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Apologies for no updates in nearly three weeks…just been busy with own work… But here we go again. Loads to share…

Features and Essays

Brilliant…Full edit of Gene Smith’s classic ‘Country Doctor’ online for the first time on….

Eugene Smith: Country Doctor (

Finally received the first issue of my annual National Geographic Magazine subscription..Bought annual deal in NatGeo’s Regent Street store in London in August…Found out in December my activation hadn’t gone through, and then told should start receiving issues from January….Got on my nerves…Five months wait… oh well… Glad to finally being able to enjoy print issues on regular basis…From the February 2012 issue….

Amy Toensing: Papua New Guinea’s Cave People (NGM)

Gerd Ludwig: Astana, Kazakhstan (NGM)

This week’s Time International cover story…Christopher Morris has been back to the White House…

Christopher Morris: Inside Barack Obama’s World (Lightbox)

Republican primaries…

Two series by Charles Ommanney for Newsweek…

Charles Ommanney: South Carolina Trail (Newsweek)

Charles Ommanney: The Granite State Weighs In (Newsweek)

Chris Morris from New Hampshire for TIME…

Christopher Morris: New Hampshire Primary (Lightbox)

Brooks Kraft: Running Romney (Photo Booth)

Mark Makela: How to Run for President (zReportage)

One year since the Egypt revolution…Ed Ou video and slideshow on NYT

Ed Ou and Ben Solomon: Reflections on an Unfinished Revolution (NYT) video

Ed Ou: Youth in Egypt (NYT Lens)

Ed Ou: The Ongoing Revolution (Photographer’s website)

Denix Dailleux: Egyptian Artists (Newsweek)

Nice series by Adam Dean…

Adam Dean: Kachin Come Under Siege in Myanmar (NYT)

Erika Larsen’s beautiful Sami work on NYT Lens…

Erika Larsen: Sami People (NYT Lens)

Alejandro Chaskielberg:  Horn of Africa (BBC)

Eunice Adorno: The Flower Girls: Mennonites in Mexico (Lightbox)

Ed Kashi: Turkey (VII)

Nikos Economopoulos: India in Colour (Magnum)

Ron Haviv: The Devastating Costs of the Amazon Gold Rush (Smithsonian)

Glenna Gordon: Living with the Past in Liberia (Lightbox)

Greg Girard: Lifestyle on U.S. Military Bases (NYT Lens)

Rina Castelnuovo: In Israel, a Clash Between the Secular and Ultra-Orthodox  (NYT)

Steve Shelton: Sudan’s Secession Crisis (zReportage)

Richard Tsong Taatarii: Baby Buddha (zReportage)

Mimi Chakarova: Sold for Sex in Eastern Europe (CNN Photo blog)

Luigi Baldelli: Afghanistan (

Leon Borensztein: American Portraits (Lightbox)

Sean Gallagher: The Smog That Ate Beijing (Foreign Policy)

Louise Serpa: Sweetheart of the Rodeo (NYT Lens)

Brian Cassey: Hong Kong’s Poor Living in Cages (CNN Photo blog)

Leonard Freed: Behind New York City’s ‘Police Work’ (Lightbox)

Jeff Harris: 4,748 Self-Portraits and Counting (Lightbox)

Giuliano Camarda: Jahalin Bedouins in East Jerusalem (Photographer’s website)

Åsa Sjöström: Turkana Draught (Moment Agency)

Ragnar Axelsson: Greenland (Polka)

Joel Sternfeld:  First Pictures (Photo Booth)

Kalpesh Lathigra: From the Film Set of ‘Coriolanus’ (Photobooth)

Jessica Ingram: Following the Trail of Civil Rights (NYT Lens)

Joseph Szabo: Coming of Age in America (Lightbox)

Davide Monteleone: Red Thistle (VII)

NPR photographer David Gilkey has been discovering Russia by rail…

David Gilkey: Russia By Rail (NPR)

Larry Racioppo: New York Housing Pictures (NYT Lens)

Peter Mcdiarmid: Year in Pictures 2011 (Photographer’s Vimeo)

Kieran Dodds: The Scottish Highland Games (The Atlantic)

Lee Jeffries: Homeless (Guardian)


Chris Johns, Editor, National Geographic Magazine (burn Magazine)

Patti Smith (BBC)

Steve McCurry on fall of Kodak (BBC)

Alejandro Chaskielberg (BBC)

Adam Dean (Digital Photo Pro)

Luca Sage (Sojournposse)

Guy Martin (BBC) Starts at around 17 mins.

Toni Greaves : Radical Love, The Promise (BJP)

Jason Larkin : Cairo Divided (BJP)

Joel Sartore (NPR)

Heidi Levine on working in Libya (

Chris Floyd (Hungry Eye Mag Vimeo)

Maggie Steber (NPR)

Ron Haviv (

Jim Wilson (NYT Lens)

Umit Bektas, Reuters photographer ,  reflects on the essence of war (MSNBC)

Rineke Dijkstra (PDN)

Shelby Lee Adams : An Ode to Appalachia (PDN)

Christopher Manson (NYT Lens)

Errol Morris : ‘We’ve forgotten that photographs are connected to the physical world’ (Guardian)

Sebastian Liste (GUP Magazine)

John McDermott (PDN)

Antonio Faccilongo (KL Photoawards)

Sean Gallagher (


photo: William Eggleston

Guardian: The Month in Photography |The Observer New Review’s monthly guide to the 20 best photographic exhibitions and books, featuring Pieter Hugo, Eve Arnold, William Eggleston, Don McCullin and Annie Leibovitz|

photo: Simon Roberts

FT: A New Beginning(FT Magazine) | “After the disasters of the past year, we asked photographers to look at the people and places putting themselves back together again in 2012″ |Toshiki Senoue,  Davide Monteleone, John Davies, Jim Dow, Antoine Doyen,  Massimo Vitali, Simon Roberts, Laura Pannack,  Michael Collins, and Marcus Bleasdale

NYT: Blame Photoshop, Not Diabetes, for This Amputation

Radu Sigheti: The Problem with Prizes (Reuters photo blog)

BBC News: Syria unrest: French journalist Gilles Jacquier killed

World Press Photo: Preparing for Judging

David Burnett: Talent Added: Photojournalism

Ed Kashi: 3 Qualities of a photojournalist

Little Brown Mushroom blog: On Marrying a Photographer

AP: AP opens full news bureau in North Korea

Guardian: Why newspapers are closing the shutters on staff photographers

Guardian: Is photography the most influential medium for environmental awareness?

Guardian: Decisive moment? Smartphones steal focus from point-and-shoot cameras

Congratulations to Danfung Dennis for being nominated for an Oscar for Hell and Back Again… Documentary Feature Nominee: Hell and Back Again

Aidan Sullivan to Replace David Friend as World Press Photo Jury Chair (Reportage Tumblr)

Wayne Ford: The Suffering of Light: Thirty Years of Photographs’ by Magnum Photographer Alex Webb

David Gonzalez: Life — and Kodak — Remembered (NYT Lens)

Ben Roberts: Exposure Don’t Buy You Shit! (Photographer’s blog)

Poynter: Washington Post raises eyebrows, questions with ‘composite’ photo on front page

NYT Lens: The Radical Camera: New York’s Photo League

NYT Lens: William Gedney’s View of Myrtle Avenue

NYT Lens: Parting Glance: Eve Arnold 

Sean O’Hagan writes on Eve Arnold’s touching photograph of a bar girl in Havana…

Guardian: The big picture: Bar Girl in a Brothel in the Red Light District, Havana, 1954

Guardian: Happy birthday, Firecracker: the site for female photographers | In an industry still dominated by men, Firecracker promotes and supports women working in photography

NYT: After an Arrest, Civil Rights Questions

CNN: CNN Digital Names Simon Barnett As Photography Director 

Guardian: Leo Maguire’s Best Shot

BJP: Christopher Anderson signs with New York Magazine

BJP: AFP v. Morel: Both parties moving for summary judgment

BJP: Photographer Lauren Greenfield sued for defamation

BJP: How are the Tate, V&A and National Media Museum investing in photography?

BJP: London Underground apologises for DSLR ban blunder

photo: Chris Hondros

Foreign Policy: Photos that mattered in 2011

NYT Mag 6th floor blog: Entering Weegee’s World

DuckRabbit: Cameras, communication and the intimacy of a moment.

David Campbell: Thinking Images v.25: Iran as perpetual enemy

Miniature helicopter in new use…

NGM: Field Test: Serengeti Lions

Comments on crowdfunding…

Joerg Colberg: Crowdfunding is not a cash cow (Conscientious)

Pete Brook: The Etiquette of Crowdfunding (Prison Photography)

Verve: Birthe Piontek

Verve: Kevin Kunishi

Verve: Dimitri Stefanov

Verve: Tomasz Lazar

How to make a Magnum in Motion-style essay

7 Tips for HD Color Correction and DSLR Color Correction

A Few Thoughts on Filenames…


photo: Joachim Ladefoged

Once Magazine Issue 4 is for sale in the App store

The cover story is by Joachim Ladefoged… If you don’t have an iPad and thus no access to Once Magazine, you can view Ladefoged’s terrific 2003 Newfoundland series on his agency VII’s website here.

British Journal of Photography – iPad App

Crowd funding

‘McCullin’ – Feature Documentary (indiegogo)


The Last Days of Mubarak : Photos by Guy Martin and Ivor Prickett : Host Gallery : London : 9 February – 10 March 2012

Peter diCampo: Life Without Lights : 6 -12 February 2012 11am – 6pm at The Strand Gallery : London

Nobel Peace Center to present Hetherington, Addario exhibition

Awards, Grants, and Competitions

Leica Oskar Barnack Award

Center International Awards

Lumix Festival for Young Photojournalism 

Renaissaince Photography Prize Calling for Entries

Hillmann Prize nominations

Photobook Dummy Award 2012

Useful site for grants and awards etc. …The Curator Ship

PDN Photo Annual : Deadline: 25 January

Hasselblad’s Masters Award winners announced


UK Premiere: Under Fire: Journalists in Combat, February  8 :  7pm :  Frontline club : London

Sneak preview of the above on YouTube here

powerHouse Portfolio Review : NYC

PhotoFest : Mexico


Magnum Photos January 2012 Newsletter

VII Photo Newsletter January 2012

BJP: VII Photo appoints new director of business development


UPI : senior staff photographer in LA

Summer internship on NPR’s Social Media Desk


Simon Roberts has updated his website….

Simon Roberts

Kalpesh Lathigra

Fritz Hoffman

Monique Jaques

Giuliano Camarda

Jonathan May

Rhea Karam


CPN: Gary Knight introduces the new Canon G1X

BJP: Fujifilm goes back to its professional roots, releases the X-Pro 1

To finish off… Fotoshop by Adobe

and Texting While Walking

and This is Brighton

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Features and Essays 

To start off, great gallery on Lightbox,  by no other than Yuri Kozyrev…Don’t mean to always highlight Lightbox and  Kozyrev first, but the Time photo editors’ blog has been one of the best things happen this year in/for photojournalism… Great coverage…And Kozyrev has been the photographer whose work has popped up constantly in 2011 (during each of the last four years that I’ve been doing Photojournalism there seems to have been one prolific photographer who defined the  year for me.. in 2010 it was Lynsey Addario, the year before Marcus Bleasdale, and in 2008 it was Lauren Greenfield), so it’s probably suitable that this post (which might or might not be the last this year. We shall see) kicks off with yet another Kozyrev/Lightbox combo…

Time magazine decided on The Person of the Year… This year it’s The Protestor…

Yuri Kozyrev has photographed lot those protestors during the uprisings and revolutions that have occurred in the Middle East this year… He reflects back at the events and photographs…

Cairo, Egypt — February 1, 2011. Thousands of Egyptians flooded Cairo after Mubarak refused to step down.

Yuri Kozyrev: My Year on the Revolution Road (Lightbox)

Hapak made some portraits…

Peter Hapak: The Protestors (Lightbox)

It’s insane how much Kozyrev has been clocking up miles this year…. This from Tunisia…

Yuri Kozyrev: Sidi Biuzid, the Tunisian Town Where the Arab Spring Began (TIME)

More from the continuing Arab Spring…

Tim Fadek has a new website, where you can see his recent Egypt work, including the brilliant Time cover photo…

Timothy Fadek: Revolution Part II: Cairo (Photographer’s website)

Giorgos Moutafis: Arab Spring : One Year After (Newsweek)

photo: Alex Majoli

New Yorker (various photographers): 2011: Twelve Months of Protest 

Kim Badawi: Life in Tahrir Square (New Yorker)

US pulled its troops from Iraq…

Andrea Bruce: Leaving Iraq (NYT)

Andrea Bruce: Portraits of Iraqi Pride (NYT)

Kael Alford: Iraqi Voices (Msnbc photo blog)

JB Russell: Faces of Iraqs Suffering (Panos)

Tyler Hicks: The Civilian Toll in Libya (NYT)

From upcoming National Geographic Magazine’s January 2012 issue…

William Albert Allard: Northern Montana’s Hi-Line (NGM)

George Steinmetz: Africa’s Afar Depression (NGM)

Lynn Johnson: Cambodia’s Healing Field (NGM)

Very strong series by Brent Stirton on Reportage site on AIDS in Ukraine…

Brent Stirton: AIDS in Ukraine (Reportage)

Marcus Bleasdale: HIV and TB in Tanzania (Photographer’s website)

Marcus Bleasdale: Lead Poisoning in Nigeria (VII)

Anastasia Taylor-Lind is really rocking at the moment… awards and recognition left, right, and centre (Just this week Honourable Mention in the Unicef Photo of the Year for the Siberian Supermodels pic seen below the National Womb one… See info on that later in this post) and most importantly work published in great publications… Her project originally done for this year’s Joop Swart Masterclass got printed in The New York Times a week ago…

Anastasia Taylor-Lind: The National Womb (NYT) Same in Lens blog

Her Siberian Supermodels is on VII site…

Anastasia Taylor-Lind: Siberian Supermodels (VII)

Donald Weber: J-Village (VII)

Bruno Barbey: Istanbul (Magnum)

Chris Steele-Perkins: Xiangshawan, Mongolia (Magnum)

Ami Vitale: Design for a Living World (Panos)

Maisie Crow: Half-Lives: The Chernobyl Workers Now (VQR Vimeo)

Justin Jin: Tuva Reborn (Panos)

Stefan Boness: Going it Alone in Asmara (Panos) Eritrea

Damon Winter: Double Diagnosis (NYT) Lives Restored series [video]

You can see a shorter edit of Lynsey Addario’s Gaza series I shared last time on main VII site…

Lynsey Addario: Gaza (VII)

Ashley Gilbertson: Occupy Wall Street (VII Magazine)

Platon: Democracy Now : Russian Activists (Photo Booth)

Dmitry Kostyukov: Living on the Edge : Central Asians in Russia (FT Magazine)

George Osodi: Rape of Paradise (Panos)

Chris de Bode: Exodus (Panos Vimeo)

Paula Bronstein:  Myanmar’s hidden capital Naypyitaw (Getty)

Pep Bonet: El Futuro Es Sus Manos (Noor)

Spencer Platt: Inner City Boxing Gym (CNN Photo blog)

Emily Schiffer: Securing Food in Chicagoland (Lightbox)

Yuri Kozyrev: Sochi, location of 2012 Winter Olympics (NOOR)

Rob Hornstra: The Sochi Project (Project website)

Ester Jove Soligue: Encampment on New Jersey Cliffs (NYT Lens) Soligue’s website

Ton Koene: Steel Town (zReportage)

Kathleen Flynn: Fight to Recover (zReportage)

London based photographer Anders Birger has been to Syria recently… Not many photographers can say that.

Anders Birger: Living in the Shadow of Assad (Demotix)

Guy Martin: Libya’s Lost (Panos)

Jessica Pons: Garden of Ashes (Foto8) Pons’ website

Magnum Photos’ year in review…

photo: Christopher Anderson
USA. NYC. 2011. Andrew Kinard photographed at his apartment in midtown. Andrew lost his legs to an explosion in Iraq as a Marine in 2006.

Magnum Photos: 2011 : The Year in Review

Time photo editors picks of best photojournalism to appear in the magazine in 2011… Includes the below James Nachtwey photo from Kesennuma, Japan, which I remember having seen in black and white before… [You can compare the colour and monochrome versions here]

photo: James Nachtwey A lone house in an overflowed river in Kesennuma, Japan on March 15, 2011.

Time’s Best Photojournalism of 2011

WSJ: Photos of the Year 2011

photo: Chris Hondros

Getty Images: The Year in Focus

photo: Ed Ou

Reportage by Getty Images: 2011 – Year in Review 

New York Times: Year in New York Pictures (NYT Lens)

MSNBC: Pictures of the Year for 2011

Boston Globe Big Picture : The Year in Pictures pt 1 | pt 2 | pt 3 out on Friday this week

Most surprising photos of 2011 picked by Time photo editors…

A prison-transport vehicle sinks into a river after it was allegedly commandeered by escaped prisoners on the outskirts of Cairo. Several prisons saw revolts and break-ins after police retreated from most areas. Jan. 31, 2011

photo: Dominic Nahr  [The above photo looked really familiar. Realised I had seen the same scene in a Guy Martin photo. Compare the two here.]

Time magazine: The Most Surprising Photos of 2011

Time’s Best Portraits of 2011

Le Monde M magazine recently gave a carte blanche to a selected group of photographers around the world to shoot whatever they wanted in their home city…

photo: Tomas Munita in Santiago, Chile

Le Monde (various photographers): Carte blanche

Don’t usually link to travel pieces, but since this is shot by Adam Ferguson…

Adam Ferguson: In Cambodia, a Pocket of the Past (NYT)

Afghan Box Camera Project (Project website)

Clara Vanucci: Observing Holidays Behind Bars (NYT Lens)

Lisa Wiltse: Daulatdia Brothel (Visura) Bangladesh

Ciara Leeming: Elvira and Me (Issuu)

Marc Laita: American Extremes (Guardian)

Russell Monk: Open-Air Studio (NYT Lens)

Kim Jong Il passed away…Some notable North Korea essays from this and the last couple of years…

Damir Sagolj: North Korea’s Hunger Crisis (NYT Lens)

Irina Kalashnikova: North Korea (Reportage)

David Guttenfelder: Life in the Cult of Kim 

David Guttenfelder: North Korea in the Autumn (Denver Post)

Adam Dean:  All Hail the Great Successor! (Panos)

Tomas van Houtryve: North Korea: Secrets and Lies (VII)

Christopher Morris: Daily Life in North Korea (VII)

Sean Gallagher: Inside North Korea (burn)

See also…Kim Jong Phil and of course… Kim Yong-Il Looking at Things

Adam Dean: 2011 – The Year in Pictures (Photographer’s website)


Michael Nichols (CPN)

Stanley Green (Photo Raw)

Don McCullin (National Media Museum)

Stephanie Sinclair (NPR)

Damon Winter (NYT Lens)

David Guttenfelder (NPR)

Massoud Hossaini (AFP)

Annie Leibovitz (Newsweek)

Really nice interview with Ben Lowy…

Ben Lowy (Pop Photo)

Ben Lowy (CNN via Reportage Tumblr)

Lucia Herrero (e-photoreview)

Kadir van Lohuizen : Via PanAm part V (Nikon blog)

Alex Webb (MSNBC)

David Hurn (IdeasTap)

Anders Petersen (Lens Culture)

Bruce Davidson (New York Review of Books)

Shannon Stapleton : The Future of Iraq (Reuters blog)

Barbara Davidson : Back story on a ‘haunting’ image of famine in Africa (LA Times)

Matt Dunham : The story behind the news pictures (BBC)

Leon Neal: A year in the life of a press photographer (BBC)

Sanjit Das (PhotoShelter)

Giles Duley (PDN)

Giles Duley (5×15)

Monika Bulaj : The hidden light of Afghanistan (TED)

Sean Gallagher (Pulitzer Center)

Amanda Rivkin (National Geographic)

Steve McCurry’s One-Minute Masterclass #10 (Phaidon)

Steve McCurry’s One-Minute Masterclass #9 (Phaidon)

Timothy Saccenti : How I Got That Shot: Tricky Lights Up (PDN)

Jerry Uelsmann (NYT Lens)


Must read. BJP put the excellent Olivier Laurent post-processing report online already… Discusses Italian 10b lab and the work they do with Noor’s Yuri Kozyrev…includes fascinating examples frames before and after processing…

photos: Yuri Kozyrev . Post production: 10b Photography

BJP: Post-processing in the digital age: Photojournalists and 10b Photography

NYT: Their War at Home: Iraqi War Photographers | See also related Lens post

James Brabazon looks back at the previously unpublished final shots of Tim Hetherington…

Guardian: Tim Hetherington in Libya: witness to war


Guardian: Tim Hetherington remembered by Idil Ibrahim

Lightbox: In Memory of Photographers We Lost in 2011

CPJ: For journalists, coverage of political unrest 

MSN News: Shooting under fire: A journalist’s tale

PetaPixel: NYT Sends Angry Letter to NYPD Over Treatment of Photographer Where Have All the Photojournalists Gone? Understanding Usage Licenses

Guardian: The Month in Photography 

PDN: Top 15 Objects of Desire of 2011: A Gift Guide for Photographers

PhotoShelter: The Photo Gear Pro Photographers Want for the Holidays

PDN: Object of Desire: Schneider Optics iPro Lens System

Andrew DeVigal: Redefining Interactive Narratives & Multimedia Storytelling

On Editing (various photographers) (Hernan Zenteno blog)

BBC: Two students seeking an MA in Photojournalism: Part II

PDN: The Year in Photo News

Professional Photographer: 100 Most influential photographers of all time

Lens blog:  Kamber Looks Back on War (NYT)

Two Swedish journalists in trouble in Ethiopia. One of them is photographer Johan Persson

BBC News:  Swedish journalists found guilty in Ethiopia

Lacoste. FAIL.

PDN: Lacoste Elysée photo prize cancelled over project inspired by Palestinian push for statehood

BJP: Was the Lacoste Elysée Photography Prize censored?

BBC: A question of ethics: Photographers in the spotlight

Desmond Boylan: A photo blog without photos (Reuters blog)

Guardian: Best Photography in 2011

The Independent: Photo books of the year

Guardian:  12 best photobooks of the year by Sean O’Hagan

Top 20 Photobooks of 2011 by Alec Soth Legacy of Syracuse student killed in Lockerbie bombing lives on through Alexia foundation

Jake Stangel:  is it lame to pay assistants $200/day editorial?

BBC: In Pictures: Nigerians Behind the Lens

BBC: The 75 years of pioneering photojournalism at Life magazine

PDN: What Can a Publicist Do for You?

Guardian: Ryan McGinley’s best shot

Verve: Jonathan Saruk

Verve: Jérémie Souteyrat

Scott Strazzante: iPhone Hipstamatic- still bad for photojournalism?

BJP: National Media Museum’s director steps down after news of restructuring

LeBron James. What. a. Dick.

Dead Spin: LeBron James Wouldn’t Let Walter Iooss Jr., Who Was Photographing Him For Nike, Speak Directly To Him


Shoot and Move On: A Day In The Life of Street Photographers (Youtube)


Life Force Magazine

Bloomberg Photos Tumbrl

Crowd Funding 

Filmmakers seeking funds for Don McCullin documentary (BJP)

Fiona Rogers is selling a Firecracker  diary to gather fund for a Firecracker photography grant…Go and get yourself a calendar…

photo seen in the diary by Dana Popa

Firecracker 2012 diary: Supporting European women photographers and the 2012 Firecracker Photographic Grant

Newsmotion by (Kickstarter)

Awards, Grants, and Competition

Unicef Photo of the Year has been chosen… Interesting detail: boy in the winning photo looks to be wearing a Barcelona shirt which of course is sponsored by Unicef

photo: Kai Löffelbein

Unicef Photo of the Year Winners | Slideshow on Der Spiegel website and on Guardian site

Hope for a Healthy World Photo Competition

 Magenta Flash Forward submissions

The 2012 World Press Photo Multimedia Contest website is now open for registration

POYi Calling for Entries

Terry O’Neill Award winners

Mikhael Subotsky is the winner of 2012 Standard Bank Young Artist Award

 2012 Sony World Photography Awards

Walid Raad Hasselblad Award Winner 2011


NOOR December newsletter

Noor Images Archive


Agence France-Presse seeks photojournalist

Save The Children UK : Media Manager – multi-media (film & photography)


Didn’t know Paul Fusco had his own website… His RFK Funeral Train has always been  a huge inspiration…

Paul Fusco

JM Lopez

Rafael Fabres

Amelia Shepherd

Ted McDonnell

To finish off…

Check out Shepard Fairey’s Obey Giant made out of a Yuri Kozyrev pic…

Several good posts by Shit Photojournalists Like  recently… Do see!

You shouldn’t miss Missy giving the lowdown on being a professional photographer either

And…Lego Pictures of the Year

And… Judge Joe Brown – Cheap wedding photographer

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Burn has just contributed $2,000. to the crowd funding effort for Laura to photograph her homeland, Egypt. This funding for Laura comes from you. From your generous contributions to Burn and by purchasing our books. This is our pay back/ pay forward. We will be doing more assignment work with photographers of all kinds, cooperating with organizations like and doing some on our own. One way or another we will do our part to get photographers working on projects of significant importance. Either in journalism or in art.

Our big push in 2012 will be to only be publishing original work done specifically for Burn. As we just did with much of the work now in Burn02. Burn readers will have the first look at Laura’s new Egypt work. Both Laura and all of us at Burn thank you for your support.

Below is an unedited skype call with Laura:

DAH: Well Laura, we’ve known each other for a long time and I know your Egypt work. We  are anxious to get involved with you on some new Egypt work. I think the readers of BURN already know a little bit about you – they’ve seen your Cairo work during the revolution, you were an EPF finalist, and they know you from the India farmers suicide project – basically  they’ve seen some of your Egypt work in general, so tell us what you’re getting ready to do if your funding comes through for What do you want to do this time?


LET: The main reason for the funding is that I want to go on a one-year trip across the country. It’s something that I’ve always wanted to do – just for my own self and I think this is the best time to do it to get a sense of what’s happening in the country in terms of everything, the way people are thinking, the way the country is looking. I think it’s that phase where there is that transition happening right now and some people are thinking…they are still coping with that, what just happened with that change and has that change filtered into anything real that people can sense in their day-to-day lives and compare it to what it was before?


DAH: When you’re looking at Egypt, are you driven more by current events or are you driven more by the overall history and culture of Egypt in general – or some combination?


LET: The overall culture and history is mostly what I’m interested in precisely because I feel like Egypt has always know every photo book that I have seen about Egypt has generally been about the Ancient Egyptians and the Pharaohs, the whole archeological aspect. We rarely really see anything about modern Egypt –what people look like and what life is like in Egypt. That’s what has always intrigued me from the beginning about Egypt: I want to show that aspect to counterbalance that exotic image that we have because it’s not all exotic, that’s in our history but now it’s a different reality. Of course with the current events, well you know, I think all current events happening right now are important, but for me, the ones that are really important are like the elections, because these are decisive and they’re really going to affect what’s going to happen next. Something like the Mubarak trial, which is happening right now, while I’m in Egypt, if those hearings are happening, I’ll definitely go and stay outside the courtroom to get those pictures, because that’s part of the story. Regardless of what people are saying that the hearings maybe staged or whatever, I think it’s historic to see these people, who were realistically owning and running the country, behind bars.


DAH: well, if you were looking down the line and I know you have mentioned this to me before, but maybe our audience doesn’t know about it in general, I know that you have looked towards doing a book on Egypt, is that right?


LET: yes


DAH: The only thing I am thinking is that let’s say three or four years from now when hopefully your book will still be sitting on everybody’s coffee table around the world, how important are the current events that are happening now going to be in a book that’s sitting on a coffee table three or four years from now?


LET: It’s a good question. I think it’s all part of the history. When we look at it at that moment it’s kind of like a historical document and it’s not just the current events, but really any picture in that book because everything is changing everyday and I think any picture in that book at that moment is going to be part of the history. I think particularly those current events, like the trial of Mubarak the former President of the country for 30 years, I think it’s going to gain more relevance and importance then than it even has now, in my opinion. That’s why I wanted to go to Egypt during the revolution anyways, it was because it was important for my own history and I think that is something that I’m feeling obviously a lot more with this work than the other stuff I do because it is about me – it is about how I feel and how I feel about the country and where the country is going and the kind of memories that it brings back to me. It’s about my childhood, my future, you know, my current time. Everything.


DAH: As an outside observer looking at your work I find you to be a very lyrical photographer – you’re a very artistic image maker and at the same time I have seen you take on news events, like the revolution in Cairo, and you’ve done a brilliant job with that as well. It will be interesting for me to see which way you lean in terms of a book on Egypt – whether you lean more towards events or whether you lean more towards everyday life. What do you think?


LET: Well, I’m not going to concentrate on current events all the time, you know what I mean? I started the work in 2005 and when I started the work in 2005 it was about everyday life, mostly from a street perspective. I think what I really want to do more now is actually gain more access to people’s homes and look beyond the streets. I think the streets are extremely important because I feel like for me, the sense that I got about Egypt in terms of the turbulence, the isolation of the people and that something was about to happen – I got that from the streets. It was catalyzed by conversations I was having with my family and my friends about the situation behind doors, but the streets can give you a very good sense of what’s happening in the country. It’s the body language and everything about the people – I mean people were walking on the street talking to themselves, literally. But I don’t know. If you are talking about current events like a 50/50 balance between current events and day-to-day life, then it’s hard to say now, but knowing myself it’s going to be like 20 percent current events and the rest daily life because for me that’s what is more interesting anyways.


DAH: Well, I can’t project my feelings about your work onto what you’re getting ready to do, but if I were going to sit down and appreciate a book on Egypt by Laura El-Tantawy, I would be thinking more of everyday life rather than current events because it takes one hell of a current event picture to last more than a few days or a few weeks at least, so…


LET: To be honest with you, I don’t necessarily feel I’m really a current events photographer – like from a news perspective, I’m not sure I am somebody you can put where a current event is happening and really get one picture that tells the story. I don’t think I’m like that and I don’t really feel like I do that very well, maybe it’s a weakness, maybe it’s not, I don’t know, but I’m not really a current events photographer.


DAH: well, I think you handled the Cairo revolution very, very well. I think you did do very well with current events and you got certain kinds of current event pictures that nobody else got, so I think you can do it and I think there are some current event pictures that you have in that take that lift way beyond the current event. You know my favorite of the guy in the palm tree – you say he’s not really in the palm tree, but it looks like he’s in the palm tree, the guy standing up on top of a statue I guess is what it is with the palm tree in the background – that’s a symbolic picture that was taken at a current event but could be good anytime.


LET: yeah, yeah, yeah, I know what you mean.


DAH: No, I don’t think of you as a current events photographer either, I look at you as better than a current events photographer in the sense that I think you are able to interpret the everyday life in a very special way, and so that’s probably what I would look for if I were going to buy a Laura El-Tantawy book.


LET: well, I hope I can keep that up! Actually, one of the things I should add is that I am going to also be shooting video this time. I started to do some experimenting with video when I was in Tahrir and that was actually fun and I think it added a different dimension for me. So I’m going to try to be doing that as I travel around the country.


DAH: Do you think that you’ll be able to concentrate on your normal style of photography and be able to do video simultaneously?


LET: I think in this particular situation, yes, I mean hopefully. It’s hard to say when you’re not in the situation and just projecting what’s going to happen, but I think yes – yes, even more than in Tahrir because in Tahrir you were bombarded by stuff around you the whole time and eventually it became a question of should I use my phone (I was taking video on my phone because it was the only thing I had at the time), but I was like, should I do this or should I be taking a picture? It was really a conflict at that moment, but I think on a long one-year journey like that, I’m going to have more time to reflect and think. There’s definitely more time to think about it.


DAH: That will be interesting to see how you handle that because I’m not so sure about that because you know how it is, it never seems like every picture situation seems like, OK, you’re going to have to work on this now, there doesn’t ever seem to be like long periods of time for one to reflect on things – usually you have to make a decision very quickly whether you’re going to go one way or the other…


LET: yes, but I think you are thinking of taking a video of the same situation that you’re photographing, whereas I’m thinking that the video is going to be something to compliment the pictures but not repeat them. So the video is going to be of different things that I am not really inclined to photograph, you know what I mean? I would like to really use both platforms to compliment each other rather than, OK, this is a video of the same situation that I photographed, so in that way I see more of a balance.


DAH: Yeah, well, it’s obviously the trend, it’s what more and more people are trying to do and you’re in a new, younger generation than am I, and I think that is definitely the trend. I’m still very curious to see how that’s going to work out. I haven’t seen very many good examples of where people have been able to do both  No doubt I have missed some great work out there..


LET: you’re shooting video at the moment, right? I thought you said you were


DAH: No, I’m not shooting video


LET: Ah, I thought you said at some point you were


DAH: No, I haven’t…for me, shooting video and shooting stills on the same subject would be, I think, very difficult unless I took two weeks off and just did video and then, I would probably think, oh my goodness, I wish I had a still of that situation, or the other way around. No if I’m doing video and stills I’m going to have somebody else who is doing the video just because for me it’s too big of a jump to go back and forth from one to the other. But again, as I said, you’re from a different generation and I think a lot of young photographers, just like you, are combining those two things, but I just haven’t seen great examples of that – I’ve seen people do it, but I’m always frustrated by 99 percent of what I see. Just when I’m starting to watch a video it turns back to stills and just when I get into the stills, it all of a sudden turns into a video and for me, most of the time it’s annoying, but I would love to see somebody do it right. So I’m hoping you can be that person.


LET: Well, yeah, we’ll see. It’s a one-year journey so there will be time to think about stuff. We’ll see how it goes.


DAH: Well, you’re a brilliant still photographer and I think you could do the whole thing with stills, but as I said, there’s so many people doing the video and so many people that are trying to do the video, that I think somewhere along the line somebody’s going to come up with a really interesting way of putting the two things together. But you do see a lot of it that it’s done because they can do it, rather than they should have done it.


LET: yeah, I know what you mean.


DAH: In any case Laura it’s going to be fascinating to see what you do with this. You obviously need some more funding somewhere along the line to spend a whole year in Egypt, this will just get you started and we’re happy that we can be a part of this – we were happy to be a small part of your Cairo revolution photography, where I think you really did show a very special vision of that revolution that was different from what a lot of news photographers did, and I have every confidence that you’re going to be able to do the same thing in the whole country.


LET: Thank you very much. You know, I’m wondering – just putting it out there – as a BURN reader I would be curious to know how I can get a project that is up on part funded by BURN?


DAH: That’s a very good question and yes, I think you will be the first one that we’ve sponsored through, but we got a little bit of sponsorship money for you last time, as you remember as well – somebody just saw what you were shooting in BURN and they gave you some money. But then we started thinking, wait a minute, you might be able to do much better if it’s crowd funded on and they can raise more money so that you could do more work and if we can a big piece of that, then we can publish more pictures of yours. So we thought that this might be the best way to go, so it’s a little bit of an experiment on our part but we like the people and I think, yeah, we will entertain suggestions from everybody. One thing that you don’t know is that we are changing a little bit the way that we are going to work with photographers in the future. We’re going to work a little bit more like other magazines have always worked, where we will get to know the photographers a little bit better than just having them submit work and then us reconfiguring a few pictures – we’re going to really look at their websites, really look at them and their personalities and think in terms of having at least a little bit of a cadre of photographers that work for us on a pretty regular basis. I mean you know, we can’t have a staff, we can’t have contracts or anything like that, but we can have a few photographers who we like, who like us, and we can develop a little bit of a relationship for the future in terms of working on specific projects. So I think, we’re going to be doing more portfolio reviews as a group and we’re going to be studying photographers more and spending a lot of time with them and working a little more with other people in the same way that we’ve worked with you, actually.


LET: Yeah, I think that would be great. I think a lot of people would be interested in that.


DAH: I think so, I mean we’ll see how it goes. Again, just because you can do something doesn’t mean you should do it. We’ve been extremely successful with BURN02 as we were with BURN01 and so that would sort of spin your head around a little bit because we’re selling books at a phenomenal rate – I mean we’re selling 30 of those a day, so it’s a rather amazing thing. But just because you can do that doesn’t mean that you should do that, so that’s what we’re trying to figure out, how we manage our own personal careers and how we also help to manage other people’s careers. Yeah, we’re really kind of into career management kind of a thing with BURN, as much as, you know, putting out a book and a magazine. We’re interested in the photographers and who they are and what they want to do. We want to make it as personalized as we possibly can, which is what we’ve actually always done, we just want to even make it more so. Sorry , I digress. My enthusiasm gets carried away sometimes…


DAH: Just one other question for you, Laura. Explain to the readers one more time, you are of an Egyptian nationality and yet you have lived about 75 or 80 percent of your life away from Egypt. How does that affect you working in Egypt – do Egyptians know that you haven’t spent your whole life there? Does that have a positive effect or a negative effect? How does that affect you and how does that affect the people that you’re photographing?


LET: This is a tough one for me even to look at, to be honest with you. I don’t know – I mean when I’m in Egypt sometimes people don’t think I’m Egyptian and yet I tell them I am Egyptian and I speak to them in Arabic and their like, yeah, whatever, you’re not Egyptian. You know, I really don’t know what to make of that, to be honest with you. It’s totally confusing, even for me. I do feel that obviously I have changed a lot as a person and the way I think about stuff. I feel like I am Egyptian heritage wise, but whether the fact that I have lived abroad is a good thing or a negative thing when it comes to photographing Egypt, I don’t know. It makes me feel slightly uncomfortable, to be honest….


DAH: How do they know? Can they just tell by the way that you dress? The way you act?


LET: yeah, maybe the way you act, the way you dress, that kind of thing. I don’t really know what it is. In Egypt you see all kinds of people, so I don’t think it’s particularly that, but people know, or maybe it’s just the kind of places I hang out. I like to go to an area in Old Cairo where a lot of tourists hang out, but that’s just because it’s really beautiful and I feel it’s really Egyptian in a way, so maybe because their used to seeing tourists, they think I am a tourist as well. I’m really not sure what it is. But basically my point is, whether me living abroad as an Egyptian for so long and coming back to photograph, I think a lot of people can look at me and say, you know, what right do you have? You’ve lived away from the country for so long, so what do you really know? But in many cases I look at people who have lived away from Egypt, like myself, and they’re a lot more connected and educated about what’s happening in Egypt now than people inside Egypt themselves. You know when people live in a situation they can become completely blind to it and I actually saw that a lot during the revolution with people that I know – they were completely blinded by what’s happening. It’s kind of like they were under the spell of this place that they’re surrounded by, whereas when you live abroad and you come back you have something to compare it to. You know this is not the way it’s supposed to be and that the way people are walking on the street talking to themselves, this is just not normal. It’s a sign that something is fundamentally wrong in the country.


DAH: Do you think they might think that you’re not Egyptian just because you’re photographing as a professional photographer? Is being a woman photographer a really unusual thing to see for most Egyptians?


LET: I think it used to be, but when I was in Tahrir Square there were so many people with cameras, particularly women, so I don’t really know. I mean, yeah, it’s still sort of new trend kind of thing and yes, of course, if you are walking around with a camera, they probably think you’re a tourist, which is fine by me. I actually rather people think I am a tourist when I’m photographing  because, you’ve been to Egypt, you’ve seen immediately pointing the camera at something makes people paranoid. So in many cases I have actually played it to my advantage and pretended that I am a tourist just to that I can work. But generally, I don’t know, it’s a touchy area for me because I feel that I can comfortably talk about it but at the same time I feel like I haven’t lived there long enough and I feel uncomfortable about maybe what people are going to say. You know what I mean? I think that I have probably confused the whole question!


DAH: No, No, No. I think you have answered it well. You don’t really know exactly how that’s going to play out. I mean I have photographed in my own culture, like I was just in Iowa photographing my own culture, where my family is from,  and they knew I wasn’t from there either. My mom and dad are from there , I look just like everybody there, but they knew that I wasn’t really from there, you know. So I felt a little bit like  a foreigner in Iowa where I actually grew up as a little kid at one point and where my family’s from and I got the same ethnic mix as the people who live there, right? But I was a little bit of an outsider. I’ve also gone and spent a lot of my time photographing in countries where I have no connection –different religion, different culture, different color and been very much at home and hanging right around and taking pictures that I think are very natural to the people of that culture, so it’s an interesting equation. You can be very close even if you are from another place or you can be totally apart even if you theoretically belong.


LET: yeah, definitely . I never used to think about this. If you had asked me this question before what happened in January or February, I probably would have very comfortably said, no, there is no question, I am Egyptian and there is no problem, but I really started to question this more and more when stuff was happening in Egypt and you had these people who were protesting, sleeping in Tahrir square and they’re the ones that really instituted this change and so I started to feel like, yeah, I’m Egyptian, but I didn’t actually do what these people did – they did it. So I’m kind of Egyptian, but not really as Egyptian as they are.


DAH: Well, that’s a good honest answer and I think that’s all we’re looking for here



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See the action in Egypt Friday through the lenses of The Wall Street Journal’s photographers.

In Alexandria, many entrepreneurs sold flags around the city. (David Degner for the Wall Street Journal)

A square in Alexandria was filled with people Friday. Alexandria, a conservative city and stronghold for the Islamist Muslim Brotherhood, provided the original spark for what eventually would escalate into Egypt’s facebook revolution. (David Degner for the Wall Street Journal)

Outrage at the death of 28-year-old Khaled Said, allegedly beaten to death in an Alexandria Internet café by two police officers in June, inspired the wildly popular Facebook page that called for Egyptians to go into the streets and call for the government to step down, 18 days ago. (David Degner for the Wall Street Journal)

Amongst the many Egyptian flags flying in Alexandria Friday, a small green one represented Islam. (David Degner for the Wall Street Journal)

The Corniche — the sweeping six-lane boulevard along Alexandria’s long seafront — was impassable within minutes of the announcement of Mr. Mubarak’s resignation, as thousands of people poured into the streets. (David Degner for the Wall Street Journal)

A woman standing through the moonroof of a car in Alexandria held up a flag. (David Degner for the Wall Street Journal)

Alexandria is home to some five million people, and, in the moments that followed Friday evening’s news that Mr. Mubarak would step down as president of Egypt, nearly all of them seemed to pour into the streets in celebration. (David Degner for the Wall Street Journal)

People celebrating in Alexandria waved signs, hung out car windows, and danced on the sea wall. (David Degner for the Wall Street Journal)

A man kneeled in a road and prayed in Alexandria. (David Degner for the Wall Street Journal)

Many families joined in the celebration in Alexandria. (David Degner for the Wall Street Journal)

People celebrating in Tahrir Square in Cairo used aerosol cans to create streaks of fire. (Guy Martin for the Wall Street Journal)

A man gazed towards a screen in Tahrir Square. (Guy Martin for the Wall Street Journal)

A man in Cairo held up a laptop displaying an image of celebrations in Egypt after hearing the news that Mr. Mubarak was resigning. (Guy Martin for the Wall Street Journal)

Two men embraced in Tahrir Square after hearing that Mr. Mubarak was resigning. (Guy Martin for the Wall Street Journal)

People lighted flares in Tahrir Square. (Guy Martin for the Wall Street Journal)

Flares illuminated the crowd in Tahrir Square. (Guy Martin for the Wall Street Journal)

A man covered his face while talking on the phone in Cairo after hearing of Mr. Mubarak’s resignation. (Guy Martin for the Wall Street Journal)

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Your arm-chair photojournalist is back… That’s what I feel like anyway at the moment…

I moved house in Brighton a week ago, and still haven’t got internet set up in the new place, so I’ve had to frequent cafes for free wi-fi….. Sitting at Redwood cafe (nice strong Americanos, just as I like them) in the city centre….Anyways, no updates since Thursday, so loads to share….

Let’s start with Egypt….

Dominic Nahr is covering the anti-government protests in Cairo for TIME magazine…. @Panospictures tweeted at some point yesterday that Nahr and Guy Martin, who is covering the events for Wall Street Journal, might have had their memory cards confiscated by the army, but it would seem that not all of them , since Nahr managed to file anyway…

Features and Essays – Dominic Nahr: Turmoil in Egypt (TIME: January 2011)

New York Times has a Egypt gallery up that they are updating daily….the below photo by Chris Hondros shows travellers at Cairo International Airport waiting for flights out of the country…. Which of course is opposite to a lot of photographers, who are trying hard to make their way to the country…Based on Twitter and Facebook messages, a whole lot of freelancers seem to be heading there…

Features and Essays – New York Times (various photographers): Egypt Protest (February 2011)

Guardian’s Egypt gallery…

Features and Essays – Guardian: Egypt Protests Continue (Guardian: January 2011)

VII Photo put up a piece on their magazine of Egypt under Mubarak.

Features and Essays – VII: Egypt Under Mubarak (VII Magazine: January 2011)

Anastasia Taylor- Lind’s Egypt bloggers series, which she shot for Geo Germany last year (see blog), has caught second wind during the current anti-goverment protests, and it has been exhibited both on MSNBC’s and Newsweek’s websites…

Features and Essays - Anastasia Taylor-Lind: Egyptian bloggers ( Newsweek: January 2011) series on MSNBC

Anastasia is the featured photographer of the month on Firecracker, by the way….Firecracker is a site supporting European women photographers…

Ed Ou, who is covering the Egypt unrest for NYT, has been interviewed by James Estrin on the Lens blog…

Interviews - Ed Ou (NYT Lens: January 2011) Egypt

I didn’t manage to listen to this, but according to @anastasiatl, Ivor Prickett was interviewed on Tahrir Square for Irish Radio (part 2 , 3m 55sec in)…

Interviews - Ivor Prickett ( January 2011)

Phillip Toledano’s new work…

Features and Essays – Phil Toledano: Kim Jong Phil (Project website: 2011)

Stephen Alvarez’s (@alvarez photo) National Geographic Magazine February 2011 cover story, Paris Underground, was featured on NPR…he put a video on this blog…

Features and Essays - Stephen Alvarez: Paris Underground (Photographer’s blog: January 2011) Read the NPR article here

Financial Times picture desk, Emma Bowkett and co, sent a pretty impressive line up of 10 photographers to cover the new period of economic austerity… There’s Parr, Roberts, Norfolk…Winship…. (found via @Yumi_Goto)

NB. You might need to register to view the link… Free registration is enough though….

Features and Essays – Financial Times (various photographers): Britain: what lies ahead? (FT: January 2011)

Features and Essays – Jeremy Cowart: Haiti by iPhone (Photographer’s website) his Twitter

Features and Essays - Keith Bedford: Hoarding Cotton (WSJ: January 2011)

Features and Essays - Kevin Frayer: Helmand Province from above (SacBee Frame: January 2011)

Features and Essays - M. Scott Brauer: We Chinese (Project website: January 2011)

Simon Wheatley was a huge inspiration to me when I was studying photojournalism, and he still is…

Books / Features and Essays - Simon Wheatley: Don’t Call Me Urban (Project website)

Features and Essays - Marco Salustro: Jasmine Revolution (Corbis Stock: January 2011) Tunisia | Salustro’s website

Features and Essays – Julien Goldstein: Belarus (Photographer’s website: 2011)

Interviews - Alex Webb & Rebecca Norris Webb Q&A (Telegraph: January 2011)

InterviewsThe Archive of Modern Conflict (PhotoEye blog: January 2011)

InterviewsDavid Goldblatt (PDF) Interview with South African photographer David Goldblatt about cultural amnesia.

Articles -NYT Lens: Parting Glance: Lucas Mebrouk Dolega, 32 (NYT Lens: January 2011)

Articles – BJP: Photographer Danfung Dennis wins two Sundance documentary prizes (BJP: January 2011)

Great BJP series continues…

Articles / Tutorials – BJP: 11 Tips for 2011: How to get new clients (BJP: January 2011)

Articles / Tutorials – BJP: 11 Tips for 2011: Ditch that website altogether (BJP: January 2011)

Articles / Tutorials – BJP: 11 Tips for 2011: Refreshing your portfolio (BJP: January 2011)

Articles – Guardian: Greenslade blog: News agencies in peril as freelance rates get smaller (Guardian: January 2011)

Articles - David Campbell: The problem with regarding the photography of suffering as ‘pornography’ (Writer’s blog: January 2011)

About time, people are talking more about this…Blake Andrews on the lack of a happy face in current portraiture…

Blogs/ Articles – Blake Andrews: Portraits : The Space Test (Blake Andews’ blog: January 2011)

Peter Dench has his own Diary on the pages of Professional Photographer magazine…Definitely worth reading…Honest and funny…

Articles – Peter Dench: The Dench Diary : November 2010 / October 2010 (Professional Photographer: 2010)

Articles - Guardian: Featured Photojournalist: Dan Kitwood (Guardian: January 2011)

@AGarciaPhoto: What would you do if someone stuck a wad of $100 bills in your pocket for photos of a Chinese president while on assignment?

Blogs – Trib Photo Nation: The saga of an individual assignment (Chicago Tribune: 2011)

Blogs - Brendan Hoffman: State of the Union for the New York Times (Prime Collective blog: January 2011)

VideosAlec Soth: Birth of an Exhibit (Vimeo: 2010)

Saw this on a Benjamin Rasmussen (@benjaminras) tweet…

Videos - Simon Norfolk on Photojournalism (Youtube)

Videos - In-Sight trailer (Nick Turpin’s blog: January 2011)

Vivian Maier is everywhere….

Articles - CBS: Vivian Maier: Photographer’s Talent Went Unknown Until Death (CBS: January 2011)

Saw David Campbell (@davidc7) tweet this….

Aaron Huey is developing his important Lakota work in collaboration with Ernesto Yerena and Shepard Fairey (Aaron Huey blog: January 2011)

Collectives - Paralaxis

BlogsPontus Hook

Twitter - Benedicte Kurzen

Awards/ ExhibitionsHearst 8×10 winners

Talks - Open- i: Photoblogs Right Here Right Now Seminar - FORMAT International Photography festival, Derby UK 15.00 GMT

Jobs - Slate is looking for a photo researcher (Slate)

And to finish off, a joke…

“Mubarak is very ill. Doctor says, “you must prepare message to say goodbye to people”. Mubarak asks: “why?where are people going?”"

from @peterbeaumont

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