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Graduation season is well underway, with kindergartners, high schoolers, college seniors and graduate students alike donning caps and gowns to celebrate their achievement. With their diplomas, graduates also get words of wisdom from a commencement speakers and a good excuse to celebrate. -- Lloyd Young ( 31 photos total)
US Naval Academy graduates throw their hats at the conclusion of their commencement and commission ceremony, attended by President Barack Obama at the Navy-Marine Corps Memorial Stadium on May 24 in Annapolis, Md. (Michael Reynolds/European Pressphoto Agency)     

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WSJ Staff

Cast and crew rehearsed for the 67th Annual Tony Awards at Radio City Music Hall in New York, N.Y., airing live this Sunday. Bryan Derballa, on assignment for WSJ, captured these behind the scenes images of Thursday's rehearsal.

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Bryan Bishop

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David Kwong got his first taste of magic as a young boy in upstate New York. The trick was simple: the magician placed a red sponge ball into the boy’s hand, produced a second one, and then made it vanish. When Kwong opened his hand, there were two balls resting inside.

“I remember turning to my father and saying ‘How did this work?,’” he tells me over coffee in Los Angeles. “And he just gave me that patented sheepish grin and said ‘I have no idea.’”

“And that’s when I knew I had to learn magic.”

Continue reading…

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Cyrus Farivar

On Thursday, the world’s largest Bitcoin exchange, Mt. Gox, announced that it would require all users to “be verified in order to perform any currency deposits and withdrawals. Bitcoin deposits do not need verification, and at this time we are not requiring verification for Bitcoin withdrawals.”

The company did not provide any explanation about why it was imposing this new requirement, but it did say that it would be able to process most verifications within 48 hours.

The move comes two days after federal prosecutors went after Liberty Reserve, another online currency that had notoriously poor verification. (In court documents, a federal investigator in that case included an address of “123 Fake Main Street, Completely Made Up City, New York” to create an account that was accepted.) It also comes two weeks after the Department of Homeland Security started investigating Mt. Gox over the possible crime of money transmitting without a license.

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burn magazine

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Ruth Prieto

Safe Heaven

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This work is the second chapter of a documentary project about Mexican immigrant women in New York. Some of them have indigenous backgrounds so that Spanish is not their first language. I decided to document their lives during their free time at their homes.

Homes have deep emotional meaning. Through their homes we get to know them, their motivations, their thoughts and aspirations along with the conditions they live in that reveal how much they have achieved and struggled. They have painted and decorated their rooms according to their own personal story and choice. I am exploring the notion of safety and confidence in relation to space. This project is a new interpretation of immigration using color as a unifying metaphor of diversity and acceptance. Each woman will be identified with a color palette so that a mosaic of color represents diversity and the beauty of it.

With these images I want to present different moments in what could be one person’s story. My motivation for this project is to create a dialogue about migration and xenophobia to develop solutions to related social issues. Through these images I go beyond the public scenario offering a deeper knowledge of the living conditions of one of the major labor forces in the US.

Furthermore I want to communicate in a level that is common to all: the bittersweet journey of life in which moments of struggle and joy take place.

This project is an extraordinary window to the live of Mexican immigrant women where they can be masters of their own world, where they can control their time and their choices, where they have a safe heaven.

 

Bio

Ruth Prieto Arenas was born and raised in Mexico City. She studied Communications and worked as a juniour account executive in visual media. Later on she worked in the film industry as a production manager and script supervisor. She was an intern in the cultural research department at Magnum photos in New York in 2011.

Ruth graduated from the program in Documentary Photography and Photojournalism at the International Center of Photography in 2012.

She has published her work at Picnic, Ojo de Pez (to be published in summer 2013) and in the book New York Stories a collaboration between the International Center of Photography, and Ostkreuzschule für Fotografie in Berlin.

I began this project with the curiosity to understand the process that Mexican migrants go through when crossing the border. Being Mexican myself, allowed me to form a bond with my subjects so that we could build a connection that translates into the intimacy of my images. I am focused on women because of their central role in the development of the Mexican family and because I look at them as icons of identity and culture. Moreover, I think it is important to create projects that motivate a dialogue about migration and xenophobia to develop solutions to current social related issues.

Currently I am still working on this project with the great support of the Magnum Foundation’s Emergency Fund.

 

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Ruth Prieto

 

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WSJ Staff

William Eggleston's photographs, some of which are on display now at The Met Museum in New York, reminds us why he an American master. Though not a fan of digital photography, Mr. Eggleston agreed to shoot a digital photo for the upcoming June issue of WSJ. Magazine. Get a preview of that photo here.

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