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William Eggleston

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Original author: 
Mikko Takkunen

Features and Essays

Lucas Jackson / Reuters

Lucas Jackson / Reuters

Lucas Jackson: Haunting Night Scenes of Oklahoma’s Devastation (ABC News) Reuters photographer Lucas Jackson traveled to Moore and used the twilight night sky to illuminate some haunting landscapes the tornado left behind.

Katie Hayes Luke: Faces And Places The Tornado Left Behind (NPR Picture Show)

Ashley Gilbertson: Intricate Rituals for Fallen American Troops (NYT)

Steve Ruark: Honoring the Fallen (LightBox) One Photographer’s Witness to 490 Dignified Transfers

Luke Sharrett: Sacrifices Set in Adorned Stone (NYT Lens) Gravestones at Arlington National Cemetery in Virginia.

Sergey Ponomarev: A Supporting Role (NYT) In Afghan Transition, U.S. Forces Take a Step Back

Andrew Burton: Afghanistan (CNN Photo blog) Photographing ‘my generation’ at war

Eugene Richards: Inside Guantanamo (LightBox)

Ilona Szwarc

Ilona Szwarc

Ilona Szwarc: The Little Cowgirls (Telegraph) Deep in the heart of Texas, young girls are bucking the trend and breaking into the traditionally macho world of rodeo. The photographer Ilona Szwarc has corralled some of these junior ropers and riders into a compelling visual essay | Related article here

Aaron Huey: Pine Ridge (LightBox) Aaron Huey has photographed the Oglala Lakota for seven years on the Pine Ridge Indian Reservation in South Dakota.

Ilona Szwarc: American Girls (Photo Booth)

Andrew Moore: Stuck in the Shadow of Affluence (NYT Magazine) How the epidemic of empty, foreclosed homes in Chicago’s poorest neighborhoods ignited a new form of guerrilla activism.

Justin Maxon: Gunland (LightBox) Chicago’s South Side

Billie Mandle: Reconciliation (Wired Raw File photo blog) American confessionals and reconciliation rooms

Christopher Anderson: Skin on Parade in Central Park (NY Magazine) New York Magazine sent photographer Christopher Anderson to meander around Central Park on a 79-degree day

Charles Ommanney: Heavy Metal Cruise (Reportage by Getty Images)

Anderson Scott: Civil War Lovers Can’t Leave the Past Behind at Awkward Reenactments (Wires Raw File)

Arne Svenson: The Neighbors (Photo Booth)

Martin Parr: Life’s a Beach / USA Color (Slate Behold)

Joshua Yospyn: America’s Quirky Coincidences (NYT Lens)

Saul Robbins: Behind Closed Doors at New York Shrink Offices (Slate Behold)

Ruth Prieto: Safe Heaven (burn magazine)  The second chapter of a documentary project about Mexican immigrant women in New York.

Lynsey Addario / VII for TIME

Lynsey Addario / VII for TIME

Lynsey Addario: Rich Nation, Poor People (LightBox) With its vast oil wealth, Saudi Arabia has one of the highest concentrations of super rich households in the world. But an estimated 20 percent of the population, if not more, lives in crippling poverty.  

Kiana Hayeri: Young Iranian Immigrants (NYT Lens) Leaving Tehran and Restraints Behind

Carolyn Drake: Two Rivers: A Journey Through Central Asia (Photo Booth) A photographic record of the area in Central Asia that follows the Amu Darya and the Syr Darya, the region’s major rivers.

Linda Forsell: Refugee Crisis (zReportage) Syria | Jordan’s Zaatari refugee camp is home to 170,000 people from Syria who have fled the fighting.

Kalpesh Lathigra: Passport-Style Portraits of Displaced Syrians Living in the Za’atari Refugee Camp (Feature Shoot)

Guillaume Herbaut: Chinese Weddings (CNN Photo blog)

Peter Pin: Life Beyond The Killing Fields (NPR Picture Show)

Angelos Tzortzinis

Angelos Tzortzinis

Angelos Tzortzinis: Societal Ills Spike in Crisis-Stricken Greece (NYT Lens)

Espen Rasmussen: Mud, Fire and Pain (Panos Pictures) Tough Guy claims to be the world’s most demanding one-day survival ordeal and it has been widely described as ‘the toughest race in the world’

Espen Rasmussen: Pain (Panos Pictures) As part of a longer project looking at masculinity and middle aged men, Espen visits the longest single stage cycle race in the world, from Tronheim to Oslo in Norway.

Kirsten Luce: Matadora (NYT Lens) In the Arena With a Smile — and a Bull

Brett Gundlock: One Small Town’s Fight to Banish a Brutal Mexican Cartel (Wired Raw File)

Yann Gross: A snake story in the Brazilian far west (Institute)

Kate Holt: Somalia surgeons: under the knife in Mogadishu (Guardian) audio slideshow

Siegfried Modola: Ethiopia’s ancient salt trail (Guardian)

Takayuki Maekawa: Wild Animals (CNN Photo blog)

Articles

030-035_FTMAG_0106_FINAL.indd

The Financial Times Magazine, June 1/2 2013

My friend, Robert Capa (FT Magazine) John Morris, former picture editor of Life, talks about the great photographer and his most historic roll of film – of D-Day

The month in photography – audio slideshow (Guardian) Vanessa Winship, Erwin Blumenfeld and Nobuyoshi Araki feature in June’s guide to the best photography around the world.

World Press Photo controversy: Objectivity, manipulation and the search for truth (BJP) Beyond the attacks leveraged against Paul Hansen’s winning World Press Photo, the recent controversy over image toning is symptomatic of the current state of photojournalism and its place in a society that has learned not to trust what it sees. Photojournalists, photography directors and post-producers speak to Olivier Laurent, and ask whether objectivity in photojournalism is actually attainable

Drama, Manipulation and Truth: Keeping Photojournalism Useful (Picture Dept)

chrishondrosfilm.com

chrishondrosfilm.com

Hondros: A Life in Frames – trailer (Chris Hondros film website)

Censored – images of our ugly truths, natural and man-made (Sydney Morning Herald)

A Photographer, A Fixer, the New York Times and Child Servitude in Haiti: A Story Gone Haywire, then Simply Gone (BagNewsNotes)

American beauty: Vanessa Winship’s photos of still, small-town US life (Guardian) Winship used her Henri-Cartier Bresson prize money well: to fund a book, She Dances on Jackson, in which she has captured the silence at the heart of a clamorous nation

Photographing What Endures For Australia’s Aboriginals (NPR Picture Show) Amy Toensing’s project for the National Geographic

Don McCullin guest of honour at 25th Visa pour l’Image (CPN)

A war photographer’s rediscovered images from Vietnam (CBS News)

Andrea Bruce

Andrea Bruce / Noor Images

War Through a Woman’s Eyes (American Photo magazine) Some of today’s top conflict photographers just happen to be women. We spoke with a handful of these photojournalists about their experiences—and how they differ from their male colleagues’

Photojournalists Tell the Untold Stories From Iraq (Slate Behold)

Kathy Ryan: Office Romance: Renzo Piano’s Light (NYT Magazine 6th Floor Blog)

Capturing ‘Out Cold’ Commuters with TIME’s Patrick Witty (Instagram blog)

Martin Parr: All the world’s a beach (FT Magazine) For one photographer, there is no better place than the seaside to observe human eccentricity in all its glory

Finding And Photographing Alaska’s Remote Veterans (NPR Picture Show)

‘Pictures from the Real World’: Derby, England in 1988 (LightBox)

Q&A: Why is Emphas.is now turning to its own platform to survive? (BJP)

Who Will Crowdfund the Crowdfunder? (NYT Lens)

Moving Walls (The Foreign Policy) Looking back on 15 years of human rights photography.

Through the Lens of Eggleston (WSJ) The selection of William Eggleston’s photographs, “At War with the Obvious,” currently on view at The Metropolitan Museum of Art in New York City, reminds us why he an American master. For the June issue of WSJ. Magazine,  the legendary photographer agreed to shoot part of his extensive collection of Leica and Canon cameras | Related

Garry Winogrand and the Art of the Opening (The Paris Review)

Wayne Miller obituary (Guardian) Magnum photographer celebrated for his images of the second world war and Chicago’s South Side

In Memoriam: Wayne Miller (1918 – 2013) (LightBox)

Stephanie Sinclair’s best photograph: child brides in Yemen (Guardian)

Featured photographer: Tim Richmond (Verve Photo)

Featured photographer: Albertina d’Urso (Verve Photo)

Featured photographer: Katharine MacDaid (Verve Photo)

Featured photographer: Joel van Houdt (Verve Photo)

The little girl in the photo, all grown up (AFP Correspondent blog) AFP photographer Jean-Philippe Ksiazek hears from a girl he photographed in Pristina at the end of the war in Kosovo

When Photography Imitates Voyeurism (NYT Magazine 6th Floor blog)

Joseph Eid / AFP / Getty Images

Joseph Eid / AFP / Getty Images

War and Representation: Showing the Limits of Comprehension (No Caption Needed)

Digital and the the desire for long form journalism (David Campbell blog)

What a Photograph Can Accomplish: Bending the Frame by Fred Ritchin (LightBox)

Chicago Sun-Times lays off its photo staff (Chicago Tribune)

Chicago Sun-Times will train reporters on ‘iPhone photography basics’ (Poynter.)

Alex Garcia: The Idiocy of Eliminating a Photo Staff (Chicago Tribune Assignment Chicago photo blog)

Do Newspapers Need Photographers? (NYT)

How the Internet Killed Photojournalism (PetaPixel)

Spitting on the Grave (Jim Colton website) On Yahoo CEO Marissa Mayer’s comment ‘there’s really no such thing as professional photographers anymore’

Defining “News photographer” for the future (Reuters photo blog)

Anton Corbijn to shoot James Dean biopic, Life (Guardian) Control director to explore real-life friendship between 50s icon and Life magazine photographer in new film

Harlequin Without His Mask (Francis Hodgson blog) On Rankin

NY Times Public Editor Questions T Magazine Photoshopping Policy (PDN)

NYC Tribeca Residents Enraged Over Photos They Claim Violate Their Privacy (ABC News)

‘Control Order House’ by Edmund Clark – Photographing our response to terrorism (The Independent)

Ponte City: An Apartheid-Era High Rise Mired in Myth (LightBox) In 2008, South African photographer Mikhael Subotzky, in collaboration with British artist Patrick Waterhouse, set out to create a visual document of the building as monumental as the structure itself, exploring a long, complex history mired in myth.

Interviews and Talks

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind (Nat Geo Live) Mothers, Models, and Fighters | A rising star on the photography scene, Anastasia Taylor-Lind documents the lives of women who live isolated from male society, including in schools for Siberian supermodels and military training camps for Cossack women | video

John H. White (CNN) Howard Kurtz talks to Pulitzer prize-winning photographer John H. White about what the layoffs mean for the news industry after Chicago Sun-Times drops photographers

Jonas Bendiksen (Vice) Bendiksen Takes Photos in Countries That Don’t Exist

Winners from the 2013 World Press Photo Contest (WPP) Nineteen prizewinners discuss their award-winning work.

Alec Soth (A Photo Editor)

 Tom Powel Imaging inc.

Richard Mosse, The Enclave, 2013. Six screen film installation, color infrared film transferred to HD video. Filmed in Eastern Congo. Courtesy of the artist and Jack Shainman Gallery. Photo: Tom Powel Imaging inc.

Richard Mosse (Frieze Vimeo) The Impossible Image | Artist and photographer Richard Mosse reveals the stories behind the making of his latest film, ‘The Enclave’ (2013), in the Democratic Republic of Congo, which will be shown in the Irish Pavilion at this year’s 55th Venice Biennale.

Lauren Greenfield (Rookie magazine) Money Changes Everything: An Interview With Lauren Greenfield

Donna Ferrato (Vogue Italy) “I really believe in the power of photography to change the world. I think without it we would be like cavemen”

Fabio Bucciarelli (Photographic Museum of Humanity)

James Nachtwey (National Geographic magazine) Longer version on Stephen Alvarez’s Facebook page here

Maggie Steber  Part 1 | Part 2 (Leica blog)

John G. Morris (Vogue Italy)

Tim Page (Radio Australia) Page on history, photography and the Vietnam War

Thomas Dworzak (Roads and Kingdoms) Dworzak’s Instagram Chapbooks

Saul Leiter (In-Public)

Alan Chin

Alan Chin

Photojournalists on Covering the War in Iraq (The Leonard Lopate Show / WNYC) audio | Michael Kamber interviewed photojournalists from many leading news organizations to create a comprehensive collection of eyewitness accounts of the Iraq War—Photojournalists on War. He’s joined by photographers Alan Chin and Ashley Gilbertson, who discuss trying to cover the war in Iraq and examine the role of the media and issues of censorship

New booktells ‘untold stories’ from Iraq (MSNBC) Photojournalist Michael Kamber joins MSNBC’s Craig Melvin and fellow photojournalists Carolyn Cole and Ed Kashi to talk about his new book, “The Untold Stories From Iraq: Photojournalists on War”.

Doug Richard (ABC Arts) A New American Picture: Doug Rickard’s Google Street View road-trip

David Guttenfelder (The World) Inside the Hermit Kingdom: David Guttenfelder on Photographing North Korea

Mads Nissen

Mads Nissen

Mads Nissen (Panos Social) The Making of Amazonas

Ben Lowy (ABC Arts)

Ben Lowy (MSN Australia) Covering warzones with an iPhone

Kai Löffelbein (Leica blog) A Hidden World in Hong Kong

Tomas van Houtryve (The Story)

Michal Chelbin (The Voice of Russia)

Sue Ogrocki (LightBox) Moments of Hope in Oklahoma: One Photographer’s Story

Paul Hellstern (CNN) Photographer captures snapshots of courage after tornado levels OKC school

Ed Jones (LightBox Tumblr)

Stacy Pearsall (Peach Pit) In the Trenches with Combat Photographer

Katrin Koenning (No Borders Magazine) A sense of belonging

Alonzo J. Adams (LightBox Tumblr)

Laura Pannack (Photo Whoa) Speaking Through Your Photographs & Connecting with Your Viewer

Mikko Takkunen is an associate photo editor at TIME.com

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Original author: 
David Brittain

Photographic technology was born in Europe, but the art of photography as we know it, was invented in the USA during the 1950s and 60s, sponsored by the Museum of Modern Art in New York. John Szarkowski, MoMA’s powerful Director of Photography, declared that great British photographers belonged to a “documentary tradition” that included Bill Brandt (whose press pictures of Britain in the 1930s were exhibited at MoMA in 1969). David Moore’s work from 1987-88, which was first published in Creative Camera in 1988, and now published as a book, Pictures from the Real World, conforms to the expectation that British photographers should, like Brandt, be primarily social observers.

The notion of a “documentary tradition” does not stand up to scrutiny, however, because of the many disparities between Brandt’s generation and Moore’s. Unlike his forebears, Moore benefited from a cultural climate that recognized and rewarded his artistry (the state-funded Arts Council supported dedicated galleries and magazines). This made it possible for him to cultivate a personal style that did not yet conform to the demands of the mass media. Commentators of the 80s interpreted the rather shocking use of color photography, by Moore and others, as a rebellion against the old black-and-white school, but in fact color became simply an extension of a “documentary aesthetic” popularized by the American formalist, William Eggleston.

While Moore was at college (he studied with Martin Parr from 1985 to 1988 at the West Surrey College of Art) the first serious challenge arrived to those who championed documentary photography as both an art form and a tool for reform. In the US and Britain, the theories of French thinkers such as Roland Barthes, challenged claims that photographs were objects of artistic expression or transparent reproductions of “reality.” As these ideas took hold two things happened: the supposed truth of documentary photography became discredited, and it was “saved for art.”

There have been many claims for British documentary photography of the 1980s, including the claim that it was a social critique of the Thatcher years in Britain. This has yet to be demonstrated. Arguably, the most radical aspect of these pictures, is Moore’s refusal of the role of “neutral observer” — something he shares with others of his generation. To eyes accustomed to digitally enhanced photography, many of these pictures will seem familiar. This is because they were cleverly manipulated, both formally (using flash mixed with ambient light to invoke a heightened reality), and conceived, not as “records of life” but opinions. Did Moore just happen to pass by and “snap” the conjunction of the baby and the television image, or did he find the image on a video? Looking back, we can see that this “documentary-style” photography (a term coined by the great American photographer Walker Evans) marked an important stage in the unravelling of the sacred bond between photographer/witness and “reality” that forms the basis of the authority of photography in the press and in society. The relatively recent invention of Photoshop has taken the process much farther.

This is a welcome and important book that is part of a current reappraisal of the British photography of the 1970s and 80s.

Pictures From The Real World (2013) by David Moore is published by Here Press and Dewi Lewis Publishing.

David Moore is a London based photographer who has exhibited and published internationally. He has been working as a photographer and educator since graduating from West Surrey College of Art and Design, Farnham, in 1988.

David Brittain is a curator, critic, documentary maker, lecturer and was editor of the respected international magazine, Creative Camera, (1991-2001). In 2000, his anthology of writings, Creative Camera: Thirty Years of Writing, was published by Manchester University Press.

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Original author: 
WSJ Staff

William Eggleston's photographs, some of which are on display now at The Met Museum in New York, reminds us why he an American master. Though not a fan of digital photography, Mr. Eggleston agreed to shoot a digital photo for the upcoming June issue of WSJ. Magazine. Get a preview of that photo here.

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Original author: 
Jeffrey Ladd

As an avid photobook enthusiast I have gone to great lengths to see books that are far out of my reach economically. I have spent countless hours at photobook auction previews just to carefully flip the pages of rarities that will be sold for thousands of dollars. I have no intent to bid or buy, or to check the condition which is the main reason for attending previews. My reasoning is just to experience and gauge my own level of interest (albeit quickly) concerning what are the important titles of photobook history. When so much material is out of reach, one depends almost entirely on the scholars and historians as a guide, but in the end it is all subjective. This is why I am so happy that MACK has succeeded in creating a facsimile edition of the Italian photographer Luigi Ghirri’s 1978 book Kodachrome. On the anniversary of Ghirri’s death, I finally have the chance after so many years to have the opinion that it’s, well, not my cup of tea.

Luigi Ghirri came to photography in 1970 with an interest in the conceptual side drawn from his training. One pursuit was the paradox of photography itself and uniting the real and the artificial, visible and invisible in the single image. Photographs in general, Ghirri believed, whether “art” or advertising, create a vast labyrinth of images to navigate daily through which it is difficult to decoding our true surroundings.

‘The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory… to the point at which we might merge with them… The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.’

That, for me, is interesting to ponder philosophically but are the works in Kodachrome, in the words of essayist Francesco Zanot, “powerful devices for the re-education of the gaze?” This seems a modest collection through which many things can be projected, but without the textual introductions of the edition laying out the intent, or at least providing guidelines for reading, I don’t see the photographs alone enabling the task. A small handful of the 92 images compel me to try — but most have me grappling just to keep my attention.

The qualities of the photography in Kodachrome call into question for me why this book seems so universally revered among the writers of photobook history. The major developments in color photography in general seem so often boiled down to the Americans “William Eggleston and Stephen Shore,” whereas post-war European color photography books seem to get scant attention — even though one of the first true pioneers of color work was the Danish photographer Keld Helmer-Petersen with his 1948 book 122 Colour Photographs. Then the historical timeline of European photobooks continues along mostly in black and white until 1978 and the publication of Kodachrome? Are there no other landmark books between 1948 and 1978 that could also act as balance to the historical dominance of Eggleston’s color?

Being that I approach most photography, my own and that of others, knowingly comfortable to be trapped within the labyrinth of illusion, aesthetics, style, and photography as the language of metaphor — Kodachrome is a deck stacked against me. It stands as the antithesis to my own practice where the visual component compels you to explore the relationship to the image before you.

Luigi Ghirri’s Kodachrome was reissued by MACK in November, 2012. Twenty-five vintage color prints from the series were recently on view at Matthew Marks Gallery in New York.

Jeffrey Ladd is a photographer, writer, editor and founder of Errata Editions.

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Original author: 
Mikko Takkunen

Features and Essays

Kirsten Luce for the New York Times

Kirsten Luce for the New York Times

Kirsten Luce: A Border Evolves as Washington Pursues Immigration Reform (NYT)

Ricardo Cases: ¡Evangélicos! (LightBox) Intensity, Isolation, and Fiesta

Ilona Szwarc: The Cowgirl Way (NYT Magazine)

Peter Hapak: Portraits of the Gay Marriage Revolution (LightBox)

Jeff Brown: Bar Regulars (NYT Magazine) This Is Who Rules the Bars of New York

Nina Berman:  Stop-and-Frisk (Photo Booth)

Carlos Javier Ortiz: Too Young To Die (Pulitzer Center) Chicago’s Gang Violence

Shannon Stapleton: North Dakota Booming (Reuters)

Lisa Wiltse: Mary’s Pageant (Reportage by Getty Images)

Sebastian Liste

Sebastian Liste / Reportage by Getty Images

Sebastian Liste: In The Wake Of Chavez (Reportage by Getty Images)

Alvaro Ybarra Zavala: The Legacy of Venezuela’s Bolivarian Liberator (Reportage by Getty Images)

Jorge Cabrera: Death in the murder capital (Reuters) Honduras

Bryan Denton: Afghan Army Taking the Lead (NYT)

Bryan Denton: Hardships in Afghan Refugee Camps (NYT)

John D. McHugh: Observe The Sons of Afghan Marching Towards The War (Reportage by Getty Images)

Sebastião Salgado / Amazonas / Contact Press Images

Sebastião Salgado / Amazonas / Contact Press Images

Sebastião Salgado: Genesis (LightBox)

Adam Dean: Myanmar Grapples With Ethnic Tensions (NYT)

Sim Chi Yin: Fragile Lake (The Straits Times) Burma

Stephen Dock: Mali, the new gold rush (Agence Vu)

Marco Grob: International Mine Action Day: Portraits (LightBox)

Abbie Trayler-Smith: The Spring that Wasn’t (Panos) Yemen

Hatem Moussa: How to Make Charcoal in Gaza (TIME)

Andrea Bruce: Christians in Syria Celebrate Good Friday With Hope and Fear (NYT)

Kalpesh Lathigra: Za’atari refugee camp (The Independent) Syrian refugee crisis

Peter Hove Olesen: Assad (Politiken) Syria

Lynsey Addario / VII

Lynsey Addario / VII

Lynsey Addario: Mortal Beloved (New Republic) The extreme perils of motherhood in Sierra Leone

Diana Matar: Return to Libya (Photo Booth)

Karla Gachet and Ivan Kashinsky: Kings of the Roma (NYT Lens)

Tomas van Houtryve: No Man’s Land (The Foreign Policy) Exclusive photos from the 38th parallel.

Sergio Ramazzotti: North Korea: Inside the utopia (Parallelo Zero)

Evi Zoupanos: Acid Attack (zReportage) Bangladesh

Mike Brodie: A Period of Juvenile Prosperity (Guardian)

Gert Jochems: S (Agence Vu)

Matthieu Rytz: The Eroding Culture of Kuna Yala (NYT Lens) Panama

Stephen McLaren: Wading into weirdness on the street (NYT Lens)

Benjamin Lowy: The First Signs of Spring in Brooklyn (NYT Magazine)

Chad A. Stevens: West Virginia Mining (CNN photo blog)

David Kasnic: Rattlesnake Roundup: Texas style (CNN photo blog)

Benjamin Bechet: El Hierro (CNN photo blog) An ‘everlasting island’ | Spain

Articles

KCNA / AFP / Getty Images

KCNA / AFP / Getty Images

Detecting North Korea’s doctored photos (AFP Correspondent blog)

North Korea ‘Photoshopped’ marine landings photograph (The Telegraph)

War’s Bricolage (No Caption Needed)

Photographer Sebastião Salgado captures areas of Earth untouched by modern life (Metro)

Ron Haviv’s Bosnian War Images as Evidence in War Trials (NYT Lens)

Sebastian Junger Shoots for the Truth (Outside) Junger’s powerful new documentary about the life of war photographer Tim Hetherington shows us why dedicated journalists are needed now more than ever

HBO documentary on the life and death of conflict photographer Tim Hetherington premieres next month (The Verge)

Inside the War Machine: New Documentary Maps an Epic Photo Career (Wired Rawfile)

Famed photojournalist Robert Capa and the mystery of his “Mexican Suitcase” (Imaging Resource)

Edmund Clark: control order house (FT Magazine)

George Strock / Time Life Pictures / Getty Images

George Strock / Time Life Pictures / Getty Images

Photo That Was Hard to Get Published, but Even Harder to Get (NYT Lens) One of the most significant war photographs in American history is routinely taken for granted.

Syria’s Media War (The Daily Beast)

Fake Somali Pirates Scam Western Journalists (The Daily Beast)

At War with the Obvious: Photographs by William Eggleston (Photo Booth)

William Eggleston’s photographs of eerie Americana – in pictures (Guardian)

War reporting documentary wins prestigious Peabody Award (Star.com)

The girl in the 2011 Afghan bombing photograph (The Independent)

Snaps by Elliott Erwitt – review (Guardian)

Chim: Photography’s forgotten hero (The Jewish Chronicle)

Femen gets kick in the pants (but not on Facebook) (AFP Correspondent blog)

AP opens full news bureau in Myanmar (AP Big Story)

Photojournalists Move To Instagram, From Syria to Sandy (American Photo)

Traditional Photographers Should Be Horrified By The Cover Of Today’s New York Times (Business Insider)

NYT’s front-page Instagram: Maybe not the end of photography (Poynter)

Instagram and the New Era of Paparazzi (NYT)

Hyper-Realistic CGI Is Killing Photographers, Thrilling Product Designers (Wired)

Tim A. Hetherington

Tim A. Hetherington

The Guide: April 2013 Edition (LightBox) TIME LightBox presents a new monthly round-up of the best books, exhibitions and ways to experience photography beyond the web

The month in photography  (The Guardian) New exhibitions and books by William Eggleston, Sebastião Salgado, Kitra Cahana and Pieter Hugo are featured in this month’s guide to the best photography around the world.

Someone I Know (Someoneiknow.net)  Project bringing together some of the best known emerged and emerging photographers from across the globe. The brief for the photographers was to take a portrait of someone they know, no matter how loosely.

The Ethics of Street Photography (Joerg Colberg)

The Age of “Fauxtojournalism” (Chicago Tribune Assignment Chicago blog)

Bobby’s Book: Bruce Davidson’s Photographs of the Brooklyn Gang The Jokers (Photo Booth)

Magnum Photos approaches new audiences in deal with Vice magazine (British Journal of Photography)

MJR – Collection 100 / A history (Vimeo)

Review: Liquid Land by Rena Effendi (Joerg Colberg)

Uncharted Territories: Black Maps by David Maisel (LightBox)

Classical Portraits of Extreme Plastic Surgery (Slate Behold photo blog)

From Desert to City: A Photographer Unveils Forgotten Stars (LightBox)

Paul McDonough : Shooting film on the move (CNN photo blog)

A Look at the Pristine: Walter Niedermayr’s Aspen Series (LightBox)

Orlando Luis Pardo Lazo’s Photos From His Native Cuba (NYT Lens)

Larry Racioppo’s Photos of Good Friday Processions In Brooklyn (NYT Lens)

Gillian Laub : On Passover, Celebrating Life and Ritual in a Jewish Family (Slate Behold photo blog)

McNair Evans: Chasing hope on the railways (CNN photo blog)

Ahn Sehong : Comfort Women in China (NYT Lens)

Henri Huet / AP

Henri Huet / AP

An Expansive Exhibition of War Images at the Annenberg Space in Los Angeles (NYT Lens)

Anatomy of a Successful Grant Application: Joseph Rodriguez on the Audience Engagement Grant (PDN)

Crowd-Sourcing, Part One: Ask And You Shall Receive (NPPA)

The Photographer’s Guide to Copyright (PhotoShelter)

Featured photographer: Paolo Patrizi  (Verve Photo)

Featured photographer: Abbie Trayler-Smith (Firecracker)

Judge Rules William Eggleston Can Clone His Own Work, Rebuffing Angry Collector (Artinfo)

Judge Rules William Eggleston Can Clone His Own Work (Joerg Colberg)

How Joachim Brohm set the world of landscape photography on fire (The Guardian)

Thoughts on the TIME Gay Marriage (or, Gay Sex?) Covers (BagNewsNotes)

Can 20×200 Be Saved? Anger From Collectors Mounts as Leading Art Site Flounders (Artinfo.com)

Henry Groskinsky / Time & Life Pictures / Getty Image

Henry Groskinsky / Time & Life Pictures / Getty Images

The Day MLK Was Assassinated: A Photographer’s Story  (LIFE) On April 4, 1968, LIFE photographer Henry Groskinsky and writer Mike Silva, on assignment in Alabama, learned that Martin Luther King, Jr., had been shot at the Lorraine Motel in Memphis. The two men jumped into their car, raced the 200 miles to the scene of the assassination

Photographer Who Shot Beatles Concert With a Fake Press Pass Sells the Pics for $45K (PetaPixel)

Camera Finds Way Back to Owner After Drifting 6,200 Miles from Hawaii to Taiwan (PetaPixel)

Photographer Accuses Getty of Loaning Images to CafePress Instead of Licensing Them (PetaPixel)

Photographing a Mother’s Descent Into Mental Illness (Mother Jones)

Review: Tales of Tono by Daido Moriyama (Joerg Colberg)

The new war poets: the photographs of Adam Broomberg and Oliver Chanarin (The Telegraph)

LaToya Ruby Frazier Photography at Brooklyn Museum (NYT)

Makoko exhibition opens a window on a Nigerian world (The Guardian)

Distance & Desire: Encounters with the African Archive (Photo Booth)

Rene Burri in colour (BBC)

Helmut Newton Book ‘World Without Men’ Returns (The Daily Beast)

Interviews and Talks

Dominic Nahr / Magnum Photos

Dominic Nahr / Magnum Photos

Dominic Nahr (Leica blog) Recording History for Posterity

Sebastião Salgado (Monocle Radio) Salgado interview starts at 13 minutes into the show

Mike Brodie (Guardian) On his freight train photographs: ‘It’s a romantic life, at least in the spring and summer’

Andrew DeVigal (Wired RawFile blog) Smart Readers Are Too Distracted to Dig Smart Content

Carlos  Javier Ortiz (CBS News) Photographer brings Chicago gun violence into sharp focus | slideshow on CBS News website 

Jenn Ackerman (Slate Behold photo blog) Trapped: The Story of the Mentally Ill in Prison

Farzana Wahidy (NPR) How A Female Photographer Sees Her Afghanistan

Andrea Bruce / The New York Times

Andrea Bruce   / The New York Times

Andrea Bruce (NOOR) My first day in Damascus

Steve McCurry (Vice)

Raghu Rai (Visura Magazine)

Mohamed Abdiwahab (LightBox Tumblr)

Bert Stern (LightBox)  The Original ‘Mad Man’

Duane Michaels (Bomb blog)

Gregory Crewdson (The Telegraph) Gregory Crewdson’s silent movies

Maika Elan (Vietnam News)

Lisa Rose (The Chicago Tribune Assignment Chicago blog) The Goals of PhotoPhilanthropy

Shannon Jensen (The Daily Pennsylvanian) No ‘fancy pictures’, just tell the story

Alice Proujansky (The Guardian) Alice Proujansky’s best photograph – childbirth in the Dominican Republic

Camille Seaman (Piper Mackay Photography)

 Zhe Chen (Le Journal de la Photographie)

Guillem Valle (Leica blog) Transporting The Viewer Through Photographs

Stanley Forman (Boston Globe) Photojournalist Stanley Forman on his new book

Bill Armstrong (Aperture)

Thomas Ruff (Aperture)

Misha Friedman (Dazed Digital)

John Kilar (Dazed Digital)

Daniel Cronin (Dazed Digital)

Awards, Grants, and Competitions

Upcoming Deadlines for Grants, Fellowships Up to $10,000 (PDN)

PROOF : Award for Emerging Photojournalists  : Deadline May 1, 2013

NPPF Scholarship : Deadline April 15, 2013

Lens Culture student photography awards 2013 : Deadline April 15, 2013

72nd Annual Peabody Awards: Complete List of Winners (Peabody)

Best of Photojournalism 2013 Multimedia Winners

Photographic Museum of Humanity 2013 Grant Winners

William Eggleston to receive Outstanding Contribution to Photography award (British Journal of Photography) Also on The Guardian here.

Mikko Takkunen is an associate photo editor at TIME.com.

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Martin Parr


Terry Richardson


Nan Goldin

When we first saw the line up for the new photo show opening tomorrow at the Aperture Foundation Gallery, simply titled Photography, we fell out of our chairs. The show features new (new!) work from William Eggleston, Nan Goldin, Ryan McGinley, Martin Parr, Terry Richardson, and Stephen Shore. You don’t have to be a photo nerd to know that this selection of artists are some of the most important photographers making work today. To have new work by them all in one room is crazy. We decided we had to sit down with Ken Miller, the curator of the show, to figure out how he pulled it off. Turns out it was pretty simple.

VICE: What’s up, Ken? How did this project start?
Ken Miller: It started with a sort of unrelated exhibition of abstract photography that I did in Tokyo about a year and a half ago. That was kind of a weird way for it to begin. It was a show with Sam Falls, Marcelo Gomes, Mariah Robertson, and this Japanese photographer named Taisuke Koyama. Somebody from Fujifilm came by and I guess they liked the show, so they got in touch. They took me out to drinks and showed me these cameras they were coming out with and were like “Do you think you could get photographers to use these?” The cameras were really nice, so I was like, “Yeah probably, it’s a free camera.”

We started putting a list of photographers together. I was initially thinking of people I’d worked with before, who seemed easy to approach. Then I thought, Fuck it. I’ll just ask ambitiously and worst comes to worst, they’ll say no. And amazingly, basically everybody said yes. Of the initial people we asked, only two passed for different reasons. It was remarkably easy.

That’s pretty amazing.
I don’t want to sound like an advertisement for the camera, but it’s a digital SLR that works like the camera you studied in college. It has a lot of manual functions. So, I think there’s a certain nostalgia for a lot of these photographers who think “Oh, this works like a classic point-shoot Nikon” and they were psyched about that. You sort of forget photographers are camera nerds too, so they wanted to try it out.

Continue

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Lost & Found

play this essay

 

Family photos swept by 3/11 East Japan Tsunami

All these pictures were found in a town named Yamamoto-cho, in Miyagi Prefecture. On March 11th, 2011 at 2:26 PM, Yamamoto-cho was hit by a huge earthquake with a magnitude of 9.0, 50% of the town was flooded when the tsunami came after the earthquake hit. The tsunami not only swept the harbor away, but also many houses, cars, trains, as well as people. 614 people died out of the townʼs population of 16,700, 4 are still missing, and 2,209 buildings were completely destroyed, 1,062 buildings half destroyed, and 1,110 buildings were partially destroyed. Yamamoto-cho was a peaceful small town, just like any other in rural Japan.

The project “Salvage Memory” was started by a team of young researchers from The Japan Society for Socio-Information Studies. We are trying to return 130,000 pictures that were damaged by the tsunami to their owners, by sweeping the dirt off, rinsing them with water, and taking pictures of the photographs to create digital data. More than 500 people volunteered for this project, and 1100 photo albums and 1900 photographs were returned to their owners. As of November 2011, the project was still going on and we were using the digital data to find owners of still unclaimed photographs. Unfortunately, about 30,000 photos were too badly damaged and could not be returned. They were supposed to be thrown out, but instead we decided to exhibit them to give people an opportunity to see them in the belief that these photos carry powerful messages. This is how the “Lost and Found Project” began.

The “Lost and Found Project” was first launched to give people the opportunity to see the photographs swept away by the tsunami in the East Japan Earthquake disaster. These photographs draw us into their presence and make us become aware of their silent voices. This awareness is very important for us who are living in the present and will continue to live into the future. This exhibition should give us an opportunity to think about the relationship people have with their photographs and also to think about the significance of photographs themselves.

“Lost and Found Project” was previously shown in Tokyo, Los Angeles, NY, Melbourne, parts of it in San Francisco and now in Rome, with different installations in each location, making each exhibition a unique and personal experience.

~ Sako Shimizu

 

The exhibition

The XI edition of Fotografia – Festival Internazionale di Roma, this year dedicated to the theme of work, shows  the project “Lost & Found 3/11″, supported by Doozo Gallery , who has set up a structure for the MACRO Testaccio in Rome.

For the occasion, the gallery in collaboration with 3/3 have produced a small volume, which pieces together an ideal family album, symbol of the deep link between personal and collective memory that enters the work of recovery and conservation of photographs.

Project President and vice-Chairman: Munemasa Takahashi e Kazuto Hoshi.

With the patronage of the The Japan Cultural Insttute in Rome.

Responsible for the project in Italy: Annalisa D’Angelo, Stefano Ruffa and 3/3.

 

Editor’s note

Photographers want to tell stories. Sometimes stories demand attention through the images. And usually, what is depicted inside the frame, is somehow related to the story told. But in these images there is no relation between them whatsoever, because the images were made for a completely different reason and tell stories unrelated. The story they tell happened outside them. There is nothing sad in these pictures besides the fact that we can see them, NOT being part of a family album anymore.

As Burn magazine we look at this project with big admiration and respect for the work done by the ones who decided to save and present these images. In its dramatic beauty this project is an extraordinary homage to life,  full of meanings for identity of photography.

~ Diego Orlando

 

Related links

Lost & Found

 

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Name- Meral Güler
Age-  A girl never tells…
Where are you from?- London, England. I currently live in Los Angeles, USA
Your equipment- My Leica M6 was recently stolen from me In London. For now, I use a borrowed 35 but I have always wanted to shoot a series with a Mamiya 6. Can anyone lend me one?
Influences and photographers you like:- I am influenced by literature and films from the fifties and sixties. I am captivated by the works of Mark Cohen, William Eggleston, Lee Friedlander, Anna Fox, Chris Killip, Saul Leiter, Fernando Maquiera and Pascal Felloneau.
A little about you- I see myself as a visual storyteller, capturing the narrative and irony of everyday life around me. I made Documentaries Features in England and have been photographer since 2009.

Flickr page
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ALL PHOTOS BY MERAL GÜLER

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Apologies for no updates in nearly three weeks…just been busy with own work… But here we go again. Loads to share…

Features and Essays

Brilliant…Full edit of Gene Smith’s classic ‘Country Doctor’ online for the first time on LIFE.com….

Eugene Smith: Country Doctor (Life.com)

Finally received the first issue of my annual National Geographic Magazine subscription..Bought annual deal in NatGeo’s Regent Street store in London in August…Found out in December my activation hadn’t gone through, and then told should start receiving issues from January….Got on my nerves…Five months wait… oh well… Glad to finally being able to enjoy print issues on regular basis…From the February 2012 issue….

Amy Toensing: Papua New Guinea’s Cave People (NGM)

Gerd Ludwig: Astana, Kazakhstan (NGM)

This week’s Time International cover story…Christopher Morris has been back to the White House…

Christopher Morris: Inside Barack Obama’s World (Lightbox)

Republican primaries…

Two series by Charles Ommanney for Newsweek…

Charles Ommanney: South Carolina Trail (Newsweek)

Charles Ommanney: The Granite State Weighs In (Newsweek)

Chris Morris from New Hampshire for TIME…

Christopher Morris: New Hampshire Primary (Lightbox)

Brooks Kraft: Running Romney (Photo Booth)

Mark Makela: How to Run for President (zReportage)

One year since the Egypt revolution…Ed Ou video and slideshow on NYT

Ed Ou and Ben Solomon: Reflections on an Unfinished Revolution (NYT) video

Ed Ou: Youth in Egypt (NYT Lens)

Ed Ou: The Ongoing Revolution (Photographer’s website)

Denix Dailleux: Egyptian Artists (Newsweek)

Nice series by Adam Dean…

Adam Dean: Kachin Come Under Siege in Myanmar (NYT)

Erika Larsen’s beautiful Sami work on NYT Lens…

Erika Larsen: Sami People (NYT Lens)

Alejandro Chaskielberg:  Horn of Africa (BBC)

Eunice Adorno: The Flower Girls: Mennonites in Mexico (Lightbox)

Ed Kashi: Turkey (VII)

Nikos Economopoulos: India in Colour (Magnum)

Ron Haviv: The Devastating Costs of the Amazon Gold Rush (Smithsonian)

Glenna Gordon: Living with the Past in Liberia (Lightbox)

Greg Girard: Lifestyle on U.S. Military Bases (NYT Lens)

Rina Castelnuovo: In Israel, a Clash Between the Secular and Ultra-Orthodox  (NYT)

Steve Shelton: Sudan’s Secession Crisis (zReportage)

Richard Tsong Taatarii: Baby Buddha (zReportage)

Mimi Chakarova: Sold for Sex in Eastern Europe (CNN Photo blog)

Luigi Baldelli: Afghanistan (Corriere.it)

Leon Borensztein: American Portraits (Lightbox)

Sean Gallagher: The Smog That Ate Beijing (Foreign Policy)

Louise Serpa: Sweetheart of the Rodeo (NYT Lens)

Brian Cassey: Hong Kong’s Poor Living in Cages (CNN Photo blog)

Leonard Freed: Behind New York City’s ‘Police Work’ (Lightbox)

Jeff Harris: 4,748 Self-Portraits and Counting (Lightbox)

Giuliano Camarda: Jahalin Bedouins in East Jerusalem (Photographer’s website)

Åsa Sjöström: Turkana Draught (Moment Agency)

Ragnar Axelsson: Greenland (Polka)

Joel Sternfeld:  First Pictures (Photo Booth)

Kalpesh Lathigra: From the Film Set of ‘Coriolanus’ (Photobooth)

Jessica Ingram: Following the Trail of Civil Rights (NYT Lens)

Joseph Szabo: Coming of Age in America (Lightbox)

Davide Monteleone: Red Thistle (VII)

NPR photographer David Gilkey has been discovering Russia by rail…

David Gilkey: Russia By Rail (NPR)

Larry Racioppo: New York Housing Pictures (NYT Lens)

Peter Mcdiarmid: Year in Pictures 2011 (Photographer’s Vimeo)

Kieran Dodds: The Scottish Highland Games (The Atlantic)

Lee Jeffries: Homeless (Guardian)

Interviews

Chris Johns, Editor, National Geographic Magazine (burn Magazine)

Patti Smith (BBC)

Steve McCurry on fall of Kodak (BBC)

Alejandro Chaskielberg (BBC)

Adam Dean (Digital Photo Pro)

Luca Sage (Sojournposse)

Guy Martin (BBC) Starts at around 17 mins.

Toni Greaves : Radical Love, The Promise (BJP)

Jason Larkin : Cairo Divided (BJP)

Joel Sartore (NPR)

Heidi Levine on working in Libya (laurenmwolfe.com)

Chris Floyd (Hungry Eye Mag Vimeo)

Maggie Steber (NPR)

Ron Haviv (TV4.se)

Jim Wilson (NYT Lens)

Umit Bektas, Reuters photographer ,  reflects on the essence of war (MSNBC)

Rineke Dijkstra (PDN)

Shelby Lee Adams : An Ode to Appalachia (PDN)

Christopher Manson (NYT Lens)

Errol Morris : ‘We’ve forgotten that photographs are connected to the physical world’ (Guardian)

Sebastian Liste (GUP Magazine)

John McDermott (PDN)

Antonio Faccilongo (KL Photoawards)

Sean Gallagher (Asiasociety.org)

Articles

photo: William Eggleston

Guardian: The Month in Photography |The Observer New Review’s monthly guide to the 20 best photographic exhibitions and books, featuring Pieter Hugo, Eve Arnold, William Eggleston, Don McCullin and Annie Leibovitz|

photo: Simon Roberts

FT: A New Beginning(FT Magazine) | “After the disasters of the past year, we asked photographers to look at the people and places putting themselves back together again in 2012″ |Toshiki Senoue,  Davide Monteleone, John Davies, Jim Dow, Antoine Doyen,  Massimo Vitali, Simon Roberts, Laura Pannack,  Michael Collins, and Marcus Bleasdale

NYT: Blame Photoshop, Not Diabetes, for This Amputation

Radu Sigheti: The Problem with Prizes (Reuters photo blog)

BBC News: Syria unrest: French journalist Gilles Jacquier killed

World Press Photo: Preparing for Judging

David Burnett: Talent Added: Photojournalism

Ed Kashi: 3 Qualities of a photojournalist

Little Brown Mushroom blog: On Marrying a Photographer

AP: AP opens full news bureau in North Korea

Guardian: Why newspapers are closing the shutters on staff photographers

Guardian: Is photography the most influential medium for environmental awareness?

Guardian: Decisive moment? Smartphones steal focus from point-and-shoot cameras

Congratulations to Danfung Dennis for being nominated for an Oscar for Hell and Back Again…

Oscar.go.com: Documentary Feature Nominee: Hell and Back Again

Aidan Sullivan to Replace David Friend as World Press Photo Jury Chair (Reportage Tumblr)

Wayne Ford: The Suffering of Light: Thirty Years of Photographs’ by Magnum Photographer Alex Webb

David Gonzalez: Life — and Kodak — Remembered (NYT Lens)

Ben Roberts: Exposure Don’t Buy You Shit! (Photographer’s blog)

Poynter: Washington Post raises eyebrows, questions with ‘composite’ photo on front page

NYT Lens: The Radical Camera: New York’s Photo League

NYT Lens: William Gedney’s View of Myrtle Avenue

NYT Lens: Parting Glance: Eve Arnold 

Sean O’Hagan writes on Eve Arnold’s touching photograph of a bar girl in Havana…

Guardian: The big picture: Bar Girl in a Brothel in the Red Light District, Havana, 1954

Guardian: Happy birthday, Firecracker: the site for female photographers | In an industry still dominated by men, Firecracker promotes and supports women working in photography

NYT: After an Arrest, Civil Rights Questions

CNN: CNN Digital Names Simon Barnett As Photography Director 

Guardian: Leo Maguire’s Best Shot

BJP: Christopher Anderson signs with New York Magazine

BJP: AFP v. Morel: Both parties moving for summary judgment

BJP: Photographer Lauren Greenfield sued for defamation

BJP: How are the Tate, V&A and National Media Museum investing in photography?

BJP: London Underground apologises for DSLR ban blunder

photo: Chris Hondros

Foreign Policy: Photos that mattered in 2011

NYT Mag 6th floor blog: Entering Weegee’s World

DuckRabbit: Cameras, communication and the intimacy of a moment.

David Campbell: Thinking Images v.25: Iran as perpetual enemy

Miniature helicopter in new use…

NGM: Field Test: Serengeti Lions

Comments on crowdfunding…

Joerg Colberg: Crowdfunding is not a cash cow (Conscientious)

Pete Brook: The Etiquette of Crowdfunding (Prison Photography)

Verve: Birthe Piontek

Verve: Kevin Kunishi

Verve: Dimitri Stefanov

Verve: Tomasz Lazar

How to make a Magnum in Motion-style essay

7 Tips for HD Color Correction and DSLR Color Correction

A Few Thoughts on Filenames…

multiMedia

photo: Joachim Ladefoged

Once Magazine Issue 4 is for sale in the App store

The cover story is by Joachim Ladefoged… If you don’t have an iPad and thus no access to Once Magazine, you can view Ladefoged’s terrific 2003 Newfoundland series on his agency VII’s website here.

British Journal of Photography – iPad App

Crowd funding

‘McCullin’ – Feature Documentary (indiegogo)

Exhibitions

The Last Days of Mubarak : Photos by Guy Martin and Ivor Prickett : Host Gallery : London : 9 February – 10 March 2012

Peter diCampo: Life Without Lights : 6 -12 February 2012 11am – 6pm at The Strand Gallery : London

Nobel Peace Center to present Hetherington, Addario exhibition

Awards, Grants, and Competitions

Leica Oskar Barnack Award

Center International Awards

Lumix Festival for Young Photojournalism 

Renaissaince Photography Prize Calling for Entries

Hillmann Prize nominations

Photobook Dummy Award 2012

Useful site for grants and awards etc. …The Curator Ship

PDN Photo Annual : Deadline: 25 January

Hasselblad’s Masters Award winners announced

Events

UK Premiere: Under Fire: Journalists in Combat, February  8 :  7pm :  Frontline club : London

Sneak preview of the above on YouTube here

powerHouse Portfolio Review : NYC

PhotoFest : Mexico

Agencies

Magnum Photos January 2012 Newsletter

VII Photo Newsletter January 2012

BJP: VII Photo appoints new director of business development

Jobs

UPI : senior staff photographer in LA

Summer internship on NPR’s Social Media Desk

Photographers

Simon Roberts has updated his website….

Simon Roberts

Kalpesh Lathigra

Fritz Hoffman

Monique Jaques

Giuliano Camarda

Jonathan May

Rhea Karam

Equipment

CPN: Gary Knight introduces the new Canon G1X

BJP: Fujifilm goes back to its professional roots, releases the X-Pro 1

To finish off… Fotoshop by Adobe

and Texting While Walking

and This is Brighton

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Features and Essays

Some interesting features from the upcoming National Geographic Magazine’s December issue…

David Guttenfelder: Japan’s Nuclear Refugees (NGM)

photo: Chia Ming Chien

Various photographers: The City Solution (NGM)

Jim Richardson: King James Bible (NGM)

A lot of people raving about this last week online…

Seamus Murphy: A Darkness Visible | Afghanistan (MediaStorm)

Beautiful photos by Getty’s Daniel Berehulak from the Sonepur Mela fair in India…

Daniel Berehulak: The Sonepur Mela (TIME) India

This week’s TIME US edition cover story…

Peter van Agtmael: An Army Apart (Lightbox)

I wished I had received the  US edition as opposed to Time Europe with Platon’s smirking Berlusconi…

Noticed van Agtmael’s cover is a crop of one of the frames seen in the Ligthbox slideshow…

Magnum photographers: Paris in Winter (Newsweek)

Adam Dean has the cover of Newsweek International this week with a portrait of Ai Weiwei…slideshow on the magazine’s website…

Adam Dean : Ai Weiwei (Newsweek)

Nicolas Righetti: Syria: Posters of Bashar al-Assad (Newsweek)

Ed Ou: Syrian Refugees in Turkey (NYT)

Ed Ou: Somali-Kenyan Border (Polka) multimedia

Andrea Bruce: Leaving Camp Victory in Baghdad (NYT)

Definitely worth checking out…This year’s Joop Swart Masterclass participants’ projects…

2011 Joop Swart Masterclass galleries (World Press Photo)

Sanjit Das: The End of Splendid Isolation? (Panos) Bhutan

Ivor Prickett:  Free Libya (Panos)

Zed Nelson: South Sudan (Guardian)

From VII…

Adam Ferguson: Looking Home, At War (VII) Same in VII Magazine

Jocelyn Bain Hogg: The Family (VII)

Ed Kashi: America’s Uninsured (VII)

Ed Kashi: Ze Peixe: A Life at Sea VII)

Sim Chi Yin: China’s Rat Tribe (VII)

Donna Ferrato: Domestic Abuse (NYT Lens) Ferrato’s website

Alessandra Sanguinetti: The Sixth Day (Photo Booth)

Peter Hapak: The Art of War: Honoring the Fallen for a Lifetime (Lightbox) Hapak’s website

Chantal Heijnen: Bronxites (NYT Lens)  Heijnen’s website

August Bradley: Portraits of 99 from Occupy Wall Street (NYT Lens) Bradley’s project’s website

Brian David Steven:  War veterans (BBC)

Adam Amengual: Leaving the Life: Portraits of Former Gang Members (Lightbox)

Fredrik Naumann: Return to Utøya (Panos)

Mario Tama: Nascar (CNN photo blog)

Jesse Burke: Deer Stands (Lightbox)

Tiana Markova-Gold: Prostitution in Morocco (Lightbox) Markova-Gold’s website

Martina Bagicalupo: One woman’s story of surviving 20 years of conflict in Uganda (MSNBC)

Paolo Woods: The Land of Prophets (Institute)

Shelby Lee Adams: Of Kentucky (NYT)

Danny Wilcox Frazier: South Dakota’s Badlands (MSNBC)

Matt Eich: Hunting Alligators in Louisiana (MSNBC)

Abbas: Kolkata (Magnum)

Greg Brown: Aerial Photos of Ground Zero (NYT Lens)

Kim Badawi: Gaza Stripper (Stern) You can see the full set at Reportage site

Patrick Farrell: Haitian Black Gold (ZReportage)

Narciso Contreras: Little Burma (ZReportage)

Ali Arkady: The Day Labourers in Northern Iraq (Foto8)

Wendy Marijnissen: Because I’m a Girl : Rape in Pakistan (Photographer’s Vimeo)

Misha Friedman: An Invisible Epidemic (PDN Photo of the Day)

Interviews and Talks

Christopher Anderson at the 2011 World Press Photo Masterclass (World Press Photo)

Sebastiao Salgado (CPN)

David Guttenfelder : Outside the Frame: Rare chance to see inside Fukushima (MSNBC)  Related by Guttenfelder: Inside Fukushima (Guardian) | AP photographer Guttenfelder’s website

Don McCullin on Social Documentary Photography (Vimeo)

Ben Lowy (Photo Booth)

Ed Kashi : What is Photojournalism (Kashi blog)

Andrew Hetherington:  The day I photographed the great Joe Frazier (WTJ?)

Huge congratulations to Antonio Bolfo for becoming fully represented Getty Reportage photographer last week!

Antonio Bolfo : Attending Joop Swart Masterclass (Getty Reportage Tumblr)

Susan Seubert (Youtube)

Martina Bagicalupo (MSNBC)

KC Ortiz (Juxtapoz)

Kate Peters (The SIP)

Tessa Bunney (e-photoreview)

Articles

The month in photography…

photo: George Georgiou

Guardian: The Month in Photography  | The Observer New Review’s monthly guide to the 20 best photographic exhibitions and books, featuring Josef Koudelka, Diane Arbus, Bruce Davidson, Helmut Newton, Terry Richardson and Walker Evans.

photo: Chris Hondros

Peter Beaumont: Reporting Libya: freelance coverage, full-time dangers (Guardian)

Clare Morgana Gillis: What I Lost in Libya (The Atlantic)

The Atlantic:  ’Under Fire’: a new documentary shows that war is hell for journalists

David Campbell: The elusive enemy: Looking back at the “war on terror’s” visual culture

BagNewsNotes: Tents: The Overarching Symbol of Occupy (BNN)

The Atlantic: CNN Photojournalists Lose Jobs to Cheaper, Better Cameras

photo: William Eggleston

Guardian: Paris Photo 2011 – in pictures

Lightbox: Paris Photo 2011 Spotlights Sub-Saharan Africa

BJP: New festival to offer grants to photographers

WSJ: How an Image Becomes an Icon

Taylor Wessing Photographic Portrait Prize winner annouced and exhibition opened….

BJP: Taylor Wessing winner

photo: Jooney Woodward

Guardian: Taylor Wessing portrait prize: another animal, another girl with red hair | Was Jooney Woodward’s shot of a red-head holding a guinea pig really the best of the 6,000 entries? And what makes her think it’s an ‘unsettling’ work

Evening Standard: Taylor Wessing exhibition review

photos: Pete Marlow

Telegraph: Magnum Contact Sheets book reviewed

BBC: Magnum Contact Sheets

Lightbox: The Singular Approach: Chien-Chi Chang’s Contact Sheet Chronicle

BBC: Andreas Gursky’s Rhein II sets photo record

PDN: Gursky’s Print Goes for $4.5 Million, Observers Say: Huh?   | Related: Nick Turpin blog: Value Added?

Joerg Colberg: How much are photographs worth?

PDN: Ad Banned in UK for Showing Super Skinny Model

Guardian: Photographer David Trood’s Best Shot 

Verve: Corentin Fohlen

Verve: Beth Yarnelle Edwards 

BJP: The alleged murderer of photojournalist Trent Keegan has been acquitted because of a lack of evidence

Chicago Tribune: iPad Apps for Photojournalists – Tuesday Tips

multiMedia, Apps, and Publications


Foto8 back issues on Issuu

The Condition One App : Features in NYT Lens | Lightbox | BJP

Jason Larkin has transformed his project Cairo Divided into a free 32 page newsprint publication…I picked up a copy from Jason himself last week at the World Press Photo exhibition opening here in London…do go order one…

Cairo Divided : Project website

Between Land : Project website

Awards, Grants, Competitions, and Exhibition opportunities

Magenta Flash Forward 2012 submissions open

The Street Photography Awards 2012

International Festival of Photojournalism calling for entries

Brad Vest Named College Photographer Of The Year (NPPA)

Wine Photo winners

PhotoPhilanthropy – Student Grant Round 5 

An opportunity for young Asian photographers…

Scholarship for Diploma in Photojournalism run by the Konrad Adenauer Asian Center for Journalism at the Ateneo de Manila University (ACFJ) : The deadline is on Friday, 10 February 2012.

One Shot: The City – Intl Photo Awards

Crowdfunding, Initiatives, and Causes

Fancy Alec Soth taking your portrait? You do need deep pockets, mind…

eBay - An opportunity to purchase a portrait session with Alec Soth : Proceeds go to a charitable cause

PhotoVoice Auction 2011 Preview Exhibition  : A preview exhibition of prints in the PhotoVoice Auction of Exceptional Photographs 2011  : Monday 14th – Friday 18th Nov :  11am-6pm, late night Thursday to 7.30pm  Venue: La Galleria Pall Mall, 30 Royal Opera Arcade, London, SW1Y 4UY v

Events and Exhibitions

A Photo says 1000 Words? The Ethics of Photojournalism : 23 November 2011 : Southbank Centre : London

BJP  Vision11 

A Desperate Journey by Antonio Olmos : Jersey Arts Centre : Mon 14 Nov 2011 to Sat 26 Nov 2011 | more info

Workshops and Education

Foundry Photojournalism Workshop 2012 : Thailand : July 29 – August 4 :  Info: Eric Beecroft, the co-founder of the Foundry Photojournalism Workshops, has just announced that it was ready to accept early registrations ($100 deposit, non refundable, and deducted from the total tuition amount) until January 15, 2012. Early registration guarantees a spot and precedence in the choice of instructor.  The 2012 Foundry Photojournalism Workshop will be held in North Thailand from July 29- August 4, 2012.   For regional students (South Asia– India, Pakistan, Nepal, Sri Lanka, Tibet and South East Asia-Thailand, Burma, Vietnam, Phillippines, Laos, Cambodia,Indonesia, Malaysia) the tuition is $475. For all others it is $975 US dollars. Payment is via Paypal.

MA program in Photojournalism at the Mid-Sweden University : Starts 2012

Agencies and Collectives

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Photographers

Christina Fallara

Eric Michael Johnson

To finish off… This week’s stunning video… earth seen from above

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