Skip navigation
Help

WILLIAM REAGH WOLFGANG TILLMANS YASUHIRO

warning: Creating default object from empty value in /var/www/vhosts/sayforward.com/subdomains/recorder/httpdocs/modules/taxonomy/taxonomy.pages.inc on line 33.

The Spectre of Theater

By Tricia Lawless Murray

Masochism is itself an aesthetic formation. The only place where its contradictions and impossibilities can be reconciled is that specific zone that modern aesthetic philosophy, from Kant to Lyotard, has identified as the sublime, that unique and illogical experience that carries with it both pleasure and pain.
—Nick Mansfield

Victor Cobo

0
Your rating: None

Prostitute at angle of Rue de la Reynie and Rue Quincampoix, 1933

Brassai with Tony Ray-Jones, Creative Camera, April, 1970

Tony Ray-Jones: How did you start your life?

Brassai: I was born in Transylvania in 1899. My father was a teacher of French literature. He lived in Paris and loved it and studied at the Sorbonne. When I was five my father brought me and my family to Paris for a year. I

0
Your rating: None

From Kids, Larry Clark

The Matter with Kids Today: Kids and Raised by Wolves

By Eric Margolis, Humanity & Society, Volume 20, Number 2, May 1996

You have seen their faces. In the core of every American city young kids wander the streets getting stoned, spare changing, fighting, scratching, and hanging out. They wear tribal badges: tattoos, camo clothes and skin heads,skateboards and phat pants

0
Your rating: None

Untitled (man with arms around two women), 1950-60'sLee Balterman's ChicagoBy Paul Berlanga, Director, Stephen Daiter GalleryLee Balterman has romanced the city of Chicago with his camera for six decades and shows no sign of falling out of love. A couple of weeks ago I mentioned to Lee that my partner and I had managed to grab a last lunch at the legendary Berghoff restaurant without standing

0
Your rating: None

Zoniers, Porte de Choisy, 1913By Stephen Longmire, Afterimage, May 2001It has been 20 years, amazingly enough, since New York City's Museum of Modern Art (MoMA) launched its landmark cycle of exhibitions of the work of French photographer Eugene Atget (1857-1927), who spent his last 30 years documenting the architectural record of Paris and its surroundings at the beginning of the last century.

0
Your rating: None

Roppongi Hills 2, 2005Adrift in the city of superflatBy Marc Feustel, Originally published in FOAM Magazine, brought to ASX by FOAMDuring the extraordinarily turbulent and dynamic post-war period , Tokyo became a great photographic city: a city with a distinctive, immediately recognizable photographic aesthetic. Just as Paris’s visual identity became intrinsically linked to the humanist

0
Your rating: None