFP / Getty Images

Behrouz Mehri: Life in Tehran, glimpsed through the rear window (AFP Correspondent)

Tyler Hicks: A New Strategy on One Syrian Front (NYT)

Laurent Van der Stockt: On The Damascus Front Lines (Le Monde)

Jason Larkin: Suez – Egypt’s Lifeline (Panos Pictures)

Nyani Quarmyne: Bridging Approaches to Mental Illness in Sierra Leone (NYT Lens)

Jake Naughton: Education of Girls in Kibera (Feature Shoot)

David Guttenfelder: Last Song for Migrating Birds (NGM) Across the Mediterranean, millions are killed for food, profit, and cruel amusement.

Nick Cobbing: Follow the Creatures (Photographer’s website) Antarctica

Nelli Palomäki: Portraits of Children (LightBox)

Articles

AP Explore

AP Explore

The Burning Monk 50th anniversary (AP) Malcolm Wilde Browne was 30 years old when he arrived in Saigon on Nov. 7, 1961, as AP’s first permanent correspondent there. From the start, Browne was filing the kind of big stories that would win him the Pulitzer Prize for reporting in 1964. But today, he is primarily remembered for a photograph taken 50 years ago on June 11, 1963, depicting the dignified yet horrific death by fiery suicide of Buddhist monk Thich Quang Duc.

Malcolm Browne: The Story Behind The Burning Monk (LightBox)

Love struck: Photographs of JFK’s visit to Berlin 50 years ago reveal a nation instantly smitten (The Independent) Photographer Ulrich Mack accompanied Kennedy on the entire trip. The results, published this month as Kennedy in Berlin, have mostly never been seen before

Osman Orsal / Reuters

Osman Orsal / Reuters

Images of Protest in Istanbul: The Woman in Red (No Caption Needed)

Turkey’s “Lady in Red” and the Importance of Professional Photographers (NPPA)

The photo that encapsulates Turkey’s protests and the severe police crackdown (Washington Post)

‘Woman in red’ sprayed with teargas becomes symbol of Turkey protests (Guardian)

Photographer documents Istanbul ‘war zone’ in his own backyard on Facebook (NBC News photo blog)

Photographic Mood, on the Eve of Destruction (No Caption Needed)

Photographer Injured in Istanbul Protests (PDN)

Pixelating the reality? (Al Jazeera: Listening Post) Photography is a subjective medium, and how it is used will always depend on who is using it. | On Paul Hansen’s World Press Photo of the Year and post-processing in photojournalism in general

The Art of War – Ron Haviv (Viewpoint on Vimeo) A documentary from the public television of Greece, year 2013. Language: English | Greek Subtitles

Leading photojournalist captures the beating heart of a brutal world (Sydney Morning Herald) Forty years of covering atrocities has only reinforced James Nachtwey’s faith in humanity

Rita Leistner: Looking for Marshall McLuhan in Afghanistan (BagNewsNotes)

Profile of a Curatorial Master: Yolanda Cuomo (LightBox)

A Glance at the 2013 LOOK3 Photo Festival (LightBox)

Edouard Elias / Getty Images

Edouard Elias / Getty Images

Two journalists, including photographer Edouard Elias, abducted in Syria (BJP) According to Le Monde and BBC News, the two journalists, Didier François and Edouard Elias, were travelling to Aleppo in Syria when they were abducted by four armed men at a checkpoint 

Syrian teacher turned war photographer (CNN) Nour Kelze describes her transition from English teacher in Aleppo to war photographer in the middle of Syria’s conflict.

Frontline Freelance Register created to help freelance war reporters (BJP)

Margaret Bourke-White’s Damaged Negatives From a Classic Assignment (LIFE)

A Paean to Forbearance (the Rough Draft) (NYT) The origins behind James Agee’s 1941 book, “Let Us Now Praise Famous Men,” a literary description of abject poverty in the South, accompanied by Walker Evans photographs.

In pictures: Saul Leiter’s pioneering colour photography (BBC)

Ageing and creative decline in photography: a taboo subject (BJP)

The Woman in a Jim Crow Photo (NYT Lens)

Abigail Heyman, Feminist Photojournalist, Dies at 70 (NYT) Related

Denver photographer Steven Nickerson who shocked, awed, dead at 55 (Denver Post)

Bolivar Arellano’s Photos for El Diario-La Prensa (NYT Lens)

Nelson Mandela: a life in focus (Guardian) Pulitzer Prize-winning photographer Greg Marinovich reflects on a legend of our time

Eman Mohammed in the Gaza Strip (Denver Post Plog)

Robert Capa’s vintage prints on show (BBC) To mark what would have been the 100th birthday of photographer Robert Capa, the Atlas gallery in London is holding an exhibition of his work. It comprises a wide range of prints from his time in Spain during the Civil War through World War II, and ending with the Indo China conflict where he lost his life.

Uzbek migrant workers in Kazakhstan

Chloe Dewe Mathews

Chloe Dewe Mathews’s best photograph – Uzbek migrant workers (Guardian)

Featured photographer: Scout Tufankjian (Verve Photo)

Featured photographer: Carlo Gianferro (Verve Photo)

Featured photographer: Antonia Zennaro (Verve Photo)

Deutsche Börse photography prize 2013 won by Broomberg and Chanarin (Guardian)

American Girls: Photographs Offer Vision into American Girlhood (Daily Beast) Polish photographer Ilona Szwarc’s new exhibit captures 100 kids with their cult-classic toy, the American Girl doll.

Northern Ireland: 30 Years of Photography by Colin Graham – review (Guardian) This catalogue of recent Northern Irish photography shows a determination to leave the documentary style of the Troubles behind

After Lowry (FT magazine) Landscape photographer John Davies takes a series of pictures in the northwest of England inspired by the work of LS Lowry

Eric Maierson: This is what editing feels like (MediaStorm blog)

Yunghi Kim: Protecting Our Images (NPPA)

I Spy: Photographer who secretly snapped neighbors goes to court (Yahoo)

Beyonce Photoshopped Into Starvation for Latest Ad Campaign (PetaPixel)

Interviews and Talks

C-SPAN

C-SPAN

Rodrigo Abd and Javier Manzano (C-Span)

Carolyn Drake (cestandard) An interview with Carolyn Drake, author of Two Rivers

Paul Conroy (Amanpour) The deadliest country on earth for journalists | Conroy on Marie Colvin’s last assignment

Alex Webb (LA Times Framed)

Christopher Anderson (GUP magazine)

Stuart Franklin (Vice) There’s More to Stuart Franklin Than the Most Famous Photo of the 20th Century

Paula Bronstein / Getty Images

Paula Bronstein / Getty Images

Paula Bronstein (ABC Radio National Australia) Internationally acclaimed US photo journalist Paula Bronstein talks about bearing witness to human suffering through her photo essays.

John H. White (NPR Picture Show) Photo Staff Firings Won’t Shake Pulitzer Winner’s Focus

Joe McNally (NYT Lens) Photographing on Top of the World

David Guttenfelder (NGM) Photographer David Guttenfelder reflects upon why taking pictures of the slaughter of songbirds is like covering a war.

Alexandra Avakian / Contact Press Images

Alexandra Avakian / Contact Press Images

Jean-François Leroy (BJP) Visa pour l’Image organizer on the festival’s editorial line and the cost of covering war

Jean-François Leroy (BJP) Visa pour l’Image organizer on social media, the future of photojournalism and the need for greater cooperation

Marco Di Lauro (Image Deconstructed)

Evgenia Arbugaeva (Leica blog) Leica Oskar Barnack Award Winner 2013

Jenn Ackerman (PBS NewsHours) One Photographer’s Experience Documenting Mentally Ill Inmates

Richard Misrach (PDN Pulse) Misrach on Documentary vs. Art, the Complications of Portraiture, and Digital Photography

Daniel Etter / Redux

Daniel Etter / Redux

Daniel Etter (LightBox Tumblr)

Espen Rasmussen (Panos Social)

Michael Christopher Brown (Window magazine)

Terry O’Neill (WSJ) The photographer on starlets, the Stones and Sinatra

Ewen Spencer (Vice) The Soul of UK Garage, As Photographed by Ewen Spencer

Mikko Takkunen is an associate photo editor at TIME.com. Follow him on Twitter @photojournalism.

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Reuters photographer Yannis Behrakis, based in Athens, spent several weeks documenting the unemployed and homeless in Greece as the continued economic downturn has impacted the numbers of homeless. Since the debt crisis erupted in 2009, hundreds of thousands of Greeks have lost their jobs -- the unemployment rate in the country reached 26.8 percent, as the economy contracted by another 5.6 percent in the first quarter of 2013, and even stricter austerity measures are being urged. See also Portraits of Greece in Crisis from last year. [23 photos]

Alexandros, a 42-year-old from Serres in northern Greece, sits in the abandoned car he lives in, at the port of Piareus near Athens, on April 10, 2013. Alexandros owned a plant shop in Athens until 2010, when it was forced to close, he became homeless soon after. According to Praxis, a non-governmental organization, the number of homeless in Greece has nearly doubled to over 20,000 from 11,000 in 2009. (Reuters/Yannis Behrakis)     

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By JOHN LELAND

A Greek photographer was unmoved by the immigrant community in Astoria, Queens, when he visited as a teenager. Twenty-five years later, he returned, drawn to the same community that alienated him as a youth.

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WSJ Staff

In today’s pictures, a tennis player rips off his shirt in celebration in Rome, Palestinians and Israeli soldiers clash in the West Bank, traffic police officers practice emergency techniques in Bangkok, and more.

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burn magazine

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ESSAY CONTAINS EXPLICIT CONTENT

Enri Canaj

Shadow In Greece

play this essay

 

The centre of Athens, as I first remember it, was full of life.

During the period before the Olympic Games, there was great development. New hotels appeared in order to host the visitors, shops, restaurants and cafes kept sprouting out, it was full of people everywhere. All this happened within a few years. It was as if the city put on new clothes. During the days of the Olympics, the city was clean and well-guarded. You would not see street- merchants, drug-addicts or immigrants, just tourists and people who came in order to have a good time. In my eyes, it looked like another place.

As time passed, the city started deteriorating and gradually recovered its previous character: the everyday life that we all knew, with the junkies, the street-merchants, the the immigrants and the prostitutes.

Time passes fast. The city is now fading. Some people abandon it due to the crisis. Many shops and hotels have shut down, the centre is now almost deserted. People fear they will get ripped-off, they hear that this happens all the time. They no longer feel like going out and wandering about like before. They even fear seeing all the poverty and destitution, they drug-users who will rip you off for their shot, the women prostituting themselves.

But for me, those people were always there. I found them all there when I first arrived as a 9-year old child. They were always there when I was growing up. They are somehow trapped in their lives, subsisting in terrible circumstances, in squalid houses with insufficient hygiene.

The immigrants live in small rooms that they rent, many of them together, without much hope. The women prostitute themselves even in the streets for 5€. You don’t want to run into them in the street. Yet, hanging around with them has been my daily routine. This way, it was easier to approach them. They are sensitive people with a lot of problems, with ruined families behind them. Sometimes they give the impression that no one has cared for them. As if they want someone to talk to, as if they want to get out of the misery they are in. For some of them I had the sense that they were almost looking for someone to open up to and take it all out. Like confessing. What made an impression on me was that they often opened up and talked as if they knew me. Sometimes they talked about difficult things, about what they were experiencing, as if they were talking about someone else. Almost as if they felt better this way.

I would only shoot when I sensed that they were more comfortable, after some time had passed. Sometimes, unexpected things happened, and made me change the plan I had in mind. Other times, things just happened spontaneously, and I was just following along. The images I have selected are stronger for me, because I know the story behind them.

I have been working on this project since 2011. My work is still in progress. When others looks at those pictures I want them to feel respect and dignity for the subjects. Like I do.

 

Bio:

Enri Canaj was born in Tirana, Albania, in 1980. He spent his early childhood there and moved with his family to Greece in 1991, immediately after the opening of the borders. He is based in Athens and covers stories in Greece and the Balkans.

He studied photography at the Leica Academy in Athens. In 2007 he took part in a British Council project on migration, attending a year-long workshop with Magnum photographer Nikos Economopoulos.

Since 2008, he has been a freelance photographer for major publications such as Time Magazine Lightbox, Newsweek, Le monde Diplomatique (German edition),TO VIMA, TA NEA, Tachydromos and VIMAGAZINO. A sample of his work has been exhibited at the Cultural Foundation of the National Bank of Greece in Athens and Salonica, at the Bilgi Santral in Istanbul, the European Parliament in Brussels and the Athens Photo Festival.

He has been working in the Balkans, mainly Kosovo and Albania, as well as Greece, focusing on migration and the recent crisis.

 

Related links:

Enri Canaj

 

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