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Having recently graduated from her MA at London College of Communicatons, photographer Bronia Stewart’s first exhibition as part of Fresh Faced and Wild Eyed at The Photographers’ Gallery documents the nine months she spent shooting adult television channel and phone sex-line workers at London-based Babestation.

Her images might be NSFW, but don’t mistake the nudity in them for grubby, voyeuristic lust; themes of aspiration and ambition underpin Bronia’s photography, as she focuses on the positive and sociable atmosphere behind the scenes in the studio. She somehow manages to portray the relationships between the women and the producers they work with as affectionate, playful and very much unthreatening, while simultaneously nudging her viewer into a debate about how the media encourages the sexualisation of women, in order to get ahead in a male-dominated work environment. A very brilliant first instalment indeed.

Fresh Faced and Wild Eyed runs at The Photographers’ Gallery until July 21

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It was a late night in May. Renderman, the computer hacker notorious for discovering that outdated air traffic control software could be used to reroute planes mid-flight, was feeling shitty. The stress of digging himself out of debt he’d accumulated during years of underemployment was compounded by the feeling of being trapped in a job he hated. He was forgetful and couldn’t focus on anything. “Depression has sapped my motivation and lust for life,” he later wrote. “I can't remember the last time I worked on a project ... it's like I'm a ghost in my own life. Just existing but with no form ... I’m most definitely not myself.”

Feeling slightly buzzed after a few beers, he decided to speak out. “My name is Renderman and I suffer from depression,” he tweeted.

Within minutes, other hackers started responding.

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Johnny Chung Lee

A little less than than a year ago, I transfered to a new group within Motorola called Advanced Technology and Projects (ATAP) which was setup after the Google acquisition of Motorola last year (yes, Google owns Motorola now).

The person hired to run this new group is Regina Dugan, who was previously the director of the Defense Advanced Research and Projects Agency (DARPA). This is the same organization that funded projects such as ARPANET, the DARPA Grand Challenge, Mother of All Demos, Big Dog, CALO (which evolved into Apple's Siri), Exoskeletons, and Hypersonic Vehicles that could reach any point on earth in 60 minutes.

It's a place with big ideas powered by big science.

The philosophy behind Motorola ATAP is to create an organization with the same level of appetite for technology advancement as DARPA, but with a consumer focus. It is a pretty interesting place to be.

One of the ways DARPA was capable of having such a impressive portfolio of projects is because they work heavily with outside research organizations in both industry and academia.  If you talk to a university professor or graduate student in engineering, there is a very good chance their department has a DARPA funded project.  However, when companies want to work with universities, it has always been notoriously difficult to get through the paperwork of putting research collaborations in place due to long legal discussions over IP ownership and commercialization terms lasting several months.

To address this issue head on, ATAP created a Multi-University Research Agreement (MURA). A single document that every university partner could sign to accelerate the collaboration between ATAP and research institutions, reducing the time to engage academic research partners from several months to a couple weeks. The agreement has been signed by Motorola, California Institute of Technology, Carnegie Mellon University, Harvard University, University of Illinois at Urbana-Champaign, Massachusetts Institute of Technology, Stanford University, Texas A&M University, and Virginia Tech.  As we engage more research partners, their signatures will be added to the same document.

"The multi-university agreement is really the first of its kind," said Kaigham J. Gabriel, vice president and deputy director of ATAP. "Such an agreement has the potential to be a national model for how companies and universities work together to speed innovation and US competitiveness, while staying true to their individual missions and cultures."

This may seem a little dry.  But to me, what it means is that I can approach some of the smartest people in the country and ask, "do you want to build the future together?" and all they have to say is, "yes."

Let's do it.

Full press release here.

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burn magazine

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Valentina Quintano

In The Absence Of Things

play this essay


Murmansk (Russia)

The project ‘In The Absence Of Things’ explores life in darkness and the difficulties of true communication between people.

Every year the city of Murmansk (because of its arctic latitude) descends into darkness for forty days; the sun doesn’t even rise above the horizon. These are the ‘Polar Nights’.

This is not a project about Russia, it is a project about being human… and yet the fact that it was shot in Russia does matter.

It was born from an urge to explore darkness. Both the inner human darkness that sits inside each of us in different forms and shapes and moments, and the ‘real’ darkness; the absence of light, the obscurity, the experience of living in a place which is (almost) completely dark for some part of the year.

Early into the project I understood that what really mattered was how the darkness felt, how it slipped under the skin.
There is no story, it is the tale of a feeling because emotions are the unifying element of human kind. They create a bridge over the incommunicability, they allow us to overcome barriers.

The project may seem obscure and schizophrenic in the way images of interiors clash with landscapes, but this reflects the way the people are disconnected from the places, yet also part of them. The anonymity of the subjects and their facelessness was not at first a conscious choice, it happened.

The fragmentary structure of images and text reflects the nature of human existence – we all perceive the world in different ways and because of this, sometimes struggle to communicate our experience, which is influenced by our personal history, our language, our mood, our current context, as well as those of the receiver. Because of the infinite complexity that results from these myriads of factors, our communication is always a continuous process of translations. The lack of a point is somehow the point.

The 2nd part of the project will concentrate on the opposite phenomenon of ‘White Nights’.



Valentina Quintano (b. 1982 in Napoli, Italy), is a photographer who has worked in photojournalism since 2007.

Her work has been featured in some printed and online magazines and newpapers, in three books and in a few joint exhibitions. She has been commended for the Ian Parry Scholarship in 2011 and was among the nominees for the Joop Swart Masterclass 2011.

After having been self-thought and having learnt through assisting, she studied photojournalism in 2009 at the Danish School of Media and Journalism in Rhus, and graduated with a distinction from the MA in Photojournalism and Documentary Photography at London College of Communication in December 2010.

She has been working on personal reportage projects since 2007, as well as on commissioned works.


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(author unknown)

The National Geographic Traveler Magazine photo contest, now in its 25th year, has begun. There is still plenty of time to enter. The entry deadline is Sunday, June 30, at 11:59 p.m. Entrants may submit their photographs in any or all of the four categories: Travel Portraits, Outdoor Scenes, Sense of Place and Spontaneous Moments. The magazine's photo editors showcase their favorite entries each week in galleries. You can also vote for your favorites. "The pictures increasingly reflect a more sophisticated way of seeing and interpreting the world, making the judging process more difficult," says Keith Bellows, magazine editor in chief. (The captions are written by the entrants, some slightly edited for readability.) As always, you can take a look at some of last year's entries and winners.. -- Paula Nelson ( 40 photos total)
OUTDOOR SCENES - Portrait of an Eastern Screech Owl - Masters of disguise. The Eastern Screech Owl is seen here doing what they do best. You better have a sharp eye to spot these little birds of prey. Okeefenokee Swamp, Georgia, USA. (Photo and caption by Graham McGeorge/National Geographic Traveler Photo Contest)     

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The Science of Stereotypes?: Keith Jason at TEDxEMU

In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TED...

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