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South Dakota

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Original author: 
Mikko Takkunen

Features and Essays

Lucas Jackson / Reuters

Lucas Jackson / Reuters

Lucas Jackson: Haunting Night Scenes of Oklahoma’s Devastation (ABC News) Reuters photographer Lucas Jackson traveled to Moore and used the twilight night sky to illuminate some haunting landscapes the tornado left behind.

Katie Hayes Luke: Faces And Places The Tornado Left Behind (NPR Picture Show)

Ashley Gilbertson: Intricate Rituals for Fallen American Troops (NYT)

Steve Ruark: Honoring the Fallen (LightBox) One Photographer’s Witness to 490 Dignified Transfers

Luke Sharrett: Sacrifices Set in Adorned Stone (NYT Lens) Gravestones at Arlington National Cemetery in Virginia.

Sergey Ponomarev: A Supporting Role (NYT) In Afghan Transition, U.S. Forces Take a Step Back

Andrew Burton: Afghanistan (CNN Photo blog) Photographing ‘my generation’ at war

Eugene Richards: Inside Guantanamo (LightBox)

Ilona Szwarc

Ilona Szwarc

Ilona Szwarc: The Little Cowgirls (Telegraph) Deep in the heart of Texas, young girls are bucking the trend and breaking into the traditionally macho world of rodeo. The photographer Ilona Szwarc has corralled some of these junior ropers and riders into a compelling visual essay | Related article here

Aaron Huey: Pine Ridge (LightBox) Aaron Huey has photographed the Oglala Lakota for seven years on the Pine Ridge Indian Reservation in South Dakota.

Ilona Szwarc: American Girls (Photo Booth)

Andrew Moore: Stuck in the Shadow of Affluence (NYT Magazine) How the epidemic of empty, foreclosed homes in Chicago’s poorest neighborhoods ignited a new form of guerrilla activism.

Justin Maxon: Gunland (LightBox) Chicago’s South Side

Billie Mandle: Reconciliation (Wired Raw File photo blog) American confessionals and reconciliation rooms

Christopher Anderson: Skin on Parade in Central Park (NY Magazine) New York Magazine sent photographer Christopher Anderson to meander around Central Park on a 79-degree day

Charles Ommanney: Heavy Metal Cruise (Reportage by Getty Images)

Anderson Scott: Civil War Lovers Can’t Leave the Past Behind at Awkward Reenactments (Wires Raw File)

Arne Svenson: The Neighbors (Photo Booth)

Martin Parr: Life’s a Beach / USA Color (Slate Behold)

Joshua Yospyn: America’s Quirky Coincidences (NYT Lens)

Saul Robbins: Behind Closed Doors at New York Shrink Offices (Slate Behold)

Ruth Prieto: Safe Heaven (burn magazine)  The second chapter of a documentary project about Mexican immigrant women in New York.

Lynsey Addario / VII for TIME

Lynsey Addario / VII for TIME

Lynsey Addario: Rich Nation, Poor People (LightBox) With its vast oil wealth, Saudi Arabia has one of the highest concentrations of super rich households in the world. But an estimated 20 percent of the population, if not more, lives in crippling poverty.  

Kiana Hayeri: Young Iranian Immigrants (NYT Lens) Leaving Tehran and Restraints Behind

Carolyn Drake: Two Rivers: A Journey Through Central Asia (Photo Booth) A photographic record of the area in Central Asia that follows the Amu Darya and the Syr Darya, the region’s major rivers.

Linda Forsell: Refugee Crisis (zReportage) Syria | Jordan’s Zaatari refugee camp is home to 170,000 people from Syria who have fled the fighting.

Kalpesh Lathigra: Passport-Style Portraits of Displaced Syrians Living in the Za’atari Refugee Camp (Feature Shoot)

Guillaume Herbaut: Chinese Weddings (CNN Photo blog)

Peter Pin: Life Beyond The Killing Fields (NPR Picture Show)

Angelos Tzortzinis

Angelos Tzortzinis

Angelos Tzortzinis: Societal Ills Spike in Crisis-Stricken Greece (NYT Lens)

Espen Rasmussen: Mud, Fire and Pain (Panos Pictures) Tough Guy claims to be the world’s most demanding one-day survival ordeal and it has been widely described as ‘the toughest race in the world’

Espen Rasmussen: Pain (Panos Pictures) As part of a longer project looking at masculinity and middle aged men, Espen visits the longest single stage cycle race in the world, from Tronheim to Oslo in Norway.

Kirsten Luce: Matadora (NYT Lens) In the Arena With a Smile — and a Bull

Brett Gundlock: One Small Town’s Fight to Banish a Brutal Mexican Cartel (Wired Raw File)

Yann Gross: A snake story in the Brazilian far west (Institute)

Kate Holt: Somalia surgeons: under the knife in Mogadishu (Guardian) audio slideshow

Siegfried Modola: Ethiopia’s ancient salt trail (Guardian)

Takayuki Maekawa: Wild Animals (CNN Photo blog)

Articles

030-035_FTMAG_0106_FINAL.indd

The Financial Times Magazine, June 1/2 2013

My friend, Robert Capa (FT Magazine) John Morris, former picture editor of Life, talks about the great photographer and his most historic roll of film – of D-Day

The month in photography – audio slideshow (Guardian) Vanessa Winship, Erwin Blumenfeld and Nobuyoshi Araki feature in June’s guide to the best photography around the world.

World Press Photo controversy: Objectivity, manipulation and the search for truth (BJP) Beyond the attacks leveraged against Paul Hansen’s winning World Press Photo, the recent controversy over image toning is symptomatic of the current state of photojournalism and its place in a society that has learned not to trust what it sees. Photojournalists, photography directors and post-producers speak to Olivier Laurent, and ask whether objectivity in photojournalism is actually attainable

Drama, Manipulation and Truth: Keeping Photojournalism Useful (Picture Dept)

chrishondrosfilm.com

chrishondrosfilm.com

Hondros: A Life in Frames – trailer (Chris Hondros film website)

Censored – images of our ugly truths, natural and man-made (Sydney Morning Herald)

A Photographer, A Fixer, the New York Times and Child Servitude in Haiti: A Story Gone Haywire, then Simply Gone (BagNewsNotes)

American beauty: Vanessa Winship’s photos of still, small-town US life (Guardian) Winship used her Henri-Cartier Bresson prize money well: to fund a book, She Dances on Jackson, in which she has captured the silence at the heart of a clamorous nation

Photographing What Endures For Australia’s Aboriginals (NPR Picture Show) Amy Toensing’s project for the National Geographic

Don McCullin guest of honour at 25th Visa pour l’Image (CPN)

A war photographer’s rediscovered images from Vietnam (CBS News)

Andrea Bruce

Andrea Bruce / Noor Images

War Through a Woman’s Eyes (American Photo magazine) Some of today’s top conflict photographers just happen to be women. We spoke with a handful of these photojournalists about their experiences—and how they differ from their male colleagues’

Photojournalists Tell the Untold Stories From Iraq (Slate Behold)

Kathy Ryan: Office Romance: Renzo Piano’s Light (NYT Magazine 6th Floor Blog)

Capturing ‘Out Cold’ Commuters with TIME’s Patrick Witty (Instagram blog)

Martin Parr: All the world’s a beach (FT Magazine) For one photographer, there is no better place than the seaside to observe human eccentricity in all its glory

Finding And Photographing Alaska’s Remote Veterans (NPR Picture Show)

‘Pictures from the Real World’: Derby, England in 1988 (LightBox)

Q&A: Why is Emphas.is now turning to its own platform to survive? (BJP)

Who Will Crowdfund the Crowdfunder? (NYT Lens)

Moving Walls (The Foreign Policy) Looking back on 15 years of human rights photography.

Through the Lens of Eggleston (WSJ) The selection of William Eggleston’s photographs, “At War with the Obvious,” currently on view at The Metropolitan Museum of Art in New York City, reminds us why he an American master. For the June issue of WSJ. Magazine,  the legendary photographer agreed to shoot part of his extensive collection of Leica and Canon cameras | Related

Garry Winogrand and the Art of the Opening (The Paris Review)

Wayne Miller obituary (Guardian) Magnum photographer celebrated for his images of the second world war and Chicago’s South Side

In Memoriam: Wayne Miller (1918 – 2013) (LightBox)

Stephanie Sinclair’s best photograph: child brides in Yemen (Guardian)

Featured photographer: Tim Richmond (Verve Photo)

Featured photographer: Albertina d’Urso (Verve Photo)

Featured photographer: Katharine MacDaid (Verve Photo)

Featured photographer: Joel van Houdt (Verve Photo)

The little girl in the photo, all grown up (AFP Correspondent blog) AFP photographer Jean-Philippe Ksiazek hears from a girl he photographed in Pristina at the end of the war in Kosovo

When Photography Imitates Voyeurism (NYT Magazine 6th Floor blog)

Joseph Eid / AFP / Getty Images

Joseph Eid / AFP / Getty Images

War and Representation: Showing the Limits of Comprehension (No Caption Needed)

Digital and the the desire for long form journalism (David Campbell blog)

What a Photograph Can Accomplish: Bending the Frame by Fred Ritchin (LightBox)

Chicago Sun-Times lays off its photo staff (Chicago Tribune)

Chicago Sun-Times will train reporters on ‘iPhone photography basics’ (Poynter.)

Alex Garcia: The Idiocy of Eliminating a Photo Staff (Chicago Tribune Assignment Chicago photo blog)

Do Newspapers Need Photographers? (NYT)

How the Internet Killed Photojournalism (PetaPixel)

Spitting on the Grave (Jim Colton website) On Yahoo CEO Marissa Mayer’s comment ‘there’s really no such thing as professional photographers anymore’

Defining “News photographer” for the future (Reuters photo blog)

Anton Corbijn to shoot James Dean biopic, Life (Guardian) Control director to explore real-life friendship between 50s icon and Life magazine photographer in new film

Harlequin Without His Mask (Francis Hodgson blog) On Rankin

NY Times Public Editor Questions T Magazine Photoshopping Policy (PDN)

NYC Tribeca Residents Enraged Over Photos They Claim Violate Their Privacy (ABC News)

‘Control Order House’ by Edmund Clark – Photographing our response to terrorism (The Independent)

Ponte City: An Apartheid-Era High Rise Mired in Myth (LightBox) In 2008, South African photographer Mikhael Subotzky, in collaboration with British artist Patrick Waterhouse, set out to create a visual document of the building as monumental as the structure itself, exploring a long, complex history mired in myth.

Interviews and Talks

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind / VII

Anastasia Taylor-Lind (Nat Geo Live) Mothers, Models, and Fighters | A rising star on the photography scene, Anastasia Taylor-Lind documents the lives of women who live isolated from male society, including in schools for Siberian supermodels and military training camps for Cossack women | video

John H. White (CNN) Howard Kurtz talks to Pulitzer prize-winning photographer John H. White about what the layoffs mean for the news industry after Chicago Sun-Times drops photographers

Jonas Bendiksen (Vice) Bendiksen Takes Photos in Countries That Don’t Exist

Winners from the 2013 World Press Photo Contest (WPP) Nineteen prizewinners discuss their award-winning work.

Alec Soth (A Photo Editor)

 Tom Powel Imaging inc.

Richard Mosse, The Enclave, 2013. Six screen film installation, color infrared film transferred to HD video. Filmed in Eastern Congo. Courtesy of the artist and Jack Shainman Gallery. Photo: Tom Powel Imaging inc.

Richard Mosse (Frieze Vimeo) The Impossible Image | Artist and photographer Richard Mosse reveals the stories behind the making of his latest film, ‘The Enclave’ (2013), in the Democratic Republic of Congo, which will be shown in the Irish Pavilion at this year’s 55th Venice Biennale.

Lauren Greenfield (Rookie magazine) Money Changes Everything: An Interview With Lauren Greenfield

Donna Ferrato (Vogue Italy) “I really believe in the power of photography to change the world. I think without it we would be like cavemen”

Fabio Bucciarelli (Photographic Museum of Humanity)

James Nachtwey (National Geographic magazine) Longer version on Stephen Alvarez’s Facebook page here

Maggie Steber  Part 1 | Part 2 (Leica blog)

John G. Morris (Vogue Italy)

Tim Page (Radio Australia) Page on history, photography and the Vietnam War

Thomas Dworzak (Roads and Kingdoms) Dworzak’s Instagram Chapbooks

Saul Leiter (In-Public)

Alan Chin

Alan Chin

Photojournalists on Covering the War in Iraq (The Leonard Lopate Show / WNYC) audio | Michael Kamber interviewed photojournalists from many leading news organizations to create a comprehensive collection of eyewitness accounts of the Iraq War—Photojournalists on War. He’s joined by photographers Alan Chin and Ashley Gilbertson, who discuss trying to cover the war in Iraq and examine the role of the media and issues of censorship

New booktells ‘untold stories’ from Iraq (MSNBC) Photojournalist Michael Kamber joins MSNBC’s Craig Melvin and fellow photojournalists Carolyn Cole and Ed Kashi to talk about his new book, “The Untold Stories From Iraq: Photojournalists on War”.

Doug Richard (ABC Arts) A New American Picture: Doug Rickard’s Google Street View road-trip

David Guttenfelder (The World) Inside the Hermit Kingdom: David Guttenfelder on Photographing North Korea

Mads Nissen

Mads Nissen

Mads Nissen (Panos Social) The Making of Amazonas

Ben Lowy (ABC Arts)

Ben Lowy (MSN Australia) Covering warzones with an iPhone

Kai Löffelbein (Leica blog) A Hidden World in Hong Kong

Tomas van Houtryve (The Story)

Michal Chelbin (The Voice of Russia)

Sue Ogrocki (LightBox) Moments of Hope in Oklahoma: One Photographer’s Story

Paul Hellstern (CNN) Photographer captures snapshots of courage after tornado levels OKC school

Ed Jones (LightBox Tumblr)

Stacy Pearsall (Peach Pit) In the Trenches with Combat Photographer

Katrin Koenning (No Borders Magazine) A sense of belonging

Alonzo J. Adams (LightBox Tumblr)

Laura Pannack (Photo Whoa) Speaking Through Your Photographs & Connecting with Your Viewer

Mikko Takkunen is an associate photo editor at TIME.com

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EPF 2012 Finalist

 

Danny Wilcox Frazier

Lost Nation: America’s Rural Ghetto. Essay included with application, Surviving Wounded Knee, is a chapter in the overall project, Lost Nation.

play this essay

 

For ten years now, I have photographed throughout the Midwest, the agricultural and industrial heart of America. I began in Iowa, my home, where youth flight has brought many small towns to the brink of extinction. Lost and alienated, these communities seem entombed in obscurity. Following Iowa, my work led me to two other communities in the Midwest where systemic poverty and suffering are the norm: the Pine Ridge Reservation in South Dakota and Detroit. Pine Ridge has a long history of injustice and neglect, and sits in the poorest region of the United States (essay included with application). Detroit is the only city in America that has seen its population rise above one million residents and then fall back below. As in rural America, depopulation weighs heavily on the economy of Detroit, the poorest large city in the nation.

Rural America has lost over twelve million people since 2000, with the latest figure putting its share of the nation’s population at just 16 percent, the lowest in history in 1910, that figure was 72 percent. My photographs document those fighting to continue living in these forgotten communities, the individuals working to maintain traditions that symbolize rural life. Swaths of the Great Plains, Midwest, and Appalachia, as well as numerous Southern states are in the greatest danger. Many towns in these regions are likely already lost, and my work will simply document these communities before they fade away.

As I continue to work on this project, my travels will take me back to Jefferson County, Mississippi, North Texas, and Appalachia. Jefferson County has the highest percentage of African Americans in the United States (85%). This county has a rich history that reflects America’s troubled past; it is also the poorest county in the poorest state in the nation. I have photographed briefly in all three locations and funding from the EPF will allow me to finish these essays as I expand the project nationally.

 

Bio

Danny Wilcox Frazier has spent the last decade covering issues of marginalized communities across the United States. He is a contributing photographer at Mother Jones magazine. Frazier’s work has appeared in: TIME, GEO, The Sunday Times Magazine, Der Spiegel, and Frontline (PBS). Frazier was awarded the Center for Documentary Studies/Honickman First Book Prize in Photography leading to his book, “Driftless” (2007). After completing the book, Frazier directed a documentary that confronts issues highlighted by his photographs. The film was nominated for an Emmy in 2010 and won a Webby that same year. In 2009, Frazier received a grant from The Aftermath Project for work on the Pine Ridge Reservation. His photographs appear in numerous collections including: The Museum of Fine Arts, Houston, Philadelphia Museum of Art, and the Smithsonian, National Museum of American History. Frazier is working on his next book, “Lost Nation”, a look at economic and geographic isolation across America.

 

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In 2005, I set out to photograph my home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, coyotes, mule deer, ring-necked pheasants and prairie dogs than people. It’s a landscape dominated by space and silence and solitude, by brutal wind and extreme weather. I was trying to capture a more intimate and personal view of the West. I was trying to capture what all that space feels like to someone who grew up there. A year into the project, however, everything changed. One of my brothers died unexpectedly. For months, one of the few things that eased my unsettled heart was the landscape of South Dakota. It seemed all I could do was drive through the badlands and prairies and photograph. I began to wonder: Does loss have its own geography?

That first year of grieving was a blur of motel rooms, back roads, and dreams of my brother. I still remember, however, one particularly elusive, haunted, dreamlike image. One overcast day on a deserted country road in the Missouri River valley, I was startled by a flock of some thousand blackbirds. I was mesmerized by how the birds flew through the stormy, unsettled Western sky as if they were one huge, dark, undulating, ravenous creature, picking clean the remains of the corn and sunflower fields in the last days of autumn.

For days when I’d least expect it, I’d see the blackbirds descend upon a field. It didn’t seem to matter how quickly I stopped the car and raised the camera to my eye. Inevitably, the dark flock vanished as quickly as it had appeared.

For at least a week, I kept dreaming about those blackbirds. Finally, one afternoon near the small town of Gray Goose, South Dakota, I saw the flock hovering over a field of sunflowers. This time I was somewhat more prepared—I had my camera around my neck, and, thanks to the dirt road’s wide shoulder, I could quickly pull over and rush toward the field, crouching low to keep from scaring off the skittery birds. I remember wondering what I’d say to the farmer if he caught me trespassing on his land.

Then something happened that I wasn’t expecting—the flock lingered in the field. Were there more seeds than usual to feed on? Were the towering sunflowers hiding me from the skittish birds? Slowly I inched closer until I was standing directly behind one of the tallest sunflowers in the field. Beneath its large bowed head, I clicked the shutter again and again until the dark flock vanished once more into the cold, grey, blustery November sky.

They say your first death is like your first love—and you’re never quite the same afterwards. After my brother died, my photographs started to change. They were more muted, often autumnal. I remember saying to the writer, Linda Hasselstrom at her ranch house near Hermosa, South Dakota, where I did much of the writing for the book, “I see summer, fall, and winter, in the photographs, but not spring.”

“When you’re grieving, there isn’t any spring,” Hasselstrom replied.

Looking again at the work now that My Dakota is finally a book, I realize that I was photographing this particularly dark time in my life in order to try to absorb it, to distill it, and, ultimately, to let it go. Not only did my first grief change me, but making My Dakota changed me as well, both as a human being and as a bookmaker.

Rebecca Norris Webb is a New York-based photographer. More of her work can be seen here. My Dakota (Radius Books) will be launched at the International Center of Photography in New York City on May 24.  There will be an exhibition of the work at the Dahl Arts Center in Rapid City, South Dakota, from June 1 through October 13.

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For a number of reasons, natural and human, people have recently evacuated or otherwise abandoned a number of places around the world -- large and small, old and new. Gathering images of deserted areas into a single photo essay, one can get a sense of what the world might look like if humans were to vanish from the planet altogether. Collected here are recent scenes from nuclear-exclusion zones, blighted urban neighborhoods, towns where residents left to escape violence, unsold developments built during the real estate boom, ghost towns, and more. [41 photos]

A tree grows from the top of a chimney in an abandoned factory yard in Luque, on the outskirts of Asuncion, Paraguay, on October 2 , 2011. (AP Photo/Jorge Saenz)

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Every website needs an audience. And every audience needs a goal. Advocating for end-user needs is the very foundation of the user experience disciplines. We make websites for real people. Those real people are able to do real things. But how do we get to really know our audience and find out what these mystery users really want from our sites and applications? Learn to ensure that every piece of content on your site relates back to a specific, desired outcome — one that achieves business goals by serving the end user. Corey Vilhauer explains the threads that bind UX research to content strategy and project deliverables that deliver.

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