Skip navigation
Help

Gaspar Noe

warning: Creating default object from empty value in /var/www/vhosts/sayforward.com/subdomains/recorder/httpdocs/modules/taxonomy/taxonomy.pages.inc on line 33.


What's the difference between a "porn movie" and a "movie" with porn?
After the success of Real sex in mainstream movies here's the part 2 with 8 "new" movies featuring real sex or "not simulated" sex scenes in mainstream movies.
And... take care. Totally NSFW!!!

A new selection of 8 mainstream movies featuring real sex. Embedded in one page:
Sex and Lucia with Paz Vega
Antichrist by Lars von Trier
All About Anna by Jessica Nilsson
Ken Park by Harmony Korine
Caligula by Tinto Brass
Romance by Catherine Breillat
Destricted described as seven short art-house porn films
Lie with Me by Clement Virgo with Lauren Lee


1. Sex and Lucia (2001) by Julio Médem with Paz Vega
Sex and Lucia is a spanish drama film written and directed by Julio Médem, and starring Paz Vega and Tristán Ulloa. As suggested by the title, there is a great deal of passionate sexual content surrounding the love story of Lucía and Lorenzo as the plot dissolves into a very lyrical eroticism. The movie features a highly non-linear story line with repeated surreal references to the ocean and beach. The plot depicts the tragic stories that connect all of the film's characters. The film was shot on two separate locations along the Mediterranean coast in Spain and France.

2. Antichrist (2009) by Lars von Trier with Willem Dafoe and Charlotte Gainsbourg
This film by Lars von Trier features a scene of penetrative vaginal intercourse, and also includes graphically violent sexual imagery. Body doubles were used to make the film. It follows horror film conventions and tells the story of a couple who, after the death of their child, retreat to a cabin in the woods where the man experiences strange visions and the woman manifests increasingly violent sexual behaviour. The narrative is divided into a prologue, four chapters and an epilogue. The film was primarily a Danish production but co-produced by companies from six different European countries. It was filmed in Germany and Sweden.

3. All About Anna (2005) by Jessica Nilsson with Gry Bay and Mark Stevens
All About Anna is a Danish film released in 2005. The film is explicit in its exploration of sexual relationships. It is a co-production between Innocent Pictures and Lars von Trier's Zentropa Productions, and is the third of Zentropa's sex films for women, following Constance (1998) and Pink Prison (1999). All three films were based on the Puzzy Power Manifesto developed by Zentropa in 1997.

4. Ken Park (2002) by Larry Clark and Ed Lachman
The screenplay was written by Harmony Korine, who based it on Larry Clark's journals and stories. The film was directed by Larry Clark and Ed Lachman. The film revolves around the abusive and/or dysfunctional home lives of several teenagers, set in the city of Visalia, California. The film was banned in Australia, as the Office of Film and Literature Classification said it contained scenes of "child sexual abuse, actual sex by people depicted as minors and sexualised violence". Cunnilingus, auto-erotic asphyxiation, urination, and group sex acts involving characters that are supposed to be teens are shown explicitly, but the sex is simulated with the exception of one scene showing a young man masturbating. All actors were actually over 18.

5. Caligula (1979) by Tinto Brass
Caligula is an Italian–American biographical film. It was directed by Tinto Brass, with additional scenes filmed by Giancarlo Lui and Penthouse founder Bob Guccione. The film concerns the rise and fall of Roman Emperor Gaius Caesar Germanicus, better known as Caligula. It was written by Gore Vidal, co-financed by Penthouse magazine and produced by Guccione and Franco Rossellini. It stars Malcolm McDowell, Teresa Ann Savoy, Helen Mirren, Peter O'Toole and John Gielgud. It was the first major motion picture to feature both eminent film actors and pornographic scenes. It remains one of the most infamous cult films ever made and remains banned in several countries to this day.Uncut version of this film includes several authentic sex scenes, including penetration, fellatio and ejaculation during the six minutes worth of inserts shot by the film's producer, Bob Guccione.

6. Romance (1999) by Catherine Breillat
Romance (Romance X) is a French movie written and directed by Catherine Breillat. Features male and female masturbation, fellatio, penetration, ejaculation, and sadomasochistic bondage. It stars Caroline Ducey, pornographic actor Rocco Siffredi, Sagamore Stévenin and François Berléand. The film features explicit copulation scenes,[1] especially one showing Caroline Ducey's coitus with Rocco Siffredi.

7. Destricted (2006) described as seven short art-house porn films
Seven short films by artists and film-makers commissioned to "explore the fine line where art and pornography intersect", it "contains strong, real sex". Destricted official website.
'Impaled' by director Larry Clark shows a casting for a porn film, not with the insecure women often displayed, but instead with insecure young men. 'Balkan Erotic Epic' by director Marina Abramovic is an erotic comedy about myths from the Balkan around the sexual organs. 'House Call' (from Richard Prince) is a vintage sex scene and comes closest to pornography. 'Sync' (Marco Brambilla) only exists out of very fast cuts from different porn films and plays for about two minutes. 'Hoist' (Matthew Barney) is mostly an art film. 'Death Valley' opens with a beautiful shot, but then continues with an 8-minute masturbation scene. 'We Fuck Alone' (Gaspar Noé) has a doll as a main character.

8. Lie with me (2005) by Clement Virgo with Lauren Lee Smith
Lie with Me is a Canadian drama film with graphic sexual content that played at the 2005 Toronto International Film Festival. It is based on the novel of the same name by Tamara Berger. The film features Lauren Lee Smith and Eric Balfour.An outgoing, sexually aggressive young woman meets and begins a torrid affair with an equally aggressive young man in which their affair begins to bring a strain on their personal lives.

0
Your rating: None

It may be true that the first thing to suffer when you are busy doing other things is the act of blogging. Why would you bother telling the world what you're up to when you're enjoying just doing it. This is the first post of August however and I promise to be more diligent in future. Something's better than nothing right?

First off a huge shout out to Howard Feinstein, critic, film fan and benevolent father figure for having Colony included in his outstanding 'Panorama' section at the Sarajevo Film Festival last week. Great city and some great movies.

Among the stand out efforts that I managed to catch at this Balkan cinema extravaganza were Simon Brumley's smart, lean and brilliantly executed hipster shocker 'Red, White & Blue'. Someone and by someone I mean you Harvey Weinstein should give Simon a three picture deal asap.

A scathing look at the nature of American laziness and the culture of violence that seeps from within it's greasy, Budweiser drinking, flag flying heartlands, Red, White & Blue was not for the feint hearted or the weak stomached.

Needless to say neither were the check golfing pants that Simon selected to wear at his Q&A.

He's a true original all the way and I have no doubt that great things await Simon as a writer/director and horror meister supreme.

Here's actress Amanda Fuller discussing the film. Nice to finally see her with some clothes on...

Next up was 'The Temptation of St. Tony' by Estonian auteur Veiko Õunpuu.

An existential black comedy that I would happily tout as the Estonian 'Big Lebowski', this was a film to be seen on the big screen. Shot in mindblowingly beautiful black and white, 'Temptation' is one that audiences will either love or hate.

Structured in chapters rather than following a traditional linear plot it reminded me of being a kid and turning on the television late at night and seeing a film with subtitles in black and white and people...just talking.

It's only now, as an adult, that I feel able to embrace these things that I may not quite understand and enjoy what I'm seeing...rather than changing the channel to watch 'Tango & Cash'.

I loved this film and Veiko's admission that after the success of his sophomore effort 'Autumn Ball' his discomfort at being touted as 'the savior of Estonian film' prompted him to make this movie as 'a big Fuck You to all of those people' was typical of the bone dry humor that fills the movie.

Full of self-deprecating comments, Veiko claimed to have stolen many of the films shots from masters such as Pasolini and Tarkovsky but I just think he was being modest. It's fair to say that movies like this just aren't being made anymore and it was wonderful to see something with a true love of cinema, philosophy and comedy up there on the big screen.

It's such a beautiful film that I'm just not sure why this youtube clip is so rubbish: there's enough moments of transcendental black and white cinematography in this film to make a year's worth of car commercials out of.

Here's a taster none the less:

Among other films that I managed to see were mischievous Columbian helmer Oscar Ruiz Navia's 'Crab Trap', Canne Palm D'Or winner 'Uncle Boonmee Who Can Recall His Past Lives' and finally I got a look at Lixin Fan's doc masterpiece 'Last Train Home'. Thank you to Lixin for one of the most incredible films I have seen this year. Having met the guy it's hard to imagine a more earnest person, full of integrity and talent. It's truly an amazing documentary film.

Taking the cake however was the long awaited 'Enter the Void' by perennial 'enfant terrible' Gaspar Noe. Introducing the film and saying it was inspired by his drug experiences kind of put me off and I shifted uncomfortably in my seat for a while before the film started. There's perhaps nothing sadder in my mind than some geezer in his early forties asking where you can score a few 'E's and talking up his love for the odd acid trip but in the end all credit is due as the film absolutely blew me away.

Inspired in part by innovative first-person perspective 1940s noir 'Lady in the Lake', 'Enter the Void' impressed me so much firstly because it completely eschews any of the kind of cinematic shoe gazing bullshit that is so prevalent in the 'auteur' filmmaking that fills festival schedules these days.

From the first frame it drops you straight in to a kaleidoscopic world that is part dream, part nightmare beginning at a million miles an hour with this Manga fueled title sequence scored by old techno supremo Thomas Bangalter. Classic stuff.

Noe is one of the most honest directors working today for my money and that's why I enjoy his films so much. Although 'Irreversible' remains nothing more than a video nasty for some, I still maintain it's the film 'Eyes Wide Shut' just didn't have the guts to be.

In many ways perhaps 'Enter the Void' is Noe's '2001'. Full of beautifully rendered visual effects, wild, dimension bending camera moves, flashing neon, dreamy sex and a healthy preoccupation with death, 'Void' may perhaps be on the verge of ruining the French film industry but I loved every minute. Well...almost every minute.

Props to all at the Sarajevo Film Festival.

0
Your rating: None