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Pari Dukovic

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Original author: 
Mikko Takkunen

Features and Essays

Robin Hammond

Robin Hammond / Panos Pictures / National Geographic

Robin Hammond: Zimbabwe: Breaking the Silence (The National Geographic Magazine) Oppression, Fear, and Courage in Zimbabwe | From the National Geographic magazine May issue.

Pete Muller: Questioning Zimbabwe’s Underdogs (NYT)

Sebastião Salgado: Genesis (NYT)

Michael Yamashita: China’s Ancient Lifeline (NGM) The 1,400-year-old Grand Canal is a monumental project that bound north and south China together. It’s still in use today.

FrancoPagetti / VII

Franco Pagetti / VII

Franco Pagetti: The Veils of Aleppo (LightBox)

Stanley Greene: The Dead and The Alive (NOOR) Syria

Giles Duley: Syrian Refugees (Guardian)

Nish L. Nalbandian: Portraits of Syrian Rebels (LA Times Framework blog)

Yusuf Sayman: Rebel Fighters Inside Aleppo (The Daily Beast)

Louie Palu

Louie Palu / Zuma Press / The Pulitzer Center on Crisis Reporting

Louie Palu: Documenting Murder in Mexico (Mother Jones) The brutality of the drug war, on both sides of the border.

Dominic Bracco II: A Salvation Army of One (NYT Magazine) The Rev. Robert Coogan working in Saltillo, Mexico.

Shiho Fukada / Panos Pictures

Shiho Fukada / Panos Pictures / The Pulitzer Center on Crisis Reporting

Shiho Fukada: Japan’s Rootless and Restless Workers (NYT Lens)

Jenn Ackerman: Minnesota, Frozen in Place and Time (NYT Lens)

Aaron Vincent Elkaim: The Last Great Race on Earth (Photo Booth) Iditarod, a thousand-and-forty-nine-mile race across Alaska

Fritz Hoffmann: On Beyond 100 (NGM) Photographer Fritz Hoffmann introduces us to people who have mastered the secret of long life.

Ami Vitale: Back at the Ranch (Panos Pictures)

David Guttenfelder / AP

David Guttenfelder / AP

David Guttenfelder: North Korea (Denver Post) While threats of a missile launch have renewed tensions with North Korea, photojournalist David Guttenfelder has returned to continue documenting life there.

Yuri Kozyrev: Pull Out From Afghanistan (NOOR)

Phil Moore: Mogadishu Boosts Security (Al Jazeera) Safety improves in Somalia’s once war-torn capital despite recent attack and ongoing threats of violence.

Zed Nelson: The Family (Institute) Zed Nelson’s project started in the summer of 1991, just turned 21

Gabriele Galimberti: My Couch Is Your Couch (Institute) Couchsurfers around the world

Steeve Iuncker / Agence VU

Steeve Iuncker / Agence VU

Steeve Iuncker: Yakutsk (LightBox) The Coldest City on Earth

James Whitlow Delano: Buried in Japan (TIME) Japan’s Aomori Prefecture might be at the same latitude as New York, but its climate can seem a lot more harsh.

Maja Daniels: In the mists of Älvdalen, Sweden (Financial Times Magazine) A world away from cosmopolitan Stockholm lies a strange forested land with an ancient language and a singular sense of quiet desolation

Antonio Olmos: Murder Most Ordinary (Guardian) Photographer Antonio Olmos spent two years visiting the site of every murder that took place within the M25 in London.

Ben Roberts: Higher Lands (Document Scotland) Growing up in the Scottish Highlands

Marco Kessler: Belarus: An Uncertain Winter (Vimeo) Belarus, once an integral frontier of the USSR, remains steeped in the Communist legacy, which ruled the daily lives of the nation for over 70 years.

Alexis Lambrou: Teaching for Life (NYT Lens) Young Brooklyn high school teacher, whose life revolves around her students and colleagues at a Brooklyn public high school.

Arthur Nazaryan: Ballet Competitions (NYT Lens) 12-year-old Russian immigrant’s efforts to become a ballerina

Amanda Rivkin: Post-Racial America Road Trip (VII Mentor)

Tommaso Protti: The Youth of Amid (Reportage by Getty Images Emerging Talent) Turkey

Adam Patterson: Another Lost Child (CNN Photo blog)

Patrick van Dam: Dreams of new homes abandoned in Greece (CNN Photo blog)

Articles

Eugene Richards

Eugene Richards

The Hero in the Cowboy Hat: Carlos Arredondo’s Story by Eugene Richards (LightBox)

A Photographer’s View of the Carnage: “When I Look at the Photos, I Cry” (LightBox)

Herald photographer details night Boston will never forget (Boston Herald)

News Media Weigh Use of Photos of Carnage (NYT)

A Blurry Double Standard? A Photo from the Boston Marathon Bombing (PhotoShelter)

Tragedy and the Role of Professional Photojournalists (Chicago Tribune Assignment Chicago blog)

On That Iconic Photo from the Boston Marathon Bombings (BagNewsNotes)

Runner, spectator get photos of marathon suspects (AP Big Story blog)

Photo Essay Of Boston Bomber Was Shot By Former BU Student (NPPA)

Courtesy HBO

Courtesy HBO

Peter van Agtmael: Revisiting Memory and Preserving Legacy: Tim Hetherington and Chris Hondros (LightBox)

Tim Hetherington, Indelible on Film (NYT Lens)

A War Photographer Who Was More Than Just an Adrenaline Junkie (Mother Jones)

Killed documentary maker Tim Hetherington remembered in film (BBC) video

Which Way is the Frontline?: a documentary tribute to Tim Hetherington (BJP)

Tim Hetherington’s Photograph’s at the Yossi Milo Gallery (Photo Booth)

Honoring Chris Hondros (Getty Images blog)

Manu Brabo / AP

Manu Brabo / AP

The 2013 Pulitzer Prize Winners: Associated Press Coverage of Syria (LightBox)

The Pulitzer Prizes Winners (Pulitzer)

Photographs of Syria Sweep Pulitzer Prizes (NYT Lens)

Javier Manzano / AFP

Javier Manzano / AFP

A Pulitzer picture first day on the job (AFP Correspondent blog) Photograph taken by Javier Manzano in the embattled Syrian city of Aleppo on October 18, won the Pulitzer Prize for feature photography.

Witness to Newtown’s tragedy (Reuters TV) On December 14, 2012 a gunman opened fire on Sandy Hook Elementary School, leaving 26 dead, including 20 young children. Reuters photographers share their experience covering the story that devastated Newtown, Connecticut and the rest of the country.

David Guttenfelder / AP

David Guttenfelder / AP

Photographer chronicles life in North Korea (NBC)  In spite of the angry rhetoric, life in North Korea goes on as normal – or at least what passes as normal in this isolated state. AP photographer David Guttenfelder has been chronicling life in North Korea for years.

Those photos of young Kim Jong Un performing in ‘Grease’ are probably of his brother (The Washington Post)

I almost died in Syria (Salon)

Olivier Voisin’s last images (Paris Match L’instant)

Taking RISC: Program Trains Reporters How To Save Lives in War Zones (ABC News)

RISC: Training reporters how to save lives (BJP)

French photographer Pierre Borghi escapes four months after kidnapping in Afghanistan (New York Daily News)

John Simon Guggenheim Memorial Foundation awarded Fellowships 2013 (Guggenheim Foundation)

Feisal Omar: “Are you al-Shabaab or soldiers?” (Reuters Photographers blog) Covering Somalia

Featured photojournalist: Christopher Furlong (Guardian)

Anastasia Rudenko (Verve Photo)

Thomas Cristofoletti (Verve Photo)

Challenging an Old Narrative in Latin American Photojournalism (NYT Lens)

Donna De Cesare’s Photo of Violence in El Salvador (NYT Lens)

How the 1962 monsoons inspired Steve McCurry (Phaidon) Forthcoming book, Steve McCurry Untold: The Stories Behind The Photographs, tells how coverage of the Indian rainy season in Life magazine set the Magnum photographer off on a life of photography and far flung travel.

Sebastiao Salgado’s Genesis (BBC)

Sebastião Salgado documents world’s wildernesses in new Genesis exhibition (Guardian)

Sebastião Salgado: Genesis – review (Guardian)

André Kertész: Truth and Distortion, Atlas Gallery, London – review (FT)

Explore Nic Dunlop’s new book Brave New Burma (Panos Pictures blog)

Muhammed Muheisen / AP

Muhammed Muheisen / AP

Wire Photographer Spotlight: Daily Life by Muhammed Muheisen (LightBox)

A Year Later, Instagram Hasn’t Made a Dime. Was it Worth $1 Billion? (TIME)

Making Art With Tom Waits (NYT Magazine)

The National Geographic Trove (Photo Booth)

Genius in colour: Why William Eggleston is the world’s greatest photographer (The Independent)

Bert Stern’s Beautiful Photography and Less-Beautiful Personal Life, on Screen (The Atlantic) A new documentary shows two sides of the man who took some of the most iconic celebrity photographs of the 20th century: creative genius and womanizer.

“Arnold Newman: At Work” explores photographer through his archive (Harry Ransom Center Cultural Compass blog)

Native Americans: Portraits From a Century Ago (The Atlantic)

Meeting Florida’s Seminoles Through Rediscovered Photos (NPR)

Photographer David Moore’s dingy, deteriorating Derby is the real deal (Guardian) Chronicler of 80′s working-class England peers behind closed doors to capture a community indelibly marked by Margaret Thatcher.

Graham Nash’s best photograph (Guardian) Joni Mitchell listening to her new album

Unsung hero of photography Thurston Hopkins turns 100 (Guardian)

This was England: the photographs of Chris Killip (Guardian) Chris Killip’s study of the communities that bore the brunt of industrial decline in the North East have earned him a nomination for the Deutsche Börse Photography Prize.

Deutsche Börse Photography prize show: mashups and moon walkers (Guardian)

Deutsche Börse photography prize 2013 (Guardian) video | Sean O’Hagan meets the nominees for the annual Deutsche Börse photography prize. They’re all on show at the Photographers’ Gallery in London until June 30.

Estate of Jacques Lowe

Estate of Jacques Lowe

When an Archive is Lost: Jacques Lowe’s Rare (And Recently Restored) Look at JFK’s Camelot (LightBox)

The Heart of a Beast: Charlotte Dumas’ Poignant Animal Photography (LightBox)

Teenage Precinct Shoppers by Nigel Shafran: A Look Back to 1990 (LightBox)

The World’s Oldest Photography Museum Goes Digital (Smithsonian)

Pecha Kucha: The art of speed-talking about photography (BJP)

Martin Parr ‘Life’s A Beach’ Exhibit And Book Capture Fun In The Sun From Brazil To Japan (The Huffington Post)

The unseen Lee Miller: Lost images of the supermodel-turned-war photographer go on show (The Independent)

The Surreal World of Nina Leen (Photo Booth)

Rescuing a Photo Prince Vita Luckus From Obscurity (NYT Lens)

How photographers joined the self-publishing revolution (Guardian)

Elaborate Drive-By Photo Studio Takes Pedestrians by Surprise (Wired)

Interviews and Talks

John Tlumacki / The Boston Globe / Getty Images

John Tlumacki / The Boston Globe / Getty Images

John Tlumacki (LightBox) Tragedy in Boston: One Photographer’s Eyewitness Account | LightBox spoke with Boston Globe photographer John Tlumacki, who photographed the explosions at the finish line of the Boston Marathon. Tlumacki, who has photographed more than 20 marathons in his 30 years at the Globe, describes the sheer chaos of the scene.

John Tlumacki (Poynter) Globe’s Tlumacki: ‘I am dealing with trauma & trying to keep busy’ following Boston tragedy

Sebastião Salgado (Natural History Museum YouTube) Genesis

Sebastião Salgado (Guardian) A God’s eye view of the planet – interview

Sebastião Salgado (NYT) In Love With My Planet

Sebastião Salgado (Taschen) Two men, one mission: Salgado talks with Benedikt Taschen about the photographic project that changed his life.

Sebastian Junger (Indiewire) On the Value and Cost of War Reporting and Making a Film About His Late ‘Restrepo’ Co-Director Tim Hetherington

Sebastian Junger (NPR) ‘Which Way’ To Turn After Hetherington’s Death

Sebastian Junger (WNYC) The Life and Times of Tim Hetherington

Michelle McNally (Le Journal de la Photographie) The New York Times Director of Photography

James Estrin (Le Journal de la Photographie) NYT photographer and Lens blog editor

Patrick Witty (Zorye Kolektiv)  International Picture Editor at TIME

David Campbell to reveal WPPh multimedia research (Canon Professional Network)

Robin Hammond (NGM) The Moment: Caught in Zimbabwe

Jeff Jacobson (PDN) On Beauty, Ambiguity and Mortality

Yuri Kozyrev (Zorye Kolektiv)

Emilio Morenatti (Zorye Kolektiv)

Anastasia Taylor-Lind (Repor Madrid TV)

Thurston Hopkins (Guardian) On his 100th birthday this week, one of the great photojournalists of the 20th century, Thurston Hopkins, talks about his career as a photographer at Picture Post

Pari Dukovic (Wonderland magazine)

Mike Brodie (LA Times Framework blog)

Danielle Levitt (Dazed Digital) Danielle Levitt’s Favourite Tribes

Mikko Takkunen is an associate photo editor at TIME.com.

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The sport of yağlı güreş, or oil wrestlingis at the heart of Kırkpınar, a festival in the Turkish city of Edirne. Thousands of people will come to see these wrestlers—slick with olive oil—compete in the 651st annual games on July 2. It’ll be a familiar sight for Turkish photographer Pari Dukovic, who attended the event in 2010 and 2011.

“I saw that the sport had an Old World charm to it—the festival, the prayers, the music, the instruments, the outfits,” says Pari, who used to watch the festival’s coverage as a teenager. “I am drawn to subject matter that makes you feel as though you are traveling through time and Kırkpınar fascinated me with its history and how it has remained an integral part of Turkish culture.”

As the festival begins, drum and horn players parade through the city with the sports’ grand prize—the Kırkpınar Golden Belt. The community then meets in the grand 16th century Selimiye Mosque, where the imam gives a sermon in honor of competitors past and present. For the young boys participating in the traditional Turkish coming-of-age ceremony known as Sunnet Dugunu, it’s desirable to celebrate it at the same time as Kırkpınar, as the festival represents to many the ultimate in male achievement. The boy in the mosque in slide #10 wears the ornate cape associated with the ritual.

After the sermon, wrestlers pray at the graves of legendary sportsmen and proceed through the streets to the competition field, singing the national anthem. The master of ceremony introduces the wrestlers to the audience, reciting their names, titles and skills in verse. Very few of the wrestlers, who range widely in age, make a living from the sport. Nevertheless, Pari says he got the clear sense that being a part of this event is a dream come true for them. “They train for a whole year and often travel from villages all over Turkey to participate, so becoming a Kırkpınar wrestler is an achievement they take great pride in,” he says. The wrestlers, wearing nothing but short leather trousers, get rubbed down with olive oil. This makes the goal of the match—to throw one’s opponent on his back—all the more difficult. The matches last about 30 minutes each, while the final bout can last up to two exhausting hours.

“I think the dedication that goes into what they do is amazing,” says Pari. “I hope that my photographs stand as visual documents of this tradition and that my respect is captured in these images.”

Pari Dukovic is a New York City based documentary photographer. See more of his work here

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Picked up a New Yorker issue dated 7 May, 2012 from a London newsagents’ last night…First time in a while..Would obviously like to read The New Yorker on a regular basis, but there just isn’t enough time nor money to buy  every magazine I want. Nevertheless, trying to keep at least some kind of tabs on the magazine by picking up a copy every now and then.

Anyway. There’s a point here. Really liked this portrait of boxer Claressa Shields by photographer Pari Dukovic.  Very simple, and very nice. Claressa Shields is a young American boxer who’s fighting for a place at this summer’s London Olympics. Long piece about her in the magazine written by Ariel Levy.

Caption: Claressa Shields at Berston’s gym, in Flint, Michigan. 

Pari Dukovic is a photographer whose work I don’t remember seeing before.  Had to have a quick look at his website. He was part of PDN30 in 2011, so I obviously hadn’t done my home work well enough. There’s some documentary work in there, such as the series on Turkish oil wrestling, which you might want to check out (Paolo Pellegrin shot the same subject recently and should you want to compare…you can see Pellegrin’s here.).  I enjoyed the most going through Dukovic’s tear sheets (New Yorker appears to be a regular client). Digging the gritty and grainy quality in some of his work, visible for example in portraits of Elizabeth Warren and Bernadette Peters (you can see those in the tear sheets) . Interestingly, the Shields portrait highlighted here  doesn’t necessarily seem like his usual style at all.

NB. Please excuse the poor reproduction of the tear sheet. You can see in its proper glory on Dukovic’s website. I shot the tear sheet with my iPhone on a moving train… Where I’m writing this post…

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