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Michael Weintrob


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INSTRUMENTHEAD is a photographic series created to tell the story of the musicians in a surrealistic style without showing their faces. This is a project five years in the making with over 150 musicians to date. Some of the artists that have participated in this project to date are: Bootsy Collins (James Brown, P-Funk), Mickey Hart (Grateful Dead), King Sunny Ade, Tina Weymouth (Talking Heads, Tom Tom Club), Zakir Hussain (Shakti, Masters of Percussion), Lenny White (Miles Davis, Return to Forever), Bill Summers (Herbie Hancock and The Head Hunters), Derek Trucks (Allman Brothers Band), Peter Asher and many more.
“Over the last 15 years I have met a lot of working musicians and I want to turn people on to the artists I have come to know and respect,” says Weintrob about the project. “I am humbled that all of these talented musicians have come forward to par- ticipate in the project; the response has been incredible.”
Weintrob has taken this project on the road, having shot por- traits at legendary venues such as Red Rocks Amphitheater, Preservation Hall and Tipitinas in New Orleans and Mama Rosas Blues Club in Chicago.
The project will culminate as a coffee table book and travelling exhibition that will be a who’s who of modern musicians.
For more information and updates about this project visit the website:



Michael Weintrob’s clients benefit from his ability to consistently produce intimate photographs under a variety of conditions. Whether it is a candid portrait, a live performance, or a cultural event, Michael aims to capture both spontaneity and clarity in his subjects.
“I like to bring out the personality of the people in my photographs,” Michael explains. “For example when I shoot musicians in the studio I try to create a relaxed vibe and let people be who they are. I move really quickly and try to improvise with my camera.”
The skill and ease of Michael’s technique has resulted in a growing reputation both in and outside the music industry. Born in Birmingham, Alabama and currently residing in Williamsburg, Brooklyn, Michael’s images have appeared in publications such as Rolling Stone, Newsweek People, Spin, Mojo, Billboard, Relix, Jazz Times and Downbeat.  Michael has photographed album images for renowned artists he has photographed include Bootsy Collins, Burning Spear, Taj Mahal, Gov’t Mule, Charlie Hunter and many others.

Michael’s work—which is well-known in musical circles—is now expanding into new avenues. Along with working for corporate clients (Sony, Blue Note, EMI, Carefusion, Loews Hotels), Michael has donated his time and effort to raising money for the New Orleans Musicians Assistance Foundation and his photography was auctioned off by Sothebys to help provide musical instruments to children affected by Hurricane Katrina.

Michael continues to work as the principal photographer for several music festivals (he is Staff Photographer for the 2011 Barcelona International Jazz Festival) and as a house photographer (Feinsteins at the Loews Regency Hotel). He is also developing a major publishing project that will highlight his unique “anthropomorphic photography” featuring musicians posing with their instruments.

Exhibiting the ease and skill of improvisational jazz player, Michael’s photography continues to explore the depths of the human soul in all its complexity.


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Michael Weintrob


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