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ESSAY CONTAINS EXPLICIT CONTENT

EPF 2012 Finalist

 

Laia Abril

II Chapter on Eating Disorders ‘THINSPIRATION’

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The Pro Ana community has turned anorexia (Ana) into its dogma. This illness has even been embodied by the members of this group; they venerate it as the one giving meaning to their totalitarian ‘life style’. It’s a virtual reality where they state their commandments, share motivating tricks and exchange hundreds of images of thin models via their blogs. They have created ‘thinspiration’, a new visual language – obsessively consumed to keep on wrestling with the scales day after day.

Looking at their delusions in greater detail, I find out a new symptom in their behavior. Interacting with their own cameras in a competition in which they portray their achievements in the form of bony clavicles or flat bellies, the pro Ana have made thinspiration evolve.

I decide to look for the answer by re-taking their self-portraits with the intention of establishing a conversation between their camera and mine. I shut myself up in a dark room as if it were a model session, placing my tripod in front of the computer in such a way that, when you look through the lens, it’s only me and them. I photograph them in their rooms, in their bathrooms. They pose provocatively, narcissistically.

Pro-anorexis consume in a wicked game between admiration and repulsion: the pro-bones, where the protagonists are anorexic and are at an extreme stage of the illness. The images that I took from then on disassociate themselves from the character to turn into abstract body landscapes at the gates of the abyss. They are the visual response to the bond between obsession and self-destruction; the disappearance of one’s own identity.

‘Thinspiration’ is the second chapter of a long-term project about Eating Disorders I started almost two years ago. Furthermore it is an introspective journey, based in my personal experience, through the nature of obsessive desire and the limits of auto-destruction, denouncing new risk factors within the disease: the social networks and photography.

 

Bio

Laia Abril (Barcelona, 1986) is a documentary photographer and journalist.
Her work has been exhibited and appraised in Italy, Spain, Bosnia, Germany, London and New York on events like NY FotoFestival or the 3rd Lumix Festival. Her editorial work has been published in different international magazines such as D Repubblica, The Sunday Times Magazine, Vanity Fair, Esquire, GQ, FT Magazine or COLORS Magazine, where she has been a member of the editorial staff since 2009, when she enrolled at the Fabrica artists residency – the Benetton research centre in Italy.

In 2010 she joined the agency Reportage by Getty as an emerging talent after being finalist at the Ian Parry Award in 2009/10. Most recently she was selected for the Plat(t)form Winterthur FotoMuseum and nominated at the Joop Swart Masterclass.

She is currently working as a staff photographer, blogger and Associate Picture Editor for COLORS combining her freelance career and keeping developing her personal project.

 

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Giulio Di Sturco

War at the Edge of Heaven

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In August 2008, thousands of Muslims filled the streets of Srinagar, the capital of Indian-ruled Kashmir, shouting “azadi” (freedom) and raising the green flag of Islam. That was the start of a new revolution In Kashmir.
The Indian government’s insistence that peace is spreading in Kashmir contradicts a report by Human Rights Watch in 2006 that described a steady pattern of arbitrary arrest, extrajudicial execution and torture by Indian security forces.

In 2005, a survey by Doctors Without Borders, who provide basic health care and psychosocial counseling to the population, traumatized by over 20 years of violence, found that Muslim women in Kashmir, prey to the Indian troops and paramilitaries, suffered some of the most widespread sexual violence in the world.

Over the last two decades, most ordinary Kashmiri Muslims have wavered between active rebellion. They fear the possibility of Israeli-style settlements by Hindus-reports of a government move to allocate 92 acres of Kashmiri land to a Hindu religious group are what sparked the younger generation into the public disobedience expressed of late.

Hindu nationalists have already formed an economic blockade of the Kashmir Valley. In 1989 and ’90, when few Kashmiris had heard of Osama bin Laden, hundreds of thousands of Muslims regularly petitioned the United Nations office in Srinagar, hoping to raise the world’s sympathy for their cause. Indian troops responded by firing into many of these largely peaceful demonstrations, killing hundreds of people and provoking many young Kashmiris to take to arms and embrace radical Islam.
A new generation of politicized Kashmiris has now risen, and the world is again likely to ignore them – until some of them turn into terrorists.

 

Bio

Giulio di Sturco is a 30-year-old Italian photographer currently dividing his time between Milan and New Delhi.

He studied photography at the European Institute of Design and Visual Arts in Rome, and has covered North-American and the South-East Asia issues for many magazines such as L’espresso magazine, Vanity fair, Io Donna, The Daily Telegraph magazine, Time magazine, Marie Claire, Geo magazine, The Sunday Times Magazine, Newsweek.

Since 2008 he start a closer collaboration with some of the most important international organization such as Greenpeace, MSF, Unitaid, United Nations, WHO and Action Aid.

In April 2009 Giulio Joined the VII Mentor Program.

 

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Giulio Di Sturco

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