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Yesterday I decided to try an experiment: I solicited reader requests for news photos. I asked people on Twitter and Google+, "Would you like to see a good photo of a particular subject? A high-res version of a photo you've already seen somewhere else? A photo from a particular photographer or event? If I have access and can find it, I'll try to post it" (details). The response was great, the subject matter was varied, and the task of finding the images and composing this entry was great fun. Images ranged from massive solar flares to tiny insects, taken in places from Thailand to outer space. If you enjoy this experiment, let me know in the comments, and I may develop it into a more regular feature. To all those who made requests, thanks so much, I hope you like what I was able to find. [29 photos]

Beth Winter (@bwinter) and Spidler both asked for a higher resolution version of "Anonymous in Polish parliament". -- Lawmakers from the leftist Palikot's Movement cover their faces with masks as they protest against ACTA, or the Anti-Counterfeiting Trade Agreement, during a parliament session, in Warsaw, Poland, on January 26, 2012, after the Polish government signed the agreement. Poland's plans to sign ACTA sparked attacks on Polish government websites and street protests in several Polish cities this week. (AP Photo/Alik Keplicz)

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Colin Delfosse was in the Democratic Republic of the Congo (DRC) documenting conditions in copper mines when, returning to Kinshasa one evening, he saw a masked man perched atop a car, leading a procession of drummers and several dozen men and children.

Intrigued, the Belgian photographer began asking around and learned that what he had witnessed was the afternoon build-up to one of the city’s most popular sports: wrestling. In a country that, from 1998 to 2003, was the center of one of the bloodiest conflicts since World War II—8.4 million people killed from eight countries—one wouldn’t expect to find crowds clamoring to watch men pretend to beat each other up, Hulk Hogan-style. But influenced by broadcasts of American wrestling in the 1970s, the Congolese adapted the sport, bringing their own spin—parades, voo-doo and body paint. The sport is so firmly entrenched that even the president’s body guard is a popular wrestler, known as “Etats-Unis,” and one of Kinshasa’s district mayors even sponsored a match to celebrate the 50th anniversary of the country’s independence from Belgium.

In the DRC, there are two branches of the sport. The first is the more recognizable WWE SmackDown-brand, villain vs. villain match, where wrestlers craft costumes out of spandex, wear masks and choreograph a physical tussle. The second, called fetish wrestling, involves opponents, wearing antelope horns or fake machetes through their skull, dancing, casting spells and using witchcraft to combat each other.

“The classic wrestlers consider themselves more important,” says Delfosse, of the group who have day jobs as taxi drivers or bouncers. “They train hard, lifting weights every day. The fetish wrestlers have more of a rock’n’ roll lifestyle—they sit around, drinking beer and smoking weed.”

Gaining his subjects’ cooperation took a while; it was months before Delfosse was able to ride with wrestlers to and from the matches (protection he was relieved to get, as in the early days he was roughed up coming home from a match in a dangerous neighborhood and his cameras smashed). But even with that access, photography is viewed with suspicion, and getting portraits of the wrestlers often took a few hours of negotiation. “They always think you’re going to earn millions from the photo. They’re reluctant and they want to be paid. So you drink a beer with them, and tell them no, you’re not going to get rich,” said Delfosse. “Sometimes four hours later, I can take their picture. You have to be patient.”

Working inside the wrestling scene changed Delfosse’s feelings about Kinshasa. He admitted he hated the noisy, chaotic capital—considered one of the most dangerous in Africa, with a homicide rate almost six times greater than the continent as a whole—when he arrived. While the violence that still pervades the society is just below the surface of the matches—Human Rights Watch documented a mass rape, abduction and torture in a couple of eastern villages just last year—the sport showed Delfosse a different side of the Congolese. “They’re surviving day-to-day. There are no jobs, no infrastructure. When they wake up they don’t know what they’re going to eat for dinner that night,” he said. “It’s hard and tough, but this is a way to show they kept their sense of humor.”

Colin Delfosse is a documentary photographer and a founding member of Out of Focus photography collective. See more of his work here

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