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ESSAY CONTAINS EXPLICIT CONTENT

EPF 2012 Finalist

 

Gustavo Jononovich

Richland

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RICHLAND is my first long-term book project about the over-exploitation of the natural resources in Latin America and the resulting long-term negative effects, both human and environmental. The push for accelerated world economic growth has led to increasing demand for natural resources. Rather than benefit from natural resources abundance and wealth, local people living in areas of exploitation have experienced loss of livelihoods, health problems, human rights violations and environmental degradation.
The images included in this submission were made in Brazil, Peru, Venezuela and Ecuador. In 2008 I traveled to Brazil, a rising demand for soybean on the global market has led the Brazilian government to expand the agricultural frontier into the Amazonia. I covered the struggle of the people who has been displaced by the expansion of soya business into the Amazon region. In 2009 I traveled to La Oroya in Peru, one of the world’s ten most polluted places where thousands of children have blood lead levels that exceed acceptable limits. The lead comes from a smelter owned by the American Doe Run Company. In early 2010 I went to Venezuela to cover the illegal diamond and gold trade. About 200,000 miners are searching for diamonds and gold on the border with Brazil. The idea of finding a single diamond or seam of gold is enough motivation to put up with living isolated in the jungle. In 2011 I traveled to Ecuador to work on oil pollution. Over three decades of oil drilling in the Ecuadorian Amazon, Texaco dumped more than 18 billion gallons of toxic wastewater into the rainforest, polluting rivers and streams that local people depend on for drinking, cooking, bathing and fishing and leaving them suffering a wave of cancers and birth defects.
The EPF grant will allow me to complete this project. For the last part, I plan to travel to the south of Chile in order to cover the social and environmental impacts of the construction of hydroelectric dams in the Patagonia region.

 

Bio

Gustavo Jononovich was born in Argentina in 1979. He began his studies in photography in 2002. In 2006, he started working as a professional photographer covering local news for the Argentine media. Since 2008 his main focus are long-term projects, being more interested in providing an in-depth analysis on the stories. His first book project, “Richland” (currently in progress), is about the over-exploitation of the natural resources in Latin America and the resulting long-term negative effects, both human and environmental. His work has been published in BURN magazine, Newsweek Japan, PRIVATE photo review and PDFX12, among others. Gustavo’s main accolades include a nomination for the ICP Infinity Award in Photojournalism (2010) and awards from Sony World Photography Organization (2012, 2nd place Contemporary issues), POYi Latin America (2011, 2nd place in migration and human trafficking category), EPOTY (2009, 2nd place in climate change category) and 14EIF Gijon (2010, finalist).

 

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Free beer!    No sorry, free portfolio reviews

 

It is past midnight.. It is late and it smells late..I leave for France in the afternoon tomorrow…I have not packed, nor have I ever learned to pack for any trip in all these years. Always get it wrong. Working on it. I am headed for four days of Magnum meeting followed by four days of Les Rencontres d’Arles arguably one of the most important international photography assemblages. After days of biz meeting with Magnum I am sure many would cut both ears off instead of one as did VanGogh in this fair charming south of France town.

Yet I always go. Never missed an annual gathering of the tribe since 1993 when I became a Magnum nominee and forever changed my life. I have already been to two photo fests this spring, am burned out on the social scene, and would not go to one now were Magnum not meeting on this 65th year in this historic Arles. The vibes in Arles buzz in way as in no other place.

My little book from 1967, Tell It Like It Is,  gets its two minutes of fame along with 10 other Magnum photographers who are participating on a presentation called “First Time”. Addressing the evening audience on July 3 with their first work, their first important work. The work that took them forward. For me this is bracketed with my recent Rio novella (based on a true story) entering the prestigious Library Actes Sud and a book signing at Les Rencontres. So my “first time” and my most recent. All the while surrounded by terrific exhibitions and evening presentations.

Burn will also have a stand where we will do free (buy me a beer) portfolio reviews. “We” being the entire Burn staff: Anton Kusters, Diego Orlando, Eva-Maria Kunz, Candy Pilar Godoy and Claudia Paladini. I do not think we have EVER had all of us together in one place. We work by remote control. By Skype. By text message (should be illegal) and by brain debilitating email. Fate has brought us all together. We are electric. On fire. BurnMagazine, BurnBooks, and BurnUniversity are all happening. Details on all will follow after the Burn gang meets after the Magnum meeting.

It all blends anyway. Magnum’s new website may unleash a whole new Magnum. For sure exciting times. Times to reinvent, times to invent, times to push push the proverbial envelope just as far as we can without losing the thing Magnum members care about the most. A place in history. A seat at the table. Burn seeks to help find new talent and celebrate the icons who may be a beacon for those forging ahead with oftentimes a wrinkled map.

If you are anywhere near the south of France June 3-8 please stop by. If you are on the other side of the world and have a lot of miles to cash in, now is the time. Everyone in this Burn audience knows well they have input in what goes on around here. Either with their voice or their pictures. Burn eliminates a lot of excuses. If you have something to say, you can say it right here and you are reaching an impressive cross section of our craft. Both the photographers and the editors and a lot of well versed serious photographer who choose photography as an avocation, rather than as a business.

I only write tonight and rambled this long to avoid the inevitable packing I must do. So let me get to it. Wishing all of you a pleasant morning/evening and ask you to stay tuned as I report from Arles in the week upcoming to flow alongside our EPF finalists.

-dah-

 

Williston, North Dakota, from the Magnum project Looking For America, May 2012

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Teresa Cos

I Was There – Observations on “The Society of The Spectacle”

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“I Was There” is the first chapter of a long term (lifetime) project which explores western society and its obsession with success. I started by depicting the worlds of art, fashion and culture, where anxiety and struggle for success, together with the desperate need for recognition and approval are ubiquitous; where people live with the constant fear of being considered losers. The images have been taken in 2010 at Venice Architecture Biennale, Venice Film Festival, Milan and London Fashion Weeks, Frieze Art Fair in London and Paris Contemporary Art Fair (FIAC).

I chose these events because they are globalised examples of a bubble (for instance the art industry) that is on the verge of explosion. As wrote Jean Baudrillard: When one looks at the emptiness of current art, the only question is how much such a machine can continue to function in the absence of any new energy, in an atmosphere of critical disillusionment and commercial frenzy, and with all the players totally indifferent? If it can continue, how long will this illusionism last? A hundred years, two hundred? This society is like a vessel whose edges move ever wider apart, and in which the water never comes to the boil.

If one substitutes current art with current society the equation doesn’t really change, does it? And who are these indifferent players, if not us? I want to keep on exploring and understanding photographically the Hyper reality created by consumerism, where people aspirations are dangerously confused with the models of living that the society of the spectacle is constantly selling us and where need has become desire and admiration envy.

To me, it is fundamentally important to understand these social dynamics because, by creating the idea that through a selfish individualism everybody can finally reach extreme forms of wealth and success, one drastically contributes to the social and economic disparities in this world.

 

Bio

I was born and grew up in a small town called Latisana, in the North East of Italy, a one hour drive from Venice, where I ended up living for six years as an architecture student. It is thanks to architecture that I discovered photography, because it taught me to look at the world through different eyes.

After graduating in 2008, I was in the Italian team of architects and urbanists in the international table of consultation wanted by the French government to produce ideas for the future of Paris. I lived for seven months in the suburbs of the French capital, producing my first important body of work, Banlieue 08/09, that allowed me to be accepted last year onto the Photojournalism & Documentary Photography MA program at London College of Communication, where I graduated with Distinction.

I live and work in London and I am also part of the photography collective Five Eleven Ninety Nine.

 

Related links

Teresa Cos

Collective Five Eleven Ninety Nine

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December 17, 2008

who is this??

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the man is a teddy bear….a family man…he would much rather talk about his teenage daughter Nina and French wife Sophie than about photography…honesty is his best policy…. you never never have to worry about what he “really thinks”…i live in Brooklyn…..but, Bruce Gilden is Brooklyn….

many think Bruce “attacks”…i do not know this for sure, but i am imagining Bruce has had a least one of his subjects “attack back”…but, Bruce and i are as much on the “same page” as anyone i know in Magnum …we surely have opposite personalities and ways of working, yet we have exactly the same “code” for life regarding fairness, transparency, and family….

Bruce is now working on a project on foreclosures in the U.S….a hardball look at one of the primary reasons for the financial collapse in America and the folks who “lost it all”…his new Magnum in Motion digs in deep and gives us a vision of a side of this country that most ignore…when Bruce went to Florida for the opening series on foreclosures, he showed us a certain kind of sympathy that i just do not recall in his previous work…

my first impression of Bruce came with his book on “Coney Island”…then “Haiti”, then “Go”….i thought Bruce harsh , but irresistibly fascinating…and funny…i can never take my eyes off of Bruce’s pictures even though i might feel a bit guilty for “intruding”, even as the viewer….if Bruce appears somewhat cynical with his work , when you know him personally , he is more “realist” than cynic….there is a difference…..the man’s work reveals a part of his personality, but not all…there is a straight up kindness in Bruce Gilden..and nobody but nobody has a better sense of humor…

please keep your eye out for Bruce’s continued work with foreclosures….anybody can smell a book in the making…

i am only hoping that i do not become one of his subjects…..

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December 15, 2008

teaser…..

Burn3
nothing happens until it happens , but things are happening…cracking, buzzing, and yes burning bright…we will launch soonest a working model of BURN magazine (or journal or??)….the house will not be finished…we still need to  get in the wiring and plumbing and it will be a long time before all the furniture is chosen and the interior is decorated and we all feel “at home”…but, at least you will have a sense of it….and you will have a “place at the table”….

i must right now thank Anton Kusters for his tireless efforts working on design and function…the boy flew all the way from Brussels to spend four days here sleeping on my floor…..in the next sleeping bag was Tom Hyde and tossing and turning on the sofa was Chris Bickford…my place looked like a homeless shelter rather than a home for a  wellspring of  ideas…reminiscent of my grad school days or some version of a camping out road trip….

all i can say is that i was totally humbled by all of the hard work from Tom Hyde(flew from Seattle), Eric Espinosa  (flew from Cincinnati), Erica McDonald, Andrew Sullivan, David McGowan, and Andrew Owen from Look3..and i will never forget Kelly Lynn James who gets total credit for suggesting BURN as a title…many  thanks to all of you who wrote, phoned in, and sent constructive emails..but, it ain’t over yet….

today and tomorrow i must attend our Magnum board meeting…our winter interim gathering of the tribe…who would have ever thought i would be on any “board”, but well life has its twists…i might be able to get an interesting post out of it , but in the meantime all of you will have time to chew on this…..

oh yes, if you are in New York, we have our annual Magnum book signing at Aperture tonight…please join us…

back soonest…..

 

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Features and Essays

Last week saw the tenth anniversary of the war in Afghanistan..

Most of you have probably already seen this…nevertheless….LightBox put up a gallery of 43 images by war photographers in Afghanistan and the images that moved them most….Lot of familiar frames by Anderson, Morris, Sinclair, Bronstein, Haviv, Murphy, van Agtmael, Nachtwey, etc…. you name it…Hadn’t seen this one by Emilio Morenatti before…

Photo: Emilio Morenatti/AP. Afghanistan. October 4, 2004.

TIME Lightbox: Afghanistan: The Photographs That Moved Them Most (LightBox) Includes Michael Kamber  commenting on a  Tim Hetherington photo and Pancho Bernasconi commenting on a Chris Hondros photo

Just noticed Patrick Witty tweet that this week’s TIME International cover story is on Afghanistan..Cover photo by Adam Ferguson…My eyes were drawn to the headline that accompanies the image… “Why The US Will Never Save Afghanistan”…you compare that to the famous 2010 cover with Jodi Bieber’s Aisha portrait with the headline “What Happens if We Leave Afghanistan”,and I would argue there’s been a change in Afghanistan thinking at TIME’s editorial desk…see the covers side-by-side here.

Panos have a slideshow of Afghanistan images from the past ten years… Was looking at the below Martin Adler one from Kabul in 2002, and noticed the building looked familiar… realised it’s the same one as in a famous Simon Norfolk one from 2001… See the two side-by-side here

Photo: Martin Adler/Panos. Afghanistan. Kabul. 2002.

Panos Pictures (various photographers): 10 Years of War in Afghanistan (Panos)

Donovan Wylie: Capturing the Architecture of War Before It’s Gone (Lightbox)

Nice series on Lightbox by Gillian Laub from a Tel Aviv beach..Was surprised to see the credit didn’t mention Institute… Checked her website…Looks she’s no longer represented by them…

Gillian Laub: Tel Aviv Beach (TIME Lightbox)

Occupy Wall Street…

Nina Berman: Occupy Wall Street (NOOR)

Yunghi Kim: Faces of Occupy Wall Street (Photographer’s website)

Life.com: Occupy Wall Street (Life) Photos by various photographers

Larry Fink: Occupy Wall Street in 1967 (New Yorker)

From Newsweek…First Donald Weber’s photos from Japan… See later in this post for info on Weber’s grant writing workshop…

Donald Weber: Japan: Life After Zero Hour (Newsweek) Fukushima

Lynsey Addario: Famine in Africa’s Horn (Newsweek)

Rafal Milach: Life in Putin’s Russia (Newsweek)

More Russia… this by new VII member Davide Monteleone…

Davide Monteleone: Russian Soul (Phaidon)

Tomas Munita: Chilean Miners (NYT)

Stuart Freedman: Delhi’s Army of Homeless (Panos)

Lauren Greenfield: Child Beauty Queens (Institute)

Lauren Greenfield: Boom to Bust in Ireland (Institute)

Peter diCampo: Ivory Coast (VII Magazine)

Jonathan Saruk: Kabul Cinemas (MSNBC)

Richard Renaldi: Touching Strangers (TIME LightBox)

Lynsey Addario: Kenya (Starved for Attention)

Damir Sagolj: Hunger in North Korea (NYT Lens)

Peter Beste: Norwegian Black Metal (New Yorker)

Robin Hammond: Condemned (Panos)

Seamus Murphy: Libya (VII)

Tom Hyde: After The Fall (Statement Images)

Richard Nicholson: The Last Of London’s Darkrooms (NPR)

Giorgos Moutafis: The Arab Spring Project (Foto8) Moutafis’ website 

Xavier Comas: The House of the Raja (LightBox)

Elliott Erwitt: Sequentially, Yours (Magnum)

Matt Bowditch: Afghan Blueys (Lightbox)

Maciej Dakowicz: Cardiff Nights (M – Le Monde magazine)

Daniel Lilley: The Isle of Vindelis (Foto8)

Interviews and Talks

Don McCullin (CNN)

VII photographers Kashi, Pagetti, Bleasdale, Kratochvil interviewed (Canon Digital Learning Center)

Finbarr O’Reilly (Reuters Photo blog)

It appears Martin Parr has ditched the Nintendo.. Looks like he’s doing his thang with 5D kit and a Gary Fong diffuser in this video…

Martin Parr (YouTube) “Magnum photographer Martin Parr was asked by FotoFreo Festival Director Bob Hewitt to photograph three Western Australian port cities, Fremantle, Broome and Port Hedland.”

Paolo Woods (YouTube)

Davide Monteleone (BJP)

Free Sunday evening? Check this out…

Photo: John Moore/Getty Images

BagNewsSalon webinar discussing the visual framing of “The Great Recession” in the United States and Europe : Date: Sunday October 16th : Time: 10 am PST/1 pm EST/6pm GMT (running for 90 minutes) : Where:  Open-i platform, hosted by the London School of Communications, via live audio : Facebook RSVP here.

Mirjana Vrbaski (Conscientious)

Laura El-Tantawi (Emphas.is)

Jake Price (Verve)

Sergey Chilikov (BJP)

Articles 

Guardian’s monthly recommendations on exhibitions and books…

photo: Bruce Davidson  .. Was fiddling Davidson’s book last weekend…Stunning photos..

Guardian: The Month in Photography

More on the Davidson work…

Guardian: Bruce Davidson’s subway photography takes us to New York’s heart

New Yorker: New Photography at MOMA

BBC: Injured photographer Giles Duley wants Afghanistan return

Magnum Photos have some found Libyan Secret Service photos in their archive…David Campbell raised the issue should they be for sale like any other Magnum photo… Read the debate below…I saw some of the photos printed in the Guardian in July…Credited to Magnum Photos…pic of the spread here (had it on my iPhone)..I don’t know did Guardian have to pay Magnum for this set to be published…

David Campbell: The Libyan Secret Service photo archive – questions for Magnum Photos (DC Storify)

David Campbell: The problem with the dramatic staging of photojournalism: what is the real issue? (DC website)

Telegraph: Diane Arbus, in her own words (TelePhoto)

Telegraph: An Emergency in Slow Motion: The Inner Life of Diane Arbus by William Todd Schultz: review (Telegraph)

NYT Lens: Bringing Turkish Photography to the World Stage

PDN: Steve Jobs: Visionary, Inventor, and Very Challenging Photo Subject (PDN)

Reasons Why Professional Photographers Cannot Work for Free (Professional Photographers)

Nick Turpin: Distrify: A new model for distribution? (photographer’s blog)

Time: Joel Sternfeld: A Modern Master’s First Pictures (Time Lightbox)

Thames and Hudson: Magnum Contact Sheets – Production

Wayne Ford: We English: Simon Roberts extensive survey of the English at leisure (Wayne Ford Posterous)

BJP: Noor Images adds Andrea Bruce and Giancarlo Ceraudo as new members

No Caption Needed: Review of Errol Morris, Believing is Seeing (Observations on the Mysteries of Photography) (New York: Penguin, 2011) (No Caption Needed)

Joanna Hurley: Notes on the Artist Statement (Hurley Media)

A Photo Editor: Why Does Everyone Think They Need A Photo Book? (APE) Joerg Colberg’s thoughts on the matter

Granta: Remembering Tim Hetherington

PDN Photo of the Day: Marcus Bleasdale: Early Morning Prayers (PDN)

NYT Lens: Jack Delano’s American Sonata

Gizmodo: Photoshop Will End Blurry Pics Forever

Guardian: Featured photojournalist: Manu Brabo

Guardian: Featured photojournalist Ahmad Masood

The Independent: Out with the new: Turbine Hall’s latest work is tribute to old movies (Independent) | slide show (Guardian)  On a slightly different note, I was at Tate Modern over the weekend and saw their shop is selling Martin Parr Autoportrait ceramic plates for £65.. Fancy one? Take a look

Verve Photo: Diana Markosian (Verve)

Verve Photo: Katie Orlinsky (Verve)

Wired: Back to Basics: Analog Photography Project Aims to Slow Things Down

Adam Marelli: An in-depth look at Henri Cartier-Bresson’s composition style (adammarelliphoto.com)

Magnum Photos: Advice to young photographers (PDF)

Telegraph: National Gallery announces first major photography exhibition

PDN: Who Photographers Follow On Tumblr

Crowd funding

Condemned by Robin Hammond (Emphas.is)

Land of Hope and Dreams by Amnon Gutman (Kickstarter)

BTC oil pipeline by Amanda Rivkin (Empas.is)

Agencies and Collectives

Aletheia Newsletter

Awards, Grants, and Competitions

More awards for Yuri Kozyrev…

Yuri Kozyrev Wins 2 Prix Bayeux-Calvados Awards for Libya Coverage (PDN) Same news on BJP

Magenta Flash Forward 2012 Call for Submissions

Reminders…

Applications for the Tim Hetherington Grant are due 15 Oct. 

Time LightBox Next Generation Competition

NatGeo Photo Contest

IdeasTap Photographic Award: Finalists

Workshops

Grant Writing with Donald Weber : NYC Nov 17, 2011 : DC Nov 19, 2011

Duckrabbit three-day photo film workshops in London (30 Nov-2 Dec) and Birmingham (7-9 Dec)

Jobs

Brighton Photo Fringe is seeking a new Director

Events

BJP Vision 2011

multiMedia and Photo Communities

Foam Talent issue : Issuu

1000 Words : new issue

Contacts Editions

F8Magazine

52 by 52 : “A weekly photo challenge is set by fifty-two accomplished photographers throughout the course of a year”

Photographers

Reuters photographer, Finbarr O’Reilly, who shot the World Photo of the Year 2005,  has a website now…

Finbarr O’Reilly

Carlos Javier Ortiz

Paul Jeffrey

Sean Hawkey

To finish off… Seen it before, but was a giggle to bump into this again… The Life of Photographer

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Feature and Essays 

First to Middle East…again….

Great series from Gaza by Andrew McConnell on Panos website…

Andrew McConnell: Leaving Gaza (Panos: September 2011)

Rena Effendi: Women of the Egyptian Revolution (Newsweek: September 2011)

David Levene: The Lives of Palestinians (Guardian: September 2011)

Moises Saman: Post-Gaddafi Tripoli (NYT Lens: September 2011)

Natan Dvir: Eighteen (TIME LB: September 2011) Arab Teens in Israel

Olga Kravets: The Shelter (Salt Images: September 2011)

Adam Ferguson: Afghanistan Soldiers Skyping (TIME LB: September 2011)

Graham Crouch: Red Cross Kabul (FotoStrada: 2011)

To other features…

Joseph Rodriguez: Welcome to Newburgh, Murder Capital of New York (New York Magazine: September 2011) article

Todd Heisler: Sound Stages in New York (NYT Lens: September 2011)

Sven Torfinn: In Uganda, Losing Land to Planted Trees (NYT: September 2011)

Thilde Jensen: Canaries (NYT: September 2011)

Gesche Würfel: Basement Sancturies (Foto8: September 2011) Würfel’s website

Lucy Nicholson: A Gay Military Family (Reuters: September 2011)

Tom Hyde: After the Fall (burn: September 2011)

From VII…

Anastasia Taylor-Lind in VII magazine…see later in this blog post for some VII transition related news…

Anastasia Taylor-Lind:  Resurgence of the Cossacks (VII Magazine: September 2011)

Ron Haviv: Glimpses of the Fall of Tripoli (VII: September 2011)

Mikolaj Nowacki: The River Odra (VII Mentor: September 2011) Nowacki’s website

I don’t remember if I posted this already earlier… quite possibly…Lynsey Addario’s NGM series on Baghdad on VII website…

Lynsey Addario: Baghdad (VII Network: September 2011)

Mads Nissen: Bessarabian Blues (Panos: September 2011)

Long 40 photo edit of Andrea Star-Reese’s Urban Cave…

Andrea Star-Reese: Urban Cave (Visionproject.org: 2011)

Maciej Dakowicz Cardiff nightlife photos were heavily discussed last week after being published in Daily Mail…Here the photos in NYT Lens…Comments in the Guardian and BBC

Maciej Dakowicz: Cardiff After Dark (NYT Lens: September 2011)

Myrto Papadopoulos: In the Grecian Caves Where Time Slows  Down (NYT Lens: September 2011)

Kosuke Okahara: Transnistria: An Unrecognized State Caught Between Past and Present (TIME LB: September 2011)

Max Whittaker: 80 on 80 (Prime Collective: September 2011)

David Walter Banks: Craziest Vacation Spots (Newsweek: September 2011)

Washington Post: Reframing Mexico (WP: September 2011) Reframing Mexico project website

John Vink: Cambodia Land Issues (Magnum: September 2011)

Finlay Mackay: London 2012 (TIME LB: September 2011)

Dan Giannopoulos: The Orphaned Elderly of Kathmandu (TIME LB: September 2011)

Peter Funch: Composite Characters (TIME LB: September 2011)

Brian Cassey: Soulless in Seoul (Fotostrada: 2011)

Paul Russell: Country Shows (BBC: September 2011)

“Your friend doesn’t have a fucking pool!” Alec Baldwin and other portraits by Jake Chessum…

Jake Chessum: Celebrity Portraits (Life.com: September 2011)

Agencies

VII Photo is going through some changes… British Journal of Photography’s news editor Olivier Laurent is keeping us up-to-date with news as they come in…So far, BJP has confirmed Stefano de Luigi will be full member, whereas VII Mentor Agnes Dherbeys has left VII to be an independent photographer. At the moment, Olivier has unconfirmed  list of photographers who have been offered  full membership with the agency and I’d imagine we’ll get the confirmations very soon…

BJP: VII Photo in transition (BJP: September 2011)

Stephen Mayes did imply in his comments that not everyone has been accepted, but it it would seen most of the Network photographers, such as Lynsey Addario, Ashley Gilbertson and Tomas van Houtryve,  have been made full members…No word on the future status of previous Network photographers Gafic, Kurzen, Domaniczky, Bouvet, or Bruce at the moment, or any of the VII Mentor photographers apart from Dherbeys…I’d imagine a lot of the Mentor photographers staying in that category, as it was only Network that’s gets disbanded…I have word that no new Mentor photographers were taken in at this time.

I can confirm that Anastasia Taylor-Lind, despite not being included in the BJP’s ‘unconfirmed list’ at time of writing this, has been offered full membership. Until now she was part of VII Mentor.

I was skyping with Anastasia earlier today, and asked about her initial reaction:

After 2 years on the VII mentor program under the guidance of Ron Haviv, I am utterly delighted and honored to become part of VII Photo. The mentor program is a wonderful and successful idea, and something I am really proud to have been part of. I’m excited about my future at VII and being part of an exceptional group of photographers, who are in turn supported by wonderful agency staff.”

Congratulations! Well deserved.  You can find Anastasia’s website here and blog with recent tear sheets here.

Speaking of VII…

Books

Fancy a look inside VII’s upcoming Questions Without Answers book? Yeah? Well, see here for sample pdf.

photo: Joachim Ladefoged from series, A Vanishing Way of Life, 2003

Slideshow in their archive

Should be a great book…. Would also love this…

The New York Times Magazine Photographs (Aperture 2011)

Afterwards: Contemporary Photography Confronting the Past (Thames&Hudson: 2011)

Communities

Emphas.is September 2011 newsletter

Videos

National Geographic: Search for the Afghan Girl Pt 1 |Pt 2 | Pt 3 | Pt 4

Interviews

Kathy Ryan on The New York Times Magazine Photographs book (spd.org: 2011)

Danfung Dennis : Hell and Back Again (NYT Lens: September 2011)

Alec Soth (The New York Times Magazine’s 6th Floor blog: September 2011)

Victoria Will trying to convince 35mm photographers to try out Hasselblad…tasteful advertising….(unlike)

Victoria Will (Hasselblad US: 2011)

Fred Ritchin : What Matters Now (La Lettre: September 2011)

Steve McCurry (Oprah)

Michael ‘Nick’ Nichols : National Geographic photographer ditches website, turns to the iPad (BJP: September 2011)

Olivia Arthur (IdeasTap)

Farzana Wahidy (NYT Lens: September 2011)

Elizabeth Hingley (e-photoreview: September 2011)

Erik De Castro : Back in Afghanistan, ten years later (Reuters photo blog: September 2011)

Nick Oza (Image Deconstructed: September 2011)

Articles

“Hard times have spawned great art — but not these hard times, it seems.”

LA Times: Where’s today’s Dorothea Lange? (LA Times: September 2011)

Guardian: The excess is not in alcohol but in Britain’s self-loathing  (Guardian: September 2011) Maciej Dakowicz’s pictures of Cardiff revellers are lapped up by a country that pictures itself as broken, boozing, morally sick

PhotoShelter blog has a piece about the most dangerous places to work as a photographer…

photo: Sebastian Meyer

PhotoShelter: The 14 Most Dangerous Locations For Photojournalists (PhotoShelter: September 2011)

NYT piece on AP photographer Anja Niedringhaus’ At War exhibition in Berlin…

NYT: At Berlin Show, One Photographer’s View of the Post-Sept. 11 World (NYT: September 2011)

Reportage by Getty Images:  “Hi, my name is Spain, and this is my story.”(Reportage: September 2011)

From Telegraph's Telephoto...

Telegraph: Afghanistan? There’s an app for that (Telegraph: September 2011) The humble iPhone is changing photography on the frontline

Telegraph: Revealing landscapes: the photography of Joel Sternfeld (Telegraph: September 2011)

BJP: Could Once Magazine, an iPad-only photography magazine, represent a new revenue stream for photojournalists? (BJP: September 2011)

BJP: Harry Ransom Center acquires Elliott Erwitt’s archives (BJP: September 2011)

BJP: Ways of Looking Bradford photography festival (BJP: September 2011)

Guardian: Featured photojournalist, Mark Blinch (Guardian: September 2011)

Verve: Chelsea MacLachlan (Verve: September 2011)

PDN: Beatles Photographer Robert Whitaker Dies

PDN: Top 10 iPad photo portfolio Apps for the iPad

Bill Gates v. Photojournalists (Concertiumnews.com: 2011)

Seven by Five: Who is using your photos without permission?

Awards, Grants, and Competitions

Application open for the inaugural Tim Hetherington grant

News and Documentary Emmys : Tim Hetherington’s and Sebastian Junger’s Restrepo won two Emmys (Outstanding Continuing Coverage of a News Story, Long Form, and an editing award for Outstanding Individual Achievement In A Craft)

Luis Valtuena International Humanitarian Photography award

New Scholarships Available For Photojournalists Returning To School : NPPA

Lucas Dolega Award

TIME is looking for the best young photographers of 2011…NB. Only US students need apply it seems

TIME : Next Generation : Submissions will be accepted beginning October 3, 2011, at 12 a.m. EST, until midnight on October 17, 2011. Winners will be announced on LightBox on October 26, 2011.

Jobs

Ben Curtis, Middle East photo editor for AP, named chief photographer for East Africa

Part time multimedia coordinator :  ActionAid : London

Fundraising

Human Right Watch: Facing Power: A Print Sale to Benefit Human Rights (HRW)

Events

Festival of Photography : Wild Day : Sunday 2 October 2011 : Royal Geographical Society : London | full program PDF

Services

Luxlab

To finish off…

Rude hand gestures of the world

If you are like me and not really into computer games, perhaps this ‘war journalism game’ Warco will get even us excited…or not…

Warco

and…

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Tom Hyde

After the Fall

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As the moist air rolls off the Pacific Ocean to first encounter the North American land mass it slams headlong into the Olympic Mountains, rises up, cools off, and dumps. Of all the regions in the lower 48 states, this is wettest and this is where I live. Nearly 10 feet of rain has fallen here since the Fall.

The Satsop River Valley is sparsely populated. Nearly 95 percent of the land is in commercial timber production and of that, 70 percent are trees aged 35 years, or younger. I live among some of the most productive industrial timberlands in the world fed by this relentless rain. Gone are the massive mixed old-growth native forests of fir and cedar and hemlock with trees that could count not decades, nor centuries, but millenia with trunks that could reach 16 feet across. In their stead are rows of perfect soldiers of the master race who march obediently across fertilized and pesticide-sprayed fields to their efficient end in just a few short decades. This is a cornfield, we say, a mine of “sustainable” forestry. We build our homes and wipe our asses with this wonder of modern silvaculture.

Here it is all about timber, and paper, and fishing. Product. Extraction and subjugation in the industrial landscape of a forest. The towns here were built around the mills and the salmon canneries in another century. Aberdeen lies downstream along the Chehalis River and like many such American towns based on resource extraction and production, those towns that fueled expansion and built a nation, its best days are seemingly long behind it.

This place has its own wonder, though, a dark humor for two-thirds of the year, and a brilliant blinding splendor for one. The winter here is temperate, and long. We crawl slowly from its long embrace bleary-eyed, blinking, stunned again by the impossible blue of summer only then to realize, we were asleep. With this work, I am exploring the intersections between man and nature, industry and the natural world, policy and practice in my own backyard.

 

Bio

Tom Hyde is a photographer living in Washington State. His background includes work in conservation, environmental policy and journalism. He is a member of Statement Images.

 

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Statement Images

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