Skip navigation
Help

online retailer

warning: Creating default object from empty value in /var/www/vhosts/sayforward.com/subdomains/recorder/httpdocs/modules/taxonomy/taxonomy.pages.inc on line 33.

About

“YOLO” is an acronym for the phrase “you only live once”, which is often used as a hashtag on Twitter to bring attention to exciting events or excuse irresponsible behaviors. The acronym was popularized in 2011 after being featured in the hip hop single “The Motto” by Drake. In November 2012, the Oxford American Dictionaries included the slang term “YOLO” in its shortlist for the 2012 English Word of the Year.

Origin

The earliest known use of the acronym is attributed to Adam Mesh from the third season of the NBC reality show The Average Joe. Mesh launched the “You Only Live Once” (YOLO) clothing line on March 20th, 2004.[2]

Spread

The first Urban Dictionary[1] definition was submitted by user Colin on April 6th, 2004. The promotion website for San Francisco’s nightlife event YoloSF[5] was launched on November 10th, 2005. In July of 2006, the American indie rock band The Strokes launched a promotional campaign called “Operation YOLO” prompting fans to request their 2006 single “You Only Live Once” (shown left) on radio stations. The life coaching site YOLO Coaching[4] was registered on June 1st, 2007. On March 14th, 2008, YouTuber JCVdude uploaded a video titled “YOLO ‘you only live once’ JCV” (shown right) outlining his philosophy of living life to the fullest.

On October 4th, 2009, the weather forecast site Weather Underground[6] blogger Beachfoxx published a post titled “Friends……YOLO – You Only Live Once.” On July 27th, 2010, an infant bodysuit with the words “YOLO You Only Live Once” screenprinted on the front was submitted to the online retailer Cafe Press.[7] On December 16th, 2011, The Huffington Post published a photo of the American actor Zac Efron with “YOLO” tattooed on his right hand. A Facebook[3] page for the acronym has 3,725 likes as of March 5th, 2012.

  

The Motto

The acronym was used in the 2011 hip hop single “The Motto” by Canadian recording artist Drake featuring Lil Wayne. On October 23rd, 2011, Drake posted a tweet using the word accompanied by a photo of himself standing on a balcony.

The now defunct Twitter analytics site Trendistic reported that tweets with the keyword “yolo” rose significantly on October 24th, one day after Drake tweeted the photo from his balcony. In addition, Google Insights graph also indicates that search queries for the keyword “YOLO” began to rise drastically between October and November 2011. The song was officially released on November 29th and was followed by the official music video on February 10th, 2012. In just 21 days, the video accumulated over 450,000 views.

“Now she want a photo, you already know, though
You only live once: that’s the motto nigga, YOLO”

Criticisms

On November 29th, 2011, YouTuber iBeChucks uploaded a video (shown left) complaining about the use of the word soon after the release of Drake’s song. On February 29th, 2012, YouTuber ThisIsACommentary (shown right) uploaded a video titled “Yolo These Days” in which he criticized the word’s sudden rise in popularity and compared it to the word swag.

Notable Examples

Parodies

On June 17th, 2012, Redditor pigpen5 submitted a post titled “This is the first ad for an Anti-Yolo campaign a friend of mine is trying to start”[8], which highlighted a picture of a woman looking at a pregnancy test with the caption “Nine months from now #YOLO Just wont be as cool as you thought it was.” Within one month, the post received over 16,000 up votes and 700 comments. In the following days, the image was reposted to the viral content site Buzzfeed[10] and the Cheezburger site FAIL Blog.[9]

On June 28th, 2012, BuzzFeed[11] published a post titled "10 Phrases You Can Say Instead of “YOLO”, which included several alternative expressions with similar meanings to the acronym. On July 8th, BuzzFeed[12] published a post titled “20 Different YOLO-stragrams”, which highlighted several Instagram photos that have been tagged “#yolo.”

On July 14th, the Internet humor site Cracked[14] published a blog post titled “5 Reasons the YOLO (You Only Live Once) Meme is Wrong”, which included an infographic with fictional characters who have lived more than once. On July 20th, the New York Times[13] published a blog post titled “#YOLO”, which highlighted several tweets mocking the use of the hashtag on Twitter.

Twitter Feed

Search Interest

External References

[1]Urban Dictionary – Yolo

[2]Alexander Interactive – Yolo Clothing launches online store

[3]Facebook – Y.O.L.O

[4]YOLO Coaching – Yolo Coaching

[5]YoloSF – Yolo SF

[6]W Underground – YOLO – You Only Live Once

[7]Cafe Press – YOLO you only live once

[8]Reddit – This is the first ad for an antiyolo campaign

[9]FAIL BLog – Parenting Fails No YOLO

[10]BuzzFeed – Anti-YOLO Campaign

[11]BuzzFeed – 10 Phrases You Can Say Instead of YOLO

[12]BuzzFeed – 20 Different YOLO-stragrams

[13]New York Times – #YOLO

[14]Cracked – 5 Reasons the YOLO (You Only Live Once) Meme Is Wrong

0
Your rating: None

  

Have you ever looked at a bizarre building design and wondered, “What were the architects thinking?” Or have you simply felt frustrated by a building that made you uncomfortable, or felt anger when a beautiful old building was razed and replaced with a contemporary eyesore? You might be forgiven for thinking “these architects must be blind!” New research shows that in a real sense, you might actually be right.

That’s Michael Mehaffy and Nikos A. Salingaros describing a phenomenon we’re all familiar with, in their article “Architectural Myopia: Designing for Industry, Not People.” As I read the article, I became increasingly uncomfortable as I realized that the whole thing might as well have been written about Web design (and about our responses to the designs of our peers). How often do we look at a website or app and remark to ourselves (and on Twitter) that “these designers must have been blind!” Sometimes we’re just being whiney about minute details (as we should be), but other times we do have a point: “What were they thinking?”

Longaberger-building-in-Newark
Longaberger Home Office, Newark, Ohio. Image source.

In this article, we’ll discuss “designer myopia”: the all-too-common phenomenon whereby, despite our best intentions, we sometimes design with a nearsightedness that results in websites and applications that please ourselves and impress our peers but don’t meet user and business goals. With Mehaffy and Salingaros’s article as our guide, we’ll investigate the causes of designer myopia, and then explore some solutions to help us take the focus off ourselves and back on the people we’re designing for.

The Causes Of Designer Myopia

If the language in the opening paragraph sounds familiar, it’s because most of us privately and publicly mutter “What were they thinking?” almost every day as we move across the Web. We analyze the new Twitter app; we take it upon ourselves to redesign popular websites — and then we wonder if we should even be doing that. One thing is clear, though: we’re good at pointing out designer myopia in our peers.

But what are the causes of this lack of imagination and foresight in our work? Shouldn’t we be smart enough to avoid the obvious traps of designing too much from our own viewpoints and not taking the wider user context in mind? Well, it turns out that we quite literally see the world very differently than others. Again, from “Architectural Myopia”:

Instead of a contextual world of harmonious geometric relationships and connectedness, architects tend to see a world of objects set apart from their contexts, with distinctive, attention-getting qualities.

In other words, we see typography and rounded corners where normal people just see websites to get stuff done on. We see individual shapes and colors and layout where our users just see a page on the Internet. Put another way, we’re unable to see the forest for the trees.

How did we get here? Notice the striking resemblance to Web design as Mehaffy and Salingaros describe the slippery slope that has led to this state in architecture:

With the coming of the industrial revolution, and its emphasis on interchangeable parts, the traditional conception of architecture that was adaptive to context began to change. A building became an interchangeable industrial design product, conveying an image, and it mattered a great deal how attention-getting that image was. The building itself became a kind of advertisement for the client company and for the architect (and in the case of residences, for the homeowner seeking a status symbol). The context was at best a side issue, and at worst a distraction, from the visual excitement generated by the object.

This is why we often see designs that seem to be built for Dribbble, portfolios and “7 Jaw-Dropping Minimalist Designs” blog posts, instead of being “adaptive to context” based on user needs. We have gained much from the “industrialization” of design through UI component libraries and established patterns, but we’ve also lost some of the unique context-based thinking that should go into solving every design problem.

Jon Tan touches on this in “Taxidermista,” his excellent essay on design galleries in the first issue of The Manual:

Galleries do not bear sole responsibility for how design is commissioned. However, they do encourage clients and designers to value style more than process. They do promote transient fashion over fit and make trends of movements such as minimalism or styles like grunge or the ubiquitous Apple-inspired aesthetic.

The result of all of this is that we sometimes end up designing primarily for ourselves and our close-knit community. Jeffrey Goldberg reminds us that this is true for much of the technology industry in “Convenience Is Security”:

Security systems (well, the good ones anyway) are designed by people who fully understand the reasons behind the rules. The problem is that they try to design things for people like themselves — people who thoroughly understand the reasons. Thus we are left with products that only work well for people who have a deep understanding of the system and its components.

And so we end up with a proliferation of beautiful websites and applications that only we find usable.

Dilbert Cartoon
We all follow some rules of thumb without understanding the reasons behind them.

We can’t talk about designing primarily for the community without bringing up the awkward point that we often do it deliberately. We thrive on the social validation that comes from positive Twitter comments, being featured in design galleries and getting a gazillion Dribbble likes. And let’s be honest: that validation also helps us get more clients. This is just part of human nature, and not necessarily a bad thing. But it can be a bad thing; so at the very least, we need to call it out as another possible cause for designer myopia so that we can be conscious of it.

The Manual
The Manual brings clarity to the ‘why’ of Web design, and much more.

Oh, and while we’re at it, let’s ask the obvious next question. Why are we so good at noticing when others fall into the myopia trap but fail to catch ourselves when we do it? In “Why We’re Better at Predicting Other People’s Behaviour Than Our Own,” Christian Jarrett reports on some recent research that might provide the answer:

[When] predicting our own behaviour, we fail to take the influence of the situation into account. By contrast, when predicting the behaviour of others, we correctly factor in the influence of the circumstances. This means that we’re instinctually good social psychologists but at the same time we’re poor self-psychologists.

In other words, we’re much better at taking the entire context into consideration when looking at other people’s designs than when we are creating our own. Scary stuff.

So, if designer myopia is indeed a pervasive problem (and if we are not good at recognizing it in ourselves), what do we do to fix it? I’d like to propose some established but often-ignored techniques to get us out of this dilemma.

1. Conduct Observational User Research In Context

The first thing that Mehaffy and Salingaros suggest in their article to overcome myopia is this:

First of all, re-integrate the needs of human beings, their sensory experience of the world, and their participation into the process of designing buildings. Leading design theory today advocates “co-design,” in which the users become part of the design team, and guide it through the evolutionary adaptations to make a more successful, optimal kind of design. Architects spend more time talking to their users, sharing their perception and understanding their needs: not just the architect’s selfish need for artistic self-expression, or worse, his/her need to impress other architects and elite connoisseur-critics.

Note that this is not just about asking users what they think. It’s about making users part of the design process in a helpful, methodologically sound manner. To accomplish this, we can look to anthropology to play a substantial role in the design of products and experiences. Ethnography (often called contextual inquiry in the user-centered design world) is the single best way to uncover unmet needs and make sure we are solving the right problems for our users.

In “Using Ethnography to Improve User Experience,” Bonny Colville Hyde describes ethnography as follows:

Ethnographers observe, participate and interview groups of people in their natural environments and devise theories based on analysis of their observations and experiences. This contrasts with other forms of research that generally set out to prove or disprove a theory.

That’s the core of it: we do ethnography to learn, not to confirm our beliefs. By using this method to understand the culture and real needs of our users, we’re able to design better user-centered solutions than would be possible if we relied only on existing UI patterns and some usability testing.

Leaving the office and spending time observing users in their own environments is the best way to understand how a product is really being used in the wild. It’s the most efficient way to get out of your own head.

2. Design To Blend In

Let’s stick with the architecture theme for a moment. The concept of “paving the cowpaths” is another effective way to look beyond ourselves and to design websites and applications that form part of our users’ landscapes (rather than break their mental models). In “Architecture, Urbanism, Design and Behaviour: A Brief Review,” Dan Lockton writes:

One emergent behavior-related concept arising from architecture and planning which has also found application in human-computer interaction is the idea of desire lines, desire paths or cowpaths. The usual current use of the term […] is to describe paths worn by pedestrians across spaces such as parks, between buildings or to avoid obstacles […] and which become self-reinforcing as subsequent generations of pedestrians follow what becomes an obvious path. […]

[T]here is potential for observing the formation of desire lines and then “codifying” them in order to provide paths that users actually need, rather than what is assumed they will need. In human-computer interaction, this principle has become known as “Pave the cowpaths”.

This is such an interesting perspective on user-centered design. By starting a design project with an explicit goal to “pave the cowpaths,” we will always be pulled back into a frame of mind that asks how the design can better blend in with our users’ lives and with what they already do online. The same questions will keep haunting us, and rightly so:

  • Do we have analytics to back up this behavior?
  • Are we sure this is what users naturally do on the website?
  • We know that most users click on this navigation element to get things done. How do we make that behavior easier for them?

In the same paragraph in “Taxidermista,” Jon Tan also calls for us to step back and ask questions like these before starting to design:

The answers to a project’s questions may have something to do with fashion, but not often. Good design does not have a shelf life. The best web designers gently disregard issues of style at the start. They rewind their clients back to asking the right questions, so they can rewrite the brief and understand the objectives before they propose solutions.

By asking the right questions, we focus our effort on fitting into the ways that users move on the Web, as opposed to bending them to our will.

3. Triangulate Results

The two recommendations above are very specific, so I’d also like to make a more general point. There are, of course, several other user-research methodologies to help us get into the minds of users and bring them into the design process in a helpful, meaningful way. Methods such as concept testing, participatory design and, of course, usability testing all have their place. But the real power lies in using not just one or two of these methods, but three or more. This is where triangulation comes in:

Triangulation is a powerful technique that facilitates validation of data through cross verification from more than two sources. In particular, it refers to the application and combination of several research methodologies in the study of the same phenomenon.

Using multiple data sources — both qualitative and quantitative — is a great way to avoid any myopia traps along the way. In addition to (or instead of, depending on the project) the two methodologies covered above, you should use as many appropriate techniques as possible to help confirm your intuition and direction.

As Catriona Cornett points out in “Using Multiple Data Sources and Insights to Aid Design”:

When used correctly, data from multiple sources can allow us to better identify the context in which our designs live. It can help us validate our assumptions and approach design with confidence and not subjective opinion. This not only helps to create better design, but also helps us achieve that all-important buy-in from stakeholders. It’s easier to defend a design when you have deep, rich insights to back it up.

The first response I get when proposing triangulation (or sometimes even just one research method) is usually, “We don’t have time!” The good news is that this doesn’t have to slow you down — even an hour at a coffee shop observing real users with your product will shock you out of your myopia. The only thing that’s not an option is skipping research completely.

Summary

User research and the techniques discussed in this article aren’t new, but they’re usually left to specialist researchers to champion, or they’re swept under the rug because “We’re using established UI patterns on this one.” Hopefully, this article has shown that designer myopia is too common and too dangerous to ignore or to be left to specialist researchers to fix. Sure, user researchers are critical to ensuring that a proper methodology is followed, but we can all get out there and use the data and information available to us to make sure we don’t put too much of our own viewpoints into our designs.

Web design is personal — deeply personal. As Alex Charchar puts it in his gut-wrenching essay for The Manual:

I now know that it is through love and passion and happiness that anything of worth is brought into being. A fulfilled and accomplished life of good relationships and craftsmanship is how I will earn my keep.

I doubt that any of us would disagree with those words. Our best work happens when we throw ourselves wholeheartedly into it. But this outlook on life and design comes with its own dangers that we need to watch out for. And the biggest danger is in being unable to see beyond our own passion and taste and, with the best intentions, in failing to make the necessary connections with our users.

My hope for all of us is that the three simple guidelines discussed here — contextual user research, designing to blend in, and research triangulation — will enable us to keep the perspective we need as we throw everything we’ve got at the design problems that we have to solve every day.

(al) (il)

© Rian van der Merwe for Smashing Magazine, 2012.

0
Your rating: None

About

“Oh God Why” is a rage comic character with a half-shaded face accompanied by the remorseful expression “Oh God Why." It is often used as the final panel in a comic that tells a horrifying, disturbing or embarassing childhood story.

Origin

A compilation of “Oh God Why” rage comics was posted to FunnyJunk[1] by user Diamondhead[2] on July 23rd, 2011. The post has received 99,167 views and 7407 up votes as of November 4th, 2011. Diamondhead claimed to be the creator of the “Oh God Why” character on his FunnyJunk profile page and revealed that he contributes to Reddit[3] under the username “ozzymustaine.”

Spread

Diamondhead posted the first “Oh God Why” comic to Reddit in a thread titled “I wanted to fuck [Embarrassing memory]” on October 17th, 2011. The post reached the front page of the f7u12 subreddit, and has accumulated 6,349 up votes as of November 4th, 2011. Additional rage comics featuring the “Oh God Why” character were subsequently posted by other Reddit[6][7][8] users that week.

The domain for the single topic blog “Oh God Why”[10] was registered on December 4th, 2011. Derivatives have since spread to Tumblr under the tag “#oh god why”[11] and several pages worth of merchandise is available at the online retailer Zazzle.[12]

Historical Comics

On December 7th, 2011, a rage comic using the “Oh God Why” face about the United States reaction to the Pearl Harbor attack during World War II was posted to the r/historicalrage[13] subreddit. On December 17th, a comic about the 1904 United States purchase of the territory of Louisiana from France was posted to the f7u12[14] subreddit and reached the front page accumulating over 6,500 up votes within 4 days. The following day, a comic about the 1867 United States purchase of Alaska from Russia was posted to the /r/historicalrage[15] subreddit.

Notable Examples

Search

Search queries for “oh god why” began climbing rapidly in October of 2011, the same month the comics were first submitted to the f7u12 subreddit.

External References

[1] FunnyJunk – Embarassing moments

[2] FunnyJunk – diamondhead

[3] Reddit – ozzymustaine

[4] Facebook – Oh God Why

[5] Reddit – I wanted to fuck

[6] Reddit – I’m so sorry

[7] Reddit – Not so summer fresh water

[8] Reddit – oh god why rage

[9] FunnyJunk – oh god why=

[10] Oh God Why – Oh God Why Memes and Comics

[11] Tumblr – #oh god why

[12] Zazzle – oh god why

[13] Reddit – Pearl Harbor rage

[14] Reddit – Louisiana Purchase

[15] Reddit – Alaskan Purchase

0
Your rating: None