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 Katsuhiro Otomo's Gengaten

The man behind the seminal work in Japanimation is back with a 3,000-piece exhibition of original artwork, a new short film, and plans for a new manga series.

In Japan, manga and anime are seemingly everywhere and all-encompassing — something grown men and women indulge in without a second thought. At 3331 Arts Chiyoda, a former junior high school turned art gallery near Akihabara Station, the man who defined these artforms for a generation of readers and viewers is front and center. Katsuhiro Otomo, the mind and hands behind Akira, is posing for photos with giggling, excited visitors. Otomo is here to unveil his Gengaten — an exhibition of 3,000 of the pieces he's produced over his 39 years as an illustrator; among them are the...

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Shingo Kobayashi remembers what happened on March 11 of last year all too well. “It was the day our center was destroyed,” he says, resting his long fingers on a table at Minori-kai, a facility for the disabled in Natori, Japan. “It’s not there anymore.” He would be happy to talk about it but—he turns his wrist to show the face of his watch—it’s already a minute past 3:00 pm. And that’s when he leaves. Everyday. No matter what.

At Minori-kai, everyone’s day revolves around routine. And until 2:46 pm, March 11 was no exception. This center on Japan’s northeast coast, dedicated to the care of mentally and physically disabled members of the city, was established in 1984 as a support group for parents, but quickly evolved into the only option to help families care for adults with severe disabilities. Last March, four of Minori-kai’s five facilities, which serve 120 individuals, were destroyed, including a state-of-the-art center that the social welfare group had recently scraped together nearly $4 million to build.

At 2:46 pm, the staff and members of Minori-kai were having afternoon tea in the new center when a violent shaking rocked the building.“Everyone panicked,” recalls Akira Kasai, Minori-kai’s director. A staff member was able to check the news on his mobile phone and saw that there was a tsunami alert. As the center was less than a kilometer away from the sea, the staff made the immediate—and lifesaving—decision to pack everyone into the center’s buses and leave. “We threw away people’s wheelchairs and were carrying people to the buses,” recalls Kasai. As their caravan of buses raced inland toward the city hall, the members were quiet. “Nobody knew what was coming,” he says.

What was coming destroyed the huge swath of Natori that is still barren today. The debris of thousands of homes and businesses is heaped in massive piles on the water’s edge; the building where Minori-kai once stood is an empty dirt lot. Five members, including Kobayashi, lost their entire families. “It took a long time to confirm that their families had died,” says Suzuki. “It took even more time for them to understand. They slowly started to grasp that their family was gone.”

Without a live-in group home in Natori, all of the members whose caretakers died have had to leave town for facilities that could take them. Kobayashi was one of them. His mother, who was his sole guardian and who Suzuki says he rushed home to see at 3:00 pm each day, was killed in the tsunami. Suddenly, he was living with strangers for the first time in his life. Suzuki says it was not an easy transition. During a lunch break at an industrial waste recycling plant in Natori where he works during the day, Kobayashi polishes off his bento lunch and sits for a few minutes before going back on the clock. When asked about living at the group home, his eyes get red and he stares out the window over a steaming cup of miso. “Now, I like it,” he says. Tears let loose and track down his cheeks. “Now, I like it.”

Before the tsunami, Minori-kai had appealed to the city of Natori to put more money into welfare services for the disabled citizens like Kobayashi in the city. His mother knew she was getting older, and she and other parents had been increasingly anxious about what would happen to their children in the future. What was lost that day on March 11 was not only Minori-kai’s building. It was also their effort to reform this conservative town’s attitude toward the disabled. “The tsunami revealed the vulnerability of these people,” says Suzuki. “It revealed the necessity to take care of them.”

Rebuilding the facility will be the first step. For now, the day care for Minori-kai’s most disabled members is running out of an old veterinary hospital. On a Monday morning in late February, members arrive in the morning in a bluster, taking off their shoes in the entry hall and charging into the main activity room. Once inside, they visibly relax. Everyone finds their favorite spot—a chair at the table, a spot on the couch with the keyboard playing a bossanova track—and the day begins. It’s working, says Suzuki, but the space is not big enough. There is not enough room for the members to get outside and exercise and do sports, and no beds for them to rest during the day. “It’s a closed space,” she says. “Tension between the members is growing. They are louder and angrier than they were before.”

To rebuild a new facility, Minori-kai not only needs another $4 million—it needs land. But with everybody moving away from the coastal neighborhoods, inland plots are going for a premium that Minori-kai can’t afford. “Until we find the land, the city won’t approve the funding for the project,” says Suzuki. The organization has received some individual donations since the tsunami, and still gets about $85 per day for each patient from the national government. But all of this funding is only going to keeping up daily activities in the temporary facility, not toward building a new place that suits the needs of the members. “One year later, we’ve just started discussing the plan with the city government,” says Kasai. “In reality, these people don’t have any place to go if we aren’t doing this.”

Minori-kai is located at Miyagi prefecture, Natori City, Masuda. The organization accepts PayPal donations to la-minorikai@io.ocn.ne.jp and can be contacted by mail at Minori-kai / Miyagi-prefecture, Natori City , Masuda 5-3-12 / Japan 981-1224 / Attn: Mrs. H. Suzuki.

James Nachtwey is a TIME contract photographer. Follow him on Facebook here.

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Mourning the loss of almost 20,000 people gripped Japan yesterday on the anniversary of the March 11, 2011 earthquake, tsunami and nuclear disaster. While the nation has made enormous strides recovering from the triple disaster, yesterday was was a time for remembrance. But the country is rebuilding even as it still suffers the loss of lives and the economic effects of an estimated $210 billion price tag - the costliest natural disaster in human history. Gathered here are images from memorial services, the rebuilding efforts, and of people forging ahead with altered lives a year on from the catastrophe. -- Lane Turner (40 photos total)
Families release a paper lantern in memory of the victims of last year's earthquake and tsunami, on March 11, 2012 in Natori, Japan. (Daniel Berehulak /Getty Images)

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World Press Photo, a non-profit organization based in the Netherlands, recently announced the winners of its 2012 photojournalism contest. More than 5,000 photographers from 124 countries submitted over 100,000 pictures to the competition. Top honors this year went to Samuel Aranda for his image of a woman holding a wounded relative during protests in Yemen. The prize-winning photographs will be assembled into an exhibition that will travel to 45 countries over the next year. Below is just a sample of this year's group of winners -- please visit the World Press Photo website to see them all. (See also the winners from 2011.) [32 photos]

First prize winner in the Spot News Singles category of the 2012 World Press Photo Contest, this photo by by Yuri Kozyrev, Noor Images for Time, shows rebels in Ras Lanuf, Libya, on March 11, 2011. (AP Photo/Yuri Kozyrev, Noor Images for Time)

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By the numbers: 5, 247 Photographers, 124 Nationalities, 101, 254 pictures. Three hundred and fifty images by 57 photographers of 24 nationalities were awarded prizes in nine categories. To view the entire collection of winning images from the 55th World Press Photo Contest: 2012 World Press Photo. -- Paula Nelson (16 photos total)
2012 World Press Photo of the Year: A woman holds a wounded relative during protests against President Saleh in Sanaa, Yemen, Oct. 15, 2011. (Samuel Aranda/The New York Times)

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Any "best of" list must surely be subjective. This one is no different. Choosing the best photographs of the year is an enormously difficult task, with many terrific photographs slipping through the cracks. But with major news events as a guide, and with single images I fell in love with throughout the year forcing their way into the edit, I look at my favorite pictures from the first four months of the year. Two main stories dominated headlines in the first part of the year: the Japan earthquake and tsunami, and the rising of the Arab Spring. The protests in the Middle East would spread to Greece, Spain, and eventually inspire the Occupy movement in Western nations. Other stories included a historic wave of tornados in the U.S., a Royal wedding in London, and the creation of the world's newest nation in South Sudan. Images from the rest of the year will follow in posts later this week. -- Lane Turner (36 photos total)
A wave caused by a tsunami flows into the city of Miyako from the Heigawa estuary in Iwate Prefecture after a magnitude 8.9 earthquake struck Japan March 11, 2011. (Mainichi Shimbun /Reuters)

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The best photos of 2011 from around the globe. Warning: All images in this entry are shown in full, not screened out for graphic content. Some images contain dead bodies, graphic content and tragic events. We consider these images an important part of human history.

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2011 was a year of global tumult, marked by widespread social and political uprisings, economic crises, and a great deal more. We saw the fall of multiple dictators, welcomed a new country (South Sudan), witnessed our planet's population grow to 7 billion, and watched in horror as Japan was struck by a devastating earthquake, a tsunami, and a nuclear disaster. From the Arab Spring to Los Indignados to Occupy Wall Street, citizens around the world took to the streets in massive numbers, protesting against governments and financial institutions, risking arrest, injury, and in some cases their lives. Collected here is Part 1 of a three-part photo summary of the last year, covering 2011's first several months. Be sure to also see Part 2, and Part 3 of the series - totaling 120 images in all. [40 photos + 1 more]

A wave approaches Miyako City from the Heigawa estuary in Iwate Prefecture after the magnitude 9.0 earthquake struck the area March 11, 2011. The earthquake, the most powerful ever known to have hit Japan, combined with the massive tsunami, claimed more than 15,800 lives, devastated many eastern coastline communities, and triggered a nuclear catastrophe at the Fukushima Dai-ichi nuclear power station. (Reuters/Mainichi Shimbun)

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WARNING: SOME IMAGES CONTAIN GRAPHIC CONTENT OR NUDITY
From the uprisings across the Arab world to the devastating earthquake, tsunami and nuclear disaster in Japan, there was no lack of news in 2011. Reuters photographers covered the breaking news events as well as captured more intimate, personal stories. In this showcase, the photographers offer a behind the scenes account of the images that helped define the year.

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"When the earthquake hit on 11 March, a young photographer, Aichi Hirano, was showing his work in an exhibition entitled Rolls of One Week. Hirano explains, 'At that time, I felt so powerless, being in the same country yet unable to do anything to reach out and help directly.' To combat his sense of helplessness, he decided to distribute fifty disposable cameras to survivors displaced by the tsunami who had been evacuated to shelters in Ishinomaki, Miyagi prefecture. Hirano provided some loose directions on sheets of paper: 'Please take photos of things you see with your eyes, things you want to record, remember, people near you, your loved ones, things you want to convey... please do so freely. And please enjoy the process if you can, even if it's just a little bit.' Of the 50 cameras he distributed, Hirano was able to retrieve 27, which he uploaded in their entirety to the website www.rolls7.com" - Marc Feustel, writing about rolls7.com

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