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Alberto Maserin

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Features and Essays

Occupy Wall Street… Terrific photos by Ashley Gilbertson…

Ashley Gilbertson: #Occupy Wall Street (VII) Gilbertson’s earlier Wall Street series: Down on Wall Street and After the Fall

Spencer Heyfron: Faces of Occupy Wall Street (Newsweek) Heyfron’s website

Nina Berman: Beyond the Fringe of Protest (NYT Lens)

From Chicago…

Jon Lowenstein: Occupy Chicago (NOOR)

Guillermo Cervera: Trading War for Waves (NYT Lens) Cervera’s archive

Brent Stirton: Virus Hunter (TIME Lightbox)

Libya…

Jehad Nga: Return to Libya (TIME Lightbox)

Michael Christopher Brown: Libya After Gaddafi (Newsweek)

Bryan Denton: Pictures from a Rebellion (Corbis blog) Libya

Afghanistan..

Ben Lowy: Life During Wartime (NYT Mag) | 6th Floor blog: Hipstamatic in Kabul

Larry Towell: Afghanistan 2011. Part II (Magnum)

Last Friday, President Barack Obama announced complete withdrawal of US forces from Iraq by the end of 2011…

In August, the New York Times took a look back at the war in Iraq on the frontlines and at home in the US…I don’t think I ever shared the slideshow…Various photographers’ work included…Below frame from Todd Heisler’s iconic Final Salute…(Remember seeing it first time as it was exhibited in Berlin as part of the touring World Press Photo 2006 exhibition, and being really amazed by it. Actually another Iraq series from the same exhibition, by Peter van Agtmael,  is etched in my memory as well. I saw the WPP 2006 show literally two weeks before I began studying photojournalism, so it had special impact.)

photo: Todd Heisler

New York Times (various photographers): Iraq: Drawing Down and Moving Ahead (NYT)

Mauricio Lima: The Circus Comes to Baghdad (NYT)

Ayman Oghanna: Iraqis (Photo Booth)

Last week I posted a link to Stephanie Sinclair’s Hillary’s Angels on VII…This week we have Diana Walker’s photos of Hillary herself on Lightbox. The series is also TIME cover story on all markets…Lightbox slideshow opens with a frame that is printed double spread in the magazine…

Diana Walker: Hillary Clinton (LightBox)

Lynsey Addario: Road Trip (VII)

Lynsey Addario: Somali-Kenyan Famine (VII)

Moises Saman: Awaiting Tunisia’s Vote (NYT)

Tomas van Houtryve: Open Secret (VII Magazine)

Nancy Borowick: Mother’s Cancer (TIME Lightbox)

Alberto Maserin: Portraits of Priests (TIME Lightbox)

Timothy Fadek: Chongqing, China (Polka) “The biggest city you’ve never heard of.”

Abbie Trayler-Smith: The BRIT School (Panos)

Kacper Kowalski: Winter (Panos)

Jack Delano: Puerto Rico (NYT Lens)

Larry Fink: Vanity Fair’s Oscar parties (Photo Booth)

Lara Platman: Harris Tweed (BBC)

Toby Smith: Energy in China (NYT Lens)

Edward Burtynsky: View From Above  (Lightbox)

David Degner: Egypt’s Unfinished Revolution (FT Magazine)

Mustafah Abdulaziz & Justin Maxon: Providence (Vimeo)

Mikolaj Nowacki: Parting (VII Mentor)

Will Hartley: In Between Dreams (Foto8)

Interviews and Talks


Martine Franck (WSJ)

Check out DevelopPhoto’s Vimeo…

Develop Photo Vimeo Channel for Photography related videos  (DevelopPhoto Vimeo) Includes recent videos of photographers such as Ed Kashi, Donald Weber, and Peter van Agtmael speaking about the future of photography. Those originally from PhotoQ’s series Facing the Future here.

Dominic Nahr (The Fader)

Lars Tunbjork (New Yorker Photo Booth)

Ron Haviv (Takepart.com)

Juergen Teller (BJP) Teller on  his controversial shoot with Kristen McMenamy for 032c magazine.

Ziyah Gafic (PDN)

Matt Eich (Conscientious Extended)

Rankin (IdeasTap)

Shannon Jensen (10Answers) Jensen is one of the recent additions to Reportage by Getty Images Emerging Talent. Her portfolio here.

Articles

photo: Nicole Tung

Mike Kamber: On Young Photographers and Conflict’ in Libya (NYT Lens) On photographing conflict for the first time

Russia Beyond the Headlines: Yuri Kozyrev: Walking the revolution road 

photo: Franco Pagetti

Telegraph: Baptism of fire: the story of the VII photo agency (Telegraph) When seven photojournalists decided to join forces, it was just days before 9/11 happened. Their role has been in sharp focus ever since

Gizmodo: How to Be a Citizen Journalist Without Getting Killed

Flavorwire:  A Look at Patti Smith’s First Major Photography Exhibition, ‘Camera Solo’

Toronto Star Photo Blog: Rick Madonik tells about his Libyan fixer

Capital New York: For Tim Hetherington’s close friend and ‘Restrepo’ subjects, mounting a South Bronx gallery show of the late photographer’s work becomes a tribute

PDN: What do you charge for editorial retouching, and how? (PDN)

Telegraph: Photography at the V&A

Guardian: Featured Photojournalist Adnan Abidi 

New Yorker Photo Booth:  Great Mistakes, Vanessa Winship’s favorite accidental photo

IJNet: Five Google tools journalists don’t use but should

Source: Top Ten Tips on getting the most of your photography degree

Penumbra Project: Surviving as a photographer in the new economy

photo: Eli Reed

Magnum: Advice for young photographers – part 3 (IdeasTap)

Joerg Colberg: What Happened to the Mid-Career Artist (Conscientious)

David Campbell: Thinking Images v.23: Gaddafi’s death

David Campbell: Agencies as publishers: a new approach to photojournalism (DC blog)

Marco Bohr: Google Street View and the Politics of Exploitation (Visual Culture Blog)

Verve: Valerio Bispuri (Verve)

Also in new breed of documentary photographers.. Chien Chi-Chang (Verve)… ahem…

Guardian: Occupy London empty tent claims based on ‘rubbish science’  (Guardian) Scientist specialising in camouflage said photographers with thermal imaging equipment were not using right camera settings

Adam Westbrook: 10 common video storytelling mistakes (and how to avoid them) (AW blog)

Adam McCauley: Covering 9/11 with Ashley Gilbertson (Storify)

BJP: The Third Floor Gallery is Cardiff is looking for £12,000 to expand

BJP: Spotlight on crowdfunding: Photographer Neil Osborne is raising funds to document how one man saved the Black Turtle

BJP: The London Street Photography Festival + Grant Smith to present “Stand Your Ground” at BJP’s Vision

BJP: The Open Eye Gallery is reopening in new premises. BJP asks the director and curator what we can expect to see

Petapixel: Adobe Image Deblurring Done on Capa’s Famous D-Day Photo

Videos

Steve McCurry’s One-Minute Masterclass #3

Steve McCurry’s One-Minute Masterclass #2

Steve McCurry’s One-Minute Masterclass #1

Page One : Inside The New York Times : trailer

Vicki Bennett: Deconstructing the way we perceive space in cinema (Contact Editions)

Awards, Grants, and Competitions

Andrea Morales Wins TIME’s Next Generation Photography Contest | Morales’ website

FotoVisura Grant. The deadline is December 5, 2011.

PhotoPhilantrophy Grant Rounds Schedule

Blogs

NPPA Visual Student

Crowd funding

Go and support my friend Amanda’s project…She’s already past the halfway mark…

Amanda Rivkin : BTC Oil Pipeline (Emphas.is)

Events and Exhibitions


Giles Duley : Becoming the Story : Artist Talk: Wednesday 2 November 6-9pm (talk starts at 7pm) Private View: Thursday 3 November  7 – 9pm Exhibition Runs: 4 – 26 November : KK Outlet : London

Hell and Back Again by Danfung Dennis : Screening : November 7 :  Foto8 :  London

Amazon : exhibition in aid of Sky Rainforest Rescue : Somerset House, London :  photography from Sebastião Salgado and Per Anders Pettersson

Magnum Photos symposium to discuss the role of contact sheets in photograph :  26 November : London

The Atlanta Photojournalism Seminar

Jobs

MediaStorm’s Spring Internship : Deadline November 1

B&H is hiring a full-time Photo Related Blogger

NPR : assistant producer for multimedia

Reuters freelance TV news producer

Agencies and Collectives

Statement Images is looking for new members

Zeppelin

Photographers

Suzanne Lee

Jussi Puikkonen

Tania Lee Crow

As a final note… Busiest day so far on the blog last Friday with 2,870 views and looks like October is on its way of becoming to be the month with most traffic ever…around 37,000 views…Thanks for visiting.

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“Behold, I show you a mystery,” Saint Paul wrote in one of his epistles, talking of grave and final but miraculous things. The sacraments of the Catholic Church too are holy mysteries—none more so than the Eucharist. At the climax of the Mass, the act of transubstantiation turns bread and wine into the literal body and blood of Christ. Or so devout Catholics believe.

The photographer Alberto Maserin has observed a corollary transformation that accompanies this profound ritual of the Church, one that he captures in this series of pictures he has entitled “Et Nunc,” which is Latin for “And now.” It is the way an ordinary human being becomes the priestly central character in the drama of the Mass. “Over the years,” says Maserin, “I have met a lot of clergymen with all very different characters—gentlemen, intellectuals, bigoted, rude, modern etc. But once they were in the act of celebrating Mass, I found it very difficult to dissociate what they represent from who they are.” It is a kind of transubstantiation itself, as Maserin portrays in the moments he captures, simultaneously earthly and ghostly, of priests preparing for Mass. Behold, he shows you a mystery.

Though he now lives in Belfast, Northern Ireland, Maserin was born and raised Catholic in Italy. Priests and clergy were part of everyday life, not just at church but in school and in daily life, with all sorts of personalities, fatherly, avuncular, strict, funny. That is, until it came time to put on the robes and vestments for the Sacrament of the Eucharist. “We were a gang of very chaotic youths, like anybody else between six and 11,” he recalls. But somehow they all behaved when it came time to approach the altar. “Something magical was happening in front of us,” he recalls, marked by the fact that “the priest had to dress in such unusual clothes.” (It also helped, he recalls, that afterward they all got comic books for behaving.)

Nevertheless, Maserin never lost his sense of awe at the transformation of man into priest as empowered by the institution of the Church. “When the priest puts on his vestments,” he explains, “who he was before the mass, all his individuality and personality, disappears. He is transformed into somebody that could have stepped right out of the Middle Ages. It’s like he travels back in time to a different world when the power of the Church was much greater and it was the center of all education and power in Europe.”

And perhaps it is not all in the past. The power of the Mass for many Catholics is its timelessness. That is something that Maserin refers to in the words “Et Nunc.” They are taken from the Gloria Patri, the great doxology of the Church, the mighty blessing issued from the altar: Glory be to the Father and to the Son and to the Holy Ghost, as it was in the Beginning… Et nunc, et semper, et in saecula saeculorum.” That is, “is now and ever shall be, world without end.” Amen.

Alberto Maserin graduated from the University of Ulster in Belfast in 2011. His work has been published in Source magazine and it was selected for the Belfast Photo Festival and Hereford Photography Festival in 2011. He is co-founder of the Belfast Photo Factory, a non-profit collective created with the purpose of providing an environment for photographers and promoting photography through interaction with local communities.

Howard Chua-Eoan is the News Director of TIME and TIME.com. Find him on Twitter at @hchuaeoan.

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