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Original author: 
James Cartwright

Please-list

Hold the f*****g phone (it’s imperative that I use an expletive here to emphasise just how excited I am about the news I’m preparing to divulge). Mikey Please has just released a 30 second trailer for his latest short film Marilyn Myller! Bomb. Dropped. In typical Please fashion, Mikey’s giving away little/nothing of the storyline and you’ll get almost no bearing on any narrative from the trailer (someone gets punched, hard, by a disembodied fist) but it feels really good to know that the brilliant mind behind The Eagleman Stag is up to his old tricks again, making pure, unadulterated stop-motion magic for us all to enjoy. Be excited, more will follow!

Read more

Advertise here via BSA

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List

We were kind of in two minds about whether we should post this as it’s done the rounds these past couple of days but ultimately there was no way we couldn’t really. Much like if Charlie and the Chocolate Factory would have been a massive letdown if Willy Wonka’s domain had turned out to be a drab, industrial workspace, it would have been disappointing if Google’s tech centres had been grey and uninspiring. But fortunately for us all they are actually multi-coloured data wonderlands with a carefully created sense of fun and whimsy which reflects the company’s values.

Read more

Advertise here via BSA

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Mustafah-abdulaziz-list

Mustafah Abdulaziz is surrounded by the same landscape, lit by the same saturating afternoon light as the rest of us, but sees things differently, capturing “the scene that strives to appear one way but looks to me another.” Memory Loss is about how people appear in an environment that is so familiar to them that they stop seeing and consequently, forget how they appear in it.

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However hard games try to create worlds, they remain artifice. They are stage sets. Painted boxes. And when you step outside them, you get to see how unreal that game world actually is. This, from time to time, can be a wonderful thing. Let’s raise a glass to the strange lands that lie outside the game you were meant to see, that glitchy empire of the game outside the game.

(more…)

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Father

by Kerry Payne

 

I adored you.

 

Fiery red hair, flashing blue eyes, and a laugh that engaged your every cell.

You were electric.

 

I feared you and your heart that moved from tender to cruel with each drink you took; learning early to tiptoe through eggshells, not knowing when they’d crack, only sure that they would.

 

Twelve when you became the man of your house; your own special dreams withered on the vine.  Like your father before, you were no match for family life.

 

Is that why you drank?  To remember, to forget?

Is that why you roamed, your spirit restless, always searching, always searching?

 

The fights, the tears, the sacrifice, the life I vowed I would never repeat.

Dreams set aside for the sensible path; my head faced one direction and my heart in another.

 

Your suicide ripped my heart into a thousand tiny pieces I stuffed deep into my pockets and never examined, for fear it would undo me.

 

For seven years, your photos hidden so they wouldn’t mock me, I did not mourn you.  To do so then would be to admit we’d failed, both you and me.

 

You jarred me into awareness of the passing of time, of the danger of living with untested dreams.

 

I see you now.  You were brave and vulnerable, certain and confused and filled with hopes and regrets.  The best of you is what I like most in me and I wish I had not wasted a moment angry with you, in your life or after you died.

 

Your gypsy ways turned me from my camera, and your death brought me back to it. What a gift you left behind.

 

Now when I learn somebody chooses to live because of the stories I’ve shared, it gives meaning to the journey we’ve traveled together.

 

I could not save you, but you may have saved me.  With your picture in my camera bag, and your lessons in my heart, together we’re saving others.

 

Kerry Payne, June 12, 2011.

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Carlos Garcia Rawlins / Reuters

A relative of inmates from the El Rodeo prison throws a tear gas canister during a riot near the prison in Guatire, outside Caracas, June 18. Thousands of troops stormed a Venezuelan prison on Friday to regain control after riots rocked the overcrowded prison.

Fernando Llano / AP

Family members of inmates take cover from tear gas fired by national guardsmen after the relatives tried to block the exit to El Rodeo I prison in Guatire, Venezuela, Saturday June 18. Relatives blocked the exit Saturday demanding news of their imprisoned family members. Thousands of National Guard troops stormed the Venezuelan prison Friday seeking to disarm inmates days after a bloody riot, setting off gunfights with resisting inmates that left at least two soldiers dead and more than 18 wounded.

Read more here about the El Rodeo I prison, and be sure to check out this piece The New York Times ran a couple of weeks ago that details the scene at another Venezuelan prison about which Fernando Acosta, 58, a Mexican pilot jailed since 2007 says, “The Venezuelan prisoners here run the show, and that makes life inside a bit easier for us all.”

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Anton Kusters

Odo Yakuza Tokyo

play this essay

Below is an excerpt of my conversation with Anton Kusters, talking about the birth of his first book. We are sitting on my front porch during a beautiful sunrise. Somehow appropriate. Even more appropriate is that today is Anton’s birthday.

-DAH

DAH: Well, the bottom line is, Anton, you have your first book… Tell me, a first book is comparable to what?

AK: It’s… It feels like I actually did something for the first time. I mean, it’s not that the book was more work than the project itself, but… it does feel like I took a step in some way, like a kind of achievement in some way, for myself, personally. It really feels like a personal victory. And whatever that victory, that achievement, will mean to the outside world, I would almost say, that is out of my hands. I mean that in the best possible way. I love seeing cutting my book “loose” into the world, let it go, beyond my control.

DAH: So… Validation?

AK: Validation… a little bit a sense of pride deep down inside… that I could actually pull something off, because for some reason, it always feels like nothing is really complete, or at least this project could not be complete, without the validation of a physical object, like a book, an exhibition… like Massimo Vitali said at LOOK3 a couple of days ago… “I’m looking at the picture as that unique physical object, impossible to see separate from the plexi it is printed on”

DAH: …Yes… I don’t know if everybody feels that way…. I certainly feel that way also, if there’s no physical object then there is nothing, actually.

AK: Yes

DAH: There’s instruction, there’s information, it’s up there on the screen, but it’s meaningless without the physical object…

AK: … things remain fleeting until something physical is made.

DAH: and even though you reach fewer people, it doesn’t matter –

AK: Yes… You reach so many less people… I mean, the internet is like multiple, you reach multiples of the audience of the book… but… I think the feeling it will never change as to what it must have been before the internet… it must be still exactly the same, that kind of feeling… the internet adds to it, but the feeling of selling the book, making the book, is… is something… is a different category. at least it feels like that. And seeing friends and strangers, complete strangers, hold that book, and look at them while they are looking at the book. that’s the thing that completes the circle for me.

DAH: You don’t see that on the internet, you don’t see that with an international magazine either… occasionally you do by accident, at the airport you see somebody looking through one of your articles, and of course they flip right through it.

[laughs]

Let me go back on a couple of basic things: so… it’s fun to have a book out there.

AK: Absolutely.

DAH: I remember, Sam Abell said one time, to me, “David, when you do your first book, life will change”. And he was right about that: after your first book, life does change.

AK: Yea… I feel it does… I mean, I don’t know, I obviously it’s too soon to say because it’s only hitting the stands right now, I mean “the stand”, singular, being here on burn, so I don’t know what the actual impact will -

DAH: – Oh I predict that, I think this book will, I think this, your limited edition of 500 copies, of a very well priced book and a very high quality book, and a very heart felt… done book, I think that this book will sell out in less than two weeks. That’s my prediction. I think it’ll be gone in ten days. Something like that, I really think that.

I think that people will, people will feel that this is a one of a kind object, as you described, there are people who get more out of photography than seeing, to flick a page, or even on burn or anything, anything that’s online, and will go for that physical object. and they’ll see it the same way that they saw Alec Soth’s “Sleeping by the Mississippi”, and they’ll want to be one of the ones to have an original, first edition, from the first five hundred.

AK: Yea… and it’s, it’s almost like I wish there was this tactile… extension to the internet where you could make people reach into the screen and pick up the book to be able to feel it, that they can feel what the object is like, because I feel that that’s such an important aspect.

DAH: Your book is a physical object, it’s a beautifully done physical object, and the printing and the binding and the making of this book are clear, and speak to the subject… So tell us a little bit about… the making of the book in relationship to the subject of the book.

AK: That’s of course pretty crucial, as I regard the book as an integral object of what the project is about… I mean, I’ve been fortunate enough to have worked at a printer a long time ago, and that opened a whole new world to me back then. But it wasn’t until last year that I realized was using all that knowledge for this book.

I completely did the process all by myself, I designed the book, I found the right papers and the right printer, prepared for print, went to press, and oversaw the binding…. I learned obviously a lot during the process, but… it’s such a fun thing to do, it’s a lot of work, you gotta follow up everything personally, but you’re basically taking up the role of, of…producer

DAH: OK, so we’ve covered the thrill of having the book… and the physical production of the book. But I think the word of mouth on the physicality of this book will quickly get out there, and I think that, you and I are of like mind of what Burn does, and our basic philosophy is a quality one.

AK: Yes… whatever the case, quality comes first, and that’s why I was so happy that you were willing to endorse and write the foreword for the book, because I knew that you would never, ever, even as a close personal friend, you would not do that if you wouldn’t be very sure about the quality of the work.

DAH: No, I would not do that. Of course I’m expecting a hell of a kickback from this book, I’m expecting a lot of money into my my bank account [laughing]

The thing is… photographers do want to do books, and I think everybody knows, that books are not how we make money, but you will, even if this book is a raging success, you won’t be paying your home bills with this book, no matter how successful this is….

AK: I might break even on some aspect of the printing, and I’d be really really happy if that happened, but I’m pretty sure I can forget about trying to pay for all the trips I took.

DAH: Now tell me a little bit about how the subject of your book.  Any way you look at it, is going to be controversial, inside Japan, outside Japan, all around the town. I mean, you’ve turned into a physical object of photography, a crime organization. So. justify that for me please.

AK: Justify…

DAH: I mean, don’t justify it for me, because I understand it…. Justify it to those who might be reading this.

AK: I think it goes back to the fact that I’ve always taken aback by… prejudice. I’ve always been taken, really taken aback by blanket statements, I’m taken aback by the judging of people and things… Personally, I’ve always asked questions instead, being inquisitive, at least in my mind ask questions, trying to understand things…

I do not want to be a judge in my photography. I want to be a witness in my photography. A faithful witness of my own vision. A vision which I know is shaped and skewed by my upbringing and my life’s experiences.

I guess that’s why the Yakuza project actually quickly turned into something different than I expected, I started to feel that it’s a way of life more than anything else… and that’s where I latched on. The bad part or the good part for that matter, very quickly became irrelevant after that. The subtle shades of grey are the key.

Who am I… can it ever be my right to say about someone that he is “bad”? about anyone?

DAH: So your essay, your book is, how would you describe what it is in relationship to a crime organization? is it a revelation, is it an exposé, is it a behind-the-scenes? what is it exactly? what are you telling us with this book?

AK: Well… that’s a good question. I might have to find that one out as we go along, because I actually just want to show, I think, basically what I just said, I started feeling that that Yakuza is many shades of grey, and not simple black vs white.

DAH: so is that your, your…mission?.

AK: It’s the subtlety of the story that hit me, I think it would be kind of easy, or cheap, in a way, to show the Yakuza and what they do, instead of what they are, because I would, in a way, stereotype them, and that is something I don’t want to ever do to anybody.

DAH: yeah… do you want me to get you another coffee?

AK: yes, sure.

DAH: you drinking it black?

AK: as always

DAH: OK. Here, think about this question: what do you think the Yakuza are going to think about this book? What are they thinking that this book is? You’re thinking that it’s a revelation of some sort, what do they think it is? Everyone wants their thing out of it.

[DAH gets a cup of coffee]

AK: Interesting question… The thing is, I think, and I have the feeling, that they want to have, kind of a chronicle of their family, of sorts, a chronicle of what they are about.

DAH: When I look at the pictures, I  don’t see them doing anything bad… If I weren’t reading about the Yakuza, or know about the Yakuza, your pictures here do require text, and context, which, I think, only adds to the texture and to the feel of these photographs. Is that correct? They seem here to appear as traditional Japanese businessmen.

AK: Yeah… Though you can’t really misinterpret the tattoos, covert training camps, prostitutes and severed fingers.

DAH: So aside from the fact that people who buy this book are going to receive a physical object, and a lot of visual stimulation, on a topic that you have decided was worth photographing, what do you, what do you think that people will get out of this book, or should get out of this book, besides the fine object aspect of the book? Because it is a documentary. it is not a conceptual thing.

AK: Actually, I would like to describe this as a conceptual documentary, because I have no intent, to tell the truth, but rather I have the intent of telling the Yakuza story as I personally experienced it, me, Anton Kusters, the person and character that I am, with all my flaws and shortcomings, and I will most probably see things in a completely different way and therefore be sensitive to, and concentrate on, the things that strike me or touch me… the shades of grey i see, the realization that being Yakuza is a way of life more than anything else. I hope others will see that too.

DAH: So in that sense you are being very documentary, mission oriented documentary. In that sense.

AK: Yeah. in that sense. I could even consider that a mission in life in general.

DAH: I know exactly where you stand on this. Personally, for me, I find any topic interesting, if a someone, if a photographer, if a writer, or a film maker is telling me that they are interested in whatever the topic is, whether it’s the sinking of the Titanic, as a piece of history, or Restrepo, a war story by Tim Hetherington, or your story on the Yakuza. I don’t really care, I mean, somebody who is a storyteller, or a visual artist, if they have decided that they’re going to do this particular thing…. i’m not ranking subject matter by some subject matter being more important, or right, than others. It becomes important by the fact that this particular storyteller is going to tell it.

AK: Yep. About Tim…. I met Tim only a couple of times, and the last time we talked at length about the Yakuza project, which was then only halfway, and he was the one who also told me, like you had always told me too, David, because there was one particular picture, when he saw that one he stopped in his tracks and said “this is the one” and that was the picture of the empty table with empty glasses and cups and a burning cigarette and the two empty chairs, the full ash tray, and he said “right there, that’s the kind of image, that’s the image you have to have in there, because there you are saying that you are personally telling that story that is your story, and that you are not just ‘covering’ the Yakuza”… and I hope I have taken that to heart.

DAH: well I think there is no doubt that you’ve done that. The only thing left I wanted to ask you is… you will now probably spend the next year working on the film, on the same topic.

AK: I hope that works out, yes. There is… we’re starting, my brother Malik and I are starting to, because obviously film is way more complex than photography from a production point of view, my brother will be doing sound, I will be doing video, the moving image…. I hope that works out… we’ve got a good story. And the book, offering the book to the Yakuza bosses now, tomorrow I’ll be flying over to Tokyo to, you know, present the book to them, give copies as a gift, which will hopefully open gates.

But again, this will be way more complex, also financially… so, I will be using the potential success of the book as a gauge for myself, if it’s viable to continue on that path or not. But I obviously feel I should do it no matter what. so I hope it will work out.

On the other hand, photographing daisies is great fun too.

Buy the book here on BURN:

Buy Now

Bio:
Anton was born in Belgium. He grew up in Australia, Saudi Arabia and Belgium, and has been visiting Japan ever since his brother moved there a decade ago. The long term YAKUZA project started out three years ago, and the first major step now has been taken with the book “ODO YAKUZA TOKYO”.
Anton feels that life should be about going deep down rabbit holes as much as you possibly can.

Related links:

www.antonkusters.com

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About

LulzSec (a.k.a Lulz Security) is a computer hacking group that began making headlines in May of 2011 after taking responsibility for compromising the security of a number of high profile targets. They have be known to use Distributed Denial of Service (DDOS) attacks and SQL injections to take down websites. (See also: #OpSony)

Highlights

The group periodically releases stolen information from websites. They post the stolen data on their website in .txt files[9] or in torrents on their page on The Pirate Bay[10]. Releases often are posted on Fridays and thus they made a hash tag called “#fuckfbifriday” that they use to tweet with.

May 5th, 2011: FOX

The earliest known hack attributed to the group began on May 5th, 2011 against Fox Broadcasting Company, which resulted in the breach of TV talent show X Factor contestants database and 73,000 applicants’ personal information. On May 10th, Fox.com sales database and users’ personal information was released.

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We’re releasing the X-Factor contestants database publicly tonight. Stay tuned. Wink, wink, double wink!less than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

<!- end of tweet -->

May 27th – June 6th: SONY

Between late May and early June 2011, international media company Sony’s database was attacked by hackers who took thousands of users’ personal data including “names, passworsd, e-mail addresses, home addresses dates of birth.” Lulzsec claimed that it used a SQL injection attack and was motivated by Sony’s legal action against the original iPhone jailbreak hacker George Hotz, who revealed similar information of Sony’s PlayStation 3 console in December 2010.

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Hey guys, we took a cruise! Who wants to play spot the SonyMusic SQLi? #fun #fun #FUNless than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

<!- end of tweet -->

The breached databases include Sony Music Japan, Sony Pictures, SonyBMG Netherlands and SonyBMG Belgium. The group claimed to have compromised over 1,000,000 accounts, though Sony claims the real figure was around 37,500. Some of the compromised information has been reportedly used in scams.

May 29th: PBS

On May 29th, 2011, LulzSec managed to compromise several PBS web properties including their official website and Twitter account. The PBS homepage was defaced with an image of Nyan Cat and the words “all your base are belong to lulzsec” referecing All Your Base Are Belong To Us. They claimed it was in response to a biased documentary about Wikileaks that had aired on an episode of PBS Frontline. They also were responsible for an article which claimed that 2Pac, a rapper who died back in 1996[7], was still alive and was found living in New Zealand with another famous dead rapper, Biggie Smalls[8].

June 15th: CIA

LulzSec took responsibility for taking down the United States Central Intelligence Agency website in a tweet[1] on June 15th, 2010. According to Gawker reporter Adrian Chen[2], the attack was meant to impress Twitter user Quadrapocdacone:

This afternoon, Quadrapodacone and Lulzsec got into a Twitter flame war, after Quadrapodacone mocked Lulzsec for taking on only “soft targets” like video game companies and PBS. (Lulzsec has since deleted its side of the conversation.)

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Tango down – http://t.co/2QGXy6f – for the lulz.less than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

<!- end of tweet -->

June 15th: War With 4chan

An article was posted to the website VentureBeat claiming that LulzSec was starting to attack users of the website 4chan.org, and the nebulous group referred to as “Anonymous”, on June 15th, 2011.

The sparring began when LulzSec initiated a “DDoS Party,” which was a set of large-scale distributed denial of service attacks on several gaming servers and websites that brought a lot of games offline. EVE Online, League of Legends and Minecraft all faced outages or significant latency problems. That was enough to get the attention of “/v/,” an internal image sharing board on 4chan.org that focuses on video games.[3]

June 17th: SEGA Attack Denial

On June 17th, 2011, multinational videogame developer company SEGA issued an e-mail to its online network SEGA Pass subscribers revealing that the network was breached by a group of hackers and an unknown number of subscribers’ personal information were stolen, such as e-mails and date of birth:

“Over the last 24 hours we have identified that unauthorised entry was gained to our Sega Pass database,” the company said. “We immediately took the appropriate action to protect our consumers’ data and isolate the location of the breach. We have launched an investigation into the extent of the breach of our public systems.”

On the next day, Lulzsec responded to the news on Twitter by denying an involvement with the attack on Sega Pass. In a tweet expressing their fancy for the aging console Dreamcast, @Lulzsec announced that they will help the company to take down whoever launched this attack in retaliation:

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@Sega – contact us. We want to help you destroy the hackers that attacked you. We love the Dreamcast, these people are going down.less than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

<!- end of tweet -->

June 17th: War With Anonymous Denial

On June 17th, 2011, the @LulzSec Twitter account announced that they are not at war with Anonymous, and repeated the sentiment by retweeting @YourAnonNews:

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Saying we’re attacking Anonymous because we taunted /b/ is like saying we’re going to war with America because we stomped on a cheeseburger.less than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

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We are NOT at war with @LulzSec #MediaFagsless than a minute ago via TweetDeck Favorite Retweet ReplyAnonymous
YourAnonNews

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June 19th – Operation Anti-Security (#AntiSec)

On June 19th, 2011, LulzSec posted a statement on pastebin[5] announcing that they will be teaming up Anonymous to attack government agencies.

Welcome to Operation Anti-Security (#AntiSec) – we encourage any vessel, large or small, to open fire on any government or agency that crosses their path. We fully endorse the flaunting of the word “AntiSec” on any government website defacement or physical graffiti art. We encourage you to spread the word of AntiSec far and wide, for it will be remembered. To increase efforts, we are now teaming up with the Anonymous collective and all affiliated battleships.

June 20th – SOCA

On June 20th, 2011, LulzSec managed to take down the United Kingdom’s Serious Organized Crime Agency (SOCA) website with a DDoS attack as part of Operation Anti-Security.

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Tango down – http://t.co/JhcjgO9 – in the name of #AntiSecless than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

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June 21st: Arrest

On June 21st, 2011, 19-year-old Ryan Cleary was arrested by UK police for allegedly attempting to take down a police website. According to PCWorld[6], his arrest was related to an investigation into LulzSec’s attacks:

The Metropolitan Police Central e-Crime Unit (PCeU) said the teenager was detained following an investigation into network intrusions and distributed denial-of-service (DDOS) attacks against “a number of international business and intelligence agencies by what is believed to be the same hacking group.”

LulzSec denied that Ryan was a part of the hacker group, and only had minor involvement hosting one of thier irc chatrooms on his server.

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Ryan Cleary is not part of LulzSec; we house one of our many legitimate chatrooms on his IRC server, but that’s it. http://t.co/98VflEiless than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

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June 21st: Brazilian Government Websites

On June 21st, a South American branch of Lulzsec group (@LulzSecBrazil) launched DDoS attacks against the portal of Brazilian government websites and the homepage of the President under the banner of Operation Anti-sec. The denial-of-service attacks came following the announcement on June 19th of a joint operation seeking to “steal and leak any classified government information, including email spools and documentation.”

Since the beginning of Operation Anti-sec, LulzSec’s support base has expanded from small unknown groups to an international network of Anonymous activists and regional Lulzsec chapters in Brazil and Colombia, as well as the Iranian Cyber Army.

June 23rd: Arizona Department of Public Safety

On June 23rd, Lulzsec also released a new set dubbed “Chinga La Migra,” a Spanish phrase meaning “fuck the border patrol,” which reveals hundreds of private intelligence bulletins, personal information of police officers and confidential documents including training manuals and personal email correspondence. In the press release, the group cited the legislation of SB1070 (Support Our Law Enforcement and Safe Neighborhoods Act), a controversial anti-immigration law that was passed in the state of Arizona in April 2011, as their primary motive behind targeting the Department of Public Safety.

The documents classified as “law enforcement sensitive”, “not for public
distribution”, and “for official use only” are primarily related to border
patrol and counter-terrorism operations and describe the use of informants to
infiltrate various gangs, cartels, motorcycle clubs, Nazi groups, and protest
movements.

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Presenting Chinga La Migra: http://t.co/tQZ1uro | http://t.co/apl4g7J #AntiSecless than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

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June 25th: LulzSec Retires

On June 25th, 2011, LulzSec released a statement on pastebin[11] saying that after 50 days of hacking, they will be going into retirement.

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50 Days of Lulz statement: http://t.co/GbAD070 | Torrent: http://t.co/lGsJ4PU Thank you, gentlemen. #LulzSecless than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

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We are Lulz Security, and this is our final release, as today marks something meaningful to us. 50 days ago, we set sail with our humble ship on an uneasy and brutal ocean: the Internet. The hate machine, the love machine, the machine powered by many machines. We are all part of it, helping it grow, and helping it grow on us.

They later tweeted that Operation Anti-Security would be passed on completely to Anonymous:

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Finally, we encourage all future #AntiSec enthusiasts to join the AnonOps IRC here: http://t.co/1XLL1Jj and follow @AnonymousIRC for glory!less than a minute ago via web Favorite Retweet ReplyThe Lulz Boat
LulzSec

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The farewell statements were also accompanied with about 458 MB of data from AOL, AT&T, Navy.mil, pilimited.com, and many other websites that they uploaded from their Pirate Bay account[10].

External Links

[1] Twitter – @LulzSec

[2] Gawker – Hackers Take Down CIA Website / 6/15/2011

[3] VentureBeat – Hit the deck: LulzSec and Anonymous start trading blows

[4] Linear Fix – Why LulzSec Hacks: A Timeline of Major Hacks

[5] Pastebin – Operation Anti-Security

[6] PCWorld – UK police arrest teen from Lulz Security for DDOS attack

[7] Wikipedia – Tupac Shakur

[8] cnet News – PBS, hacked, says Tupac is still alive

[9] Lulz Security – Releases

[10] The Pirate Bay – LulzSec

[11] Pastebin – 50 Days of Lulz

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