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Original author: 
Mikko Takkunen

Features and Essays

Kirsten Luce for the New York Times

Kirsten Luce for the New York Times

Kirsten Luce: A Border Evolves as Washington Pursues Immigration Reform (NYT)

Ricardo Cases: ¡Evangélicos! (LightBox) Intensity, Isolation, and Fiesta

Ilona Szwarc: The Cowgirl Way (NYT Magazine)

Peter Hapak: Portraits of the Gay Marriage Revolution (LightBox)

Jeff Brown: Bar Regulars (NYT Magazine) This Is Who Rules the Bars of New York

Nina Berman:  Stop-and-Frisk (Photo Booth)

Carlos Javier Ortiz: Too Young To Die (Pulitzer Center) Chicago’s Gang Violence

Shannon Stapleton: North Dakota Booming (Reuters)

Lisa Wiltse: Mary’s Pageant (Reportage by Getty Images)

Sebastian Liste

Sebastian Liste / Reportage by Getty Images

Sebastian Liste: In The Wake Of Chavez (Reportage by Getty Images)

Alvaro Ybarra Zavala: The Legacy of Venezuela’s Bolivarian Liberator (Reportage by Getty Images)

Jorge Cabrera: Death in the murder capital (Reuters) Honduras

Bryan Denton: Afghan Army Taking the Lead (NYT)

Bryan Denton: Hardships in Afghan Refugee Camps (NYT)

John D. McHugh: Observe The Sons of Afghan Marching Towards The War (Reportage by Getty Images)

Sebastião Salgado / Amazonas / Contact Press Images

Sebastião Salgado / Amazonas / Contact Press Images

Sebastião Salgado: Genesis (LightBox)

Adam Dean: Myanmar Grapples With Ethnic Tensions (NYT)

Sim Chi Yin: Fragile Lake (The Straits Times) Burma

Stephen Dock: Mali, the new gold rush (Agence Vu)

Marco Grob: International Mine Action Day: Portraits (LightBox)

Abbie Trayler-Smith: The Spring that Wasn’t (Panos) Yemen

Hatem Moussa: How to Make Charcoal in Gaza (TIME)

Andrea Bruce: Christians in Syria Celebrate Good Friday With Hope and Fear (NYT)

Kalpesh Lathigra: Za’atari refugee camp (The Independent) Syrian refugee crisis

Peter Hove Olesen: Assad (Politiken) Syria

Lynsey Addario / VII

Lynsey Addario / VII

Lynsey Addario: Mortal Beloved (New Republic) The extreme perils of motherhood in Sierra Leone

Diana Matar: Return to Libya (Photo Booth)

Karla Gachet and Ivan Kashinsky: Kings of the Roma (NYT Lens)

Tomas van Houtryve: No Man’s Land (The Foreign Policy) Exclusive photos from the 38th parallel.

Sergio Ramazzotti: North Korea: Inside the utopia (Parallelo Zero)

Evi Zoupanos: Acid Attack (zReportage) Bangladesh

Mike Brodie: A Period of Juvenile Prosperity (Guardian)

Gert Jochems: S (Agence Vu)

Matthieu Rytz: The Eroding Culture of Kuna Yala (NYT Lens) Panama

Stephen McLaren: Wading into weirdness on the street (NYT Lens)

Benjamin Lowy: The First Signs of Spring in Brooklyn (NYT Magazine)

Chad A. Stevens: West Virginia Mining (CNN photo blog)

David Kasnic: Rattlesnake Roundup: Texas style (CNN photo blog)

Benjamin Bechet: El Hierro (CNN photo blog) An ‘everlasting island’ | Spain

Articles

KCNA / AFP / Getty Images

KCNA / AFP / Getty Images

Detecting North Korea’s doctored photos (AFP Correspondent blog)

North Korea ‘Photoshopped’ marine landings photograph (The Telegraph)

War’s Bricolage (No Caption Needed)

Photographer Sebastião Salgado captures areas of Earth untouched by modern life (Metro)

Ron Haviv’s Bosnian War Images as Evidence in War Trials (NYT Lens)

Sebastian Junger Shoots for the Truth (Outside) Junger’s powerful new documentary about the life of war photographer Tim Hetherington shows us why dedicated journalists are needed now more than ever

HBO documentary on the life and death of conflict photographer Tim Hetherington premieres next month (The Verge)

Inside the War Machine: New Documentary Maps an Epic Photo Career (Wired Rawfile)

Famed photojournalist Robert Capa and the mystery of his “Mexican Suitcase” (Imaging Resource)

Edmund Clark: control order house (FT Magazine)

George Strock / Time Life Pictures / Getty Images

George Strock / Time Life Pictures / Getty Images

Photo That Was Hard to Get Published, but Even Harder to Get (NYT Lens) One of the most significant war photographs in American history is routinely taken for granted.

Syria’s Media War (The Daily Beast)

Fake Somali Pirates Scam Western Journalists (The Daily Beast)

At War with the Obvious: Photographs by William Eggleston (Photo Booth)

William Eggleston’s photographs of eerie Americana – in pictures (Guardian)

War reporting documentary wins prestigious Peabody Award (Star.com)

The girl in the 2011 Afghan bombing photograph (The Independent)

Snaps by Elliott Erwitt – review (Guardian)

Chim: Photography’s forgotten hero (The Jewish Chronicle)

Femen gets kick in the pants (but not on Facebook) (AFP Correspondent blog)

AP opens full news bureau in Myanmar (AP Big Story)

Photojournalists Move To Instagram, From Syria to Sandy (American Photo)

Traditional Photographers Should Be Horrified By The Cover Of Today’s New York Times (Business Insider)

NYT’s front-page Instagram: Maybe not the end of photography (Poynter)

Instagram and the New Era of Paparazzi (NYT)

Hyper-Realistic CGI Is Killing Photographers, Thrilling Product Designers (Wired)

Tim A. Hetherington

Tim A. Hetherington

The Guide: April 2013 Edition (LightBox) TIME LightBox presents a new monthly round-up of the best books, exhibitions and ways to experience photography beyond the web

The month in photography  (The Guardian) New exhibitions and books by William Eggleston, Sebastião Salgado, Kitra Cahana and Pieter Hugo are featured in this month’s guide to the best photography around the world.

Someone I Know (Someoneiknow.net)  Project bringing together some of the best known emerged and emerging photographers from across the globe. The brief for the photographers was to take a portrait of someone they know, no matter how loosely.

The Ethics of Street Photography (Joerg Colberg)

The Age of “Fauxtojournalism” (Chicago Tribune Assignment Chicago blog)

Bobby’s Book: Bruce Davidson’s Photographs of the Brooklyn Gang The Jokers (Photo Booth)

Magnum Photos approaches new audiences in deal with Vice magazine (British Journal of Photography)

MJR – Collection 100 / A history (Vimeo)

Review: Liquid Land by Rena Effendi (Joerg Colberg)

Uncharted Territories: Black Maps by David Maisel (LightBox)

Classical Portraits of Extreme Plastic Surgery (Slate Behold photo blog)

From Desert to City: A Photographer Unveils Forgotten Stars (LightBox)

Paul McDonough : Shooting film on the move (CNN photo blog)

A Look at the Pristine: Walter Niedermayr’s Aspen Series (LightBox)

Orlando Luis Pardo Lazo’s Photos From His Native Cuba (NYT Lens)

Larry Racioppo’s Photos of Good Friday Processions In Brooklyn (NYT Lens)

Gillian Laub : On Passover, Celebrating Life and Ritual in a Jewish Family (Slate Behold photo blog)

McNair Evans: Chasing hope on the railways (CNN photo blog)

Ahn Sehong : Comfort Women in China (NYT Lens)

Henri Huet / AP

Henri Huet / AP

An Expansive Exhibition of War Images at the Annenberg Space in Los Angeles (NYT Lens)

Anatomy of a Successful Grant Application: Joseph Rodriguez on the Audience Engagement Grant (PDN)

Crowd-Sourcing, Part One: Ask And You Shall Receive (NPPA)

The Photographer’s Guide to Copyright (PhotoShelter)

Featured photographer: Paolo Patrizi  (Verve Photo)

Featured photographer: Abbie Trayler-Smith (Firecracker)

Judge Rules William Eggleston Can Clone His Own Work, Rebuffing Angry Collector (Artinfo)

Judge Rules William Eggleston Can Clone His Own Work (Joerg Colberg)

How Joachim Brohm set the world of landscape photography on fire (The Guardian)

Thoughts on the TIME Gay Marriage (or, Gay Sex?) Covers (BagNewsNotes)

Can 20×200 Be Saved? Anger From Collectors Mounts as Leading Art Site Flounders (Artinfo.com)

Henry Groskinsky / Time & Life Pictures / Getty Image

Henry Groskinsky / Time & Life Pictures / Getty Images

The Day MLK Was Assassinated: A Photographer’s Story  (LIFE) On April 4, 1968, LIFE photographer Henry Groskinsky and writer Mike Silva, on assignment in Alabama, learned that Martin Luther King, Jr., had been shot at the Lorraine Motel in Memphis. The two men jumped into their car, raced the 200 miles to the scene of the assassination

Photographer Who Shot Beatles Concert With a Fake Press Pass Sells the Pics for $45K (PetaPixel)

Camera Finds Way Back to Owner After Drifting 6,200 Miles from Hawaii to Taiwan (PetaPixel)

Photographer Accuses Getty of Loaning Images to CafePress Instead of Licensing Them (PetaPixel)

Photographing a Mother’s Descent Into Mental Illness (Mother Jones)

Review: Tales of Tono by Daido Moriyama (Joerg Colberg)

The new war poets: the photographs of Adam Broomberg and Oliver Chanarin (The Telegraph)

LaToya Ruby Frazier Photography at Brooklyn Museum (NYT)

Makoko exhibition opens a window on a Nigerian world (The Guardian)

Distance & Desire: Encounters with the African Archive (Photo Booth)

Rene Burri in colour (BBC)

Helmut Newton Book ‘World Without Men’ Returns (The Daily Beast)

Interviews and Talks

Dominic Nahr / Magnum Photos

Dominic Nahr / Magnum Photos

Dominic Nahr (Leica blog) Recording History for Posterity

Sebastião Salgado (Monocle Radio) Salgado interview starts at 13 minutes into the show

Mike Brodie (Guardian) On his freight train photographs: ‘It’s a romantic life, at least in the spring and summer’

Andrew DeVigal (Wired RawFile blog) Smart Readers Are Too Distracted to Dig Smart Content

Carlos  Javier Ortiz (CBS News) Photographer brings Chicago gun violence into sharp focus | slideshow on CBS News website 

Jenn Ackerman (Slate Behold photo blog) Trapped: The Story of the Mentally Ill in Prison

Farzana Wahidy (NPR) How A Female Photographer Sees Her Afghanistan

Andrea Bruce / The New York Times

Andrea Bruce   / The New York Times

Andrea Bruce (NOOR) My first day in Damascus

Steve McCurry (Vice)

Raghu Rai (Visura Magazine)

Mohamed Abdiwahab (LightBox Tumblr)

Bert Stern (LightBox)  The Original ‘Mad Man’

Duane Michaels (Bomb blog)

Gregory Crewdson (The Telegraph) Gregory Crewdson’s silent movies

Maika Elan (Vietnam News)

Lisa Rose (The Chicago Tribune Assignment Chicago blog) The Goals of PhotoPhilanthropy

Shannon Jensen (The Daily Pennsylvanian) No ‘fancy pictures’, just tell the story

Alice Proujansky (The Guardian) Alice Proujansky’s best photograph – childbirth in the Dominican Republic

Camille Seaman (Piper Mackay Photography)

 Zhe Chen (Le Journal de la Photographie)

Guillem Valle (Leica blog) Transporting The Viewer Through Photographs

Stanley Forman (Boston Globe) Photojournalist Stanley Forman on his new book

Bill Armstrong (Aperture)

Thomas Ruff (Aperture)

Misha Friedman (Dazed Digital)

John Kilar (Dazed Digital)

Daniel Cronin (Dazed Digital)

Awards, Grants, and Competitions

Upcoming Deadlines for Grants, Fellowships Up to $10,000 (PDN)

PROOF : Award for Emerging Photojournalists  : Deadline May 1, 2013

NPPF Scholarship : Deadline April 15, 2013

Lens Culture student photography awards 2013 : Deadline April 15, 2013

72nd Annual Peabody Awards: Complete List of Winners (Peabody)

Best of Photojournalism 2013 Multimedia Winners

Photographic Museum of Humanity 2013 Grant Winners

William Eggleston to receive Outstanding Contribution to Photography award (British Journal of Photography) Also on The Guardian here.

Mikko Takkunen is an associate photo editor at TIME.com.

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Syria has always been a tough place to cover for journalists. Confidently authoritarian with a ruthlessly formidable security and intelligence apparatus, Syria has long been one of the most policed of Arab police states. So when some Syrians defied their government to take to the streets in the southern city of Dara‘a in March 2011, the temptation to cover the story was overwhelming for many, including myself.

The story of the Syrian uprising is ultimately the tale of regular citizens silencing the policeman in their heads, breaking their own personal barriers of fear to speak, to demonstrate, to demand, to reject, to no longer be afraid, to live in dignity. It’s about what these people will do, what they will endure, and what they are prepared to become to achieve their aims.

It is also the story of a significant portion of the population that considers the regime of President Bashar Assad the country’s best option, because they believe in its Baathist secular ideology or directly benefit from its patronage or don’t have confidence in Assad’s opponents and fear what may come next. Understanding what this segment of the population will accept in terms of state violence, the narratives they choose to believe and their concerns is a critical component of the story, though one that is harder to obtain, given the paucity of press visas issued by Damascus.

The only way to tell the Syrian story, really tell it, is to be on the ground with the men, women and children who are central to it, whether in Syria on in the neighboring states that many Syrians have fled to. It isn’t easy to do — the Committee to Protect Journalists, based in New York City, has dubbed Syria the “most dangerous place for journalists in the world” — but it is essential. Nothing beats being there. There is no compensating for seeing, feeling, touching, capturing, living the story.

The images here are a testament to the power of being on the ground, of sharing and capturing a moment for posterity, of translating an element of a person’s life through imagery.

Take a look at the photos. Can you place yourself in these situations? Can you imagine what it must be like? What do you feel when you look at the images? Are you drawn into them, or are you repulsed? Can you relate to them, or are they too alien? This is the power of translating on-the-ground reporting to an audience. This is why we must and will continue to document the Syrian uprising from inside the country when we can, and we — members of the foreign press corps — are not alone. Sadly, as is often the case, local journalists (both professional and citizen) have disproportionately borne the brunt of the casualties in this crisis. Still, this story is not about members of the media and what we go through to tell it; it’s about the Syrians who entrust their testimonies, their experiences, their hopes, their fears, their images to us in the hope that they will help explain what is happening in one of the most pivotal states in the Middle East.

—Rania Abouzeid

This collection of testimonies is the third in a series by TIME documenting iconic images of conflict. See “9/11: The Photographs That Moved Them Most” and “Afghanistan: The Photographs That Moved Them Most” for more.

Abouzeid is a Middle East correspondent for TIME. Reporting by Vaughn Wallace.

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Phil Moore / AFP - Getty Images

A Syrian rebel with a bandaged eye walks past closed shops in the Bab Nasr district of Aleppo on Aug. 14.

Fresh fighting erupted in Aleppo, Syria, monitors said, as a pro-government daily warned the capture of a key rebel district was just a "first step" in the retaking of all opposition areas. 

Core loyalist troops, drawn mostly from Assad's minority Alawite sect, are locked primarily into what is shaping up to be a protracted battle for Aleppo, as well as in shoring up an uncertain grip over the capital Damascus.

In the process, Assad faces the specter of Deir al-Zor province slipping out of his orbit and with it Syria's 200,000 barrel-a-day oil output, military experts and diplomats say.

Continue reading Reuters article.

Phil Moore / AFP - Getty Images

A Syrian rebel holds his rifle in the Bab Nasr district of Aleppo on Aug. 14.

Phil Moore / AFP - Getty Images

A shell blast damaged a hospital room in the Shaar district of the northern city of Aleppo on Aug. 14.

Goran Tomasevic / Reuters

A Free Syrian Army fighter fires his sniper rifle from a house in Aleppo on Aug. 14.

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Slideshow: Syria uprising

Goran Tomasevic / Reuters

After months of protests and violent crackdowns, a look back at the violence that has overtaken the country.

Launch slideshow

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In the last week of June, at an airfield outside Moscow, Russia laid out a smorgasbord of military hardware—including everything from tanks to anti-aircraft batteries—and invited some of the most militaristic nations in the world do some pleasant summer shopping. Meat was grilled in barbecue pits, comely models stood around in mini-skirts, ’80s music and obnoxious techno pounded through the speakers, and once a day, a choreographer from the Bolshoi Theater staged a “tank ballet” of twirling war machines that was grandiloquently titled, “Unconquerable and Legendary.”

Welcome to the deceptively titled Forum for Technologies in Machine Building, the biennial Russian arms bazaar that President Vladimir Putin inaugurated in 2010. Delegations from Iran, Bahrain, Uganda, Zimbabwe, Pakistan and Saudi Arabia, among many others, attended the expo this year, and spent their time ogling cruise missiles, climbing into armored jeeps and trying out the most famous—and most deadly—Russian weapon of them all: the Kalashnikov assault rifle, which is thought to hold the stomach-turning honor of having killed more people than any other weapon in the history of man.

On the afternoon of June 28, TIME followed around the delegation to the arms bazaar from Syria, who, like many of the participants, would not legally be able to buy their weapons in the West (the TIME magazine story is available to subscribers here). For the past 16 months, Syrian forces loyal to President Bashar Assad have brutally tried to crush a homegrown rebellion, which has already cost around 15,000 lives, including thousands of women and children. The U.S. and Europe have responded by banning weapons sales to Syria, and along with their allies in the Arab world, they have pushed for an international arms embargo against Assad’s government. But Russia, the world’s second largest arms dealer after the U.S., has used its veto power in the U.N. to block these sanctions. With around $4 billion in weapons contracts to fulfill for its Syrian clients, Russia has continued supplying arms to Damascus, which gets nearly all of its weapons from Russia.

It was impossible to tell what, if anything, the Syrians came to the Moscow arms bazaar to purchase. Such deals would be signed behind closed doors, and both sides declined to comment. Colonel Isam Ibrahim As’saadi, the military attache at the Syrian embassy in Moscow, chaperoned the three officials in town from Damascus, and they would only say that they came to Moscow especially to attend the fair. The items that seemed to interest them most that day were armored military vehicles, trucks equipped with roof-mounted rocket launchers and brand new Kalashnikov assault rifles. Andrei Vishnyakov, the head of marketing for Izhmash, the company that created the AK-47, spent more than an hour selling them on the virtues of the firm’s new sniper rifles and machine guns. Before handing the head of the Syrian delegation a silencer-equipped AK-104, Vishnyakov said: “This weapon is perfect for close-quarters combat, house to house.” The Syrian official then lifted the gun’s sight to his eye and pointed it across the crowded pavilion, no doubt wondering how useful it could be back home.

Simon Shuster is TIME’s Moscow reporter.

Yuri Kozyrev is a contract photographer for TIME and was named the 2011 Photographer of the Year in the Pictures of the Year International competition.

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Oliver Hartung's photos from 2007 through 2009 evidence the omnipresence of the Assad dynasty in Syria and its psychological grip on the people, and also how that presence - and the nation itself - has changed dramatically since.

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