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Mike from Mother Jones writes, "Josh Harkinson profiles David Bronner, the 40-year-old, hallucinogen-dropping, Burning Man-attending scion of the Dr. Bronner's soap empire, who channels roughly half of the company's substantial profits into activism, including the Washington State GMO-labeling bill that voters will decide upon tomorrow. Bronner, who favors the labeling of foods with GMO ingredients, has been arrested for planting hemp seeds on the DEA's lawn and for a performance-art protest where he milled hemp seeds in a cage outside the White House. He also sued the DEA (and won), so that his company could legally obtain hemp oil as a soap ingredient. Since David took over, Dr. Bronner's sales have soared. It's on track to bring in $64 million in revenues this year. But in a strike against corporate greed, Bronner has capped the company's top salaries at five times that of the lowest-paid warehouse worker."

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Original author: 
Mikko Takkunen

Features and Essays

Robin Hammond

Robin Hammond / Panos Pictures / National Geographic

Robin Hammond: Zimbabwe: Breaking the Silence (The National Geographic Magazine) Oppression, Fear, and Courage in Zimbabwe | From the National Geographic magazine May issue.

Pete Muller: Questioning Zimbabwe’s Underdogs (NYT)

Sebastião Salgado: Genesis (NYT)

Michael Yamashita: China’s Ancient Lifeline (NGM) The 1,400-year-old Grand Canal is a monumental project that bound north and south China together. It’s still in use today.

FrancoPagetti / VII

Franco Pagetti / VII

Franco Pagetti: The Veils of Aleppo (LightBox)

Stanley Greene: The Dead and The Alive (NOOR) Syria

Giles Duley: Syrian Refugees (Guardian)

Nish L. Nalbandian: Portraits of Syrian Rebels (LA Times Framework blog)

Yusuf Sayman: Rebel Fighters Inside Aleppo (The Daily Beast)

Louie Palu

Louie Palu / Zuma Press / The Pulitzer Center on Crisis Reporting

Louie Palu: Documenting Murder in Mexico (Mother Jones) The brutality of the drug war, on both sides of the border.

Dominic Bracco II: A Salvation Army of One (NYT Magazine) The Rev. Robert Coogan working in Saltillo, Mexico.

Shiho Fukada / Panos Pictures

Shiho Fukada / Panos Pictures / The Pulitzer Center on Crisis Reporting

Shiho Fukada: Japan’s Rootless and Restless Workers (NYT Lens)

Jenn Ackerman: Minnesota, Frozen in Place and Time (NYT Lens)

Aaron Vincent Elkaim: The Last Great Race on Earth (Photo Booth) Iditarod, a thousand-and-forty-nine-mile race across Alaska

Fritz Hoffmann: On Beyond 100 (NGM) Photographer Fritz Hoffmann introduces us to people who have mastered the secret of long life.

Ami Vitale: Back at the Ranch (Panos Pictures)

David Guttenfelder / AP

David Guttenfelder / AP

David Guttenfelder: North Korea (Denver Post) While threats of a missile launch have renewed tensions with North Korea, photojournalist David Guttenfelder has returned to continue documenting life there.

Yuri Kozyrev: Pull Out From Afghanistan (NOOR)

Phil Moore: Mogadishu Boosts Security (Al Jazeera) Safety improves in Somalia’s once war-torn capital despite recent attack and ongoing threats of violence.

Zed Nelson: The Family (Institute) Zed Nelson’s project started in the summer of 1991, just turned 21

Gabriele Galimberti: My Couch Is Your Couch (Institute) Couchsurfers around the world

Steeve Iuncker / Agence VU

Steeve Iuncker / Agence VU

Steeve Iuncker: Yakutsk (LightBox) The Coldest City on Earth

James Whitlow Delano: Buried in Japan (TIME) Japan’s Aomori Prefecture might be at the same latitude as New York, but its climate can seem a lot more harsh.

Maja Daniels: In the mists of Älvdalen, Sweden (Financial Times Magazine) A world away from cosmopolitan Stockholm lies a strange forested land with an ancient language and a singular sense of quiet desolation

Antonio Olmos: Murder Most Ordinary (Guardian) Photographer Antonio Olmos spent two years visiting the site of every murder that took place within the M25 in London.

Ben Roberts: Higher Lands (Document Scotland) Growing up in the Scottish Highlands

Marco Kessler: Belarus: An Uncertain Winter (Vimeo) Belarus, once an integral frontier of the USSR, remains steeped in the Communist legacy, which ruled the daily lives of the nation for over 70 years.

Alexis Lambrou: Teaching for Life (NYT Lens) Young Brooklyn high school teacher, whose life revolves around her students and colleagues at a Brooklyn public high school.

Arthur Nazaryan: Ballet Competitions (NYT Lens) 12-year-old Russian immigrant’s efforts to become a ballerina

Amanda Rivkin: Post-Racial America Road Trip (VII Mentor)

Tommaso Protti: The Youth of Amid (Reportage by Getty Images Emerging Talent) Turkey

Adam Patterson: Another Lost Child (CNN Photo blog)

Patrick van Dam: Dreams of new homes abandoned in Greece (CNN Photo blog)

Articles

Eugene Richards

Eugene Richards

The Hero in the Cowboy Hat: Carlos Arredondo’s Story by Eugene Richards (LightBox)

A Photographer’s View of the Carnage: “When I Look at the Photos, I Cry” (LightBox)

Herald photographer details night Boston will never forget (Boston Herald)

News Media Weigh Use of Photos of Carnage (NYT)

A Blurry Double Standard? A Photo from the Boston Marathon Bombing (PhotoShelter)

Tragedy and the Role of Professional Photojournalists (Chicago Tribune Assignment Chicago blog)

On That Iconic Photo from the Boston Marathon Bombings (BagNewsNotes)

Runner, spectator get photos of marathon suspects (AP Big Story blog)

Photo Essay Of Boston Bomber Was Shot By Former BU Student (NPPA)

Courtesy HBO

Courtesy HBO

Peter van Agtmael: Revisiting Memory and Preserving Legacy: Tim Hetherington and Chris Hondros (LightBox)

Tim Hetherington, Indelible on Film (NYT Lens)

A War Photographer Who Was More Than Just an Adrenaline Junkie (Mother Jones)

Killed documentary maker Tim Hetherington remembered in film (BBC) video

Which Way is the Frontline?: a documentary tribute to Tim Hetherington (BJP)

Tim Hetherington’s Photograph’s at the Yossi Milo Gallery (Photo Booth)

Honoring Chris Hondros (Getty Images blog)

Manu Brabo / AP

Manu Brabo / AP

The 2013 Pulitzer Prize Winners: Associated Press Coverage of Syria (LightBox)

The Pulitzer Prizes Winners (Pulitzer)

Photographs of Syria Sweep Pulitzer Prizes (NYT Lens)

Javier Manzano / AFP

Javier Manzano / AFP

A Pulitzer picture first day on the job (AFP Correspondent blog) Photograph taken by Javier Manzano in the embattled Syrian city of Aleppo on October 18, won the Pulitzer Prize for feature photography.

Witness to Newtown’s tragedy (Reuters TV) On December 14, 2012 a gunman opened fire on Sandy Hook Elementary School, leaving 26 dead, including 20 young children. Reuters photographers share their experience covering the story that devastated Newtown, Connecticut and the rest of the country.

David Guttenfelder / AP

David Guttenfelder / AP

Photographer chronicles life in North Korea (NBC)  In spite of the angry rhetoric, life in North Korea goes on as normal – or at least what passes as normal in this isolated state. AP photographer David Guttenfelder has been chronicling life in North Korea for years.

Those photos of young Kim Jong Un performing in ‘Grease’ are probably of his brother (The Washington Post)

I almost died in Syria (Salon)

Olivier Voisin’s last images (Paris Match L’instant)

Taking RISC: Program Trains Reporters How To Save Lives in War Zones (ABC News)

RISC: Training reporters how to save lives (BJP)

French photographer Pierre Borghi escapes four months after kidnapping in Afghanistan (New York Daily News)

John Simon Guggenheim Memorial Foundation awarded Fellowships 2013 (Guggenheim Foundation)

Feisal Omar: “Are you al-Shabaab or soldiers?” (Reuters Photographers blog) Covering Somalia

Featured photojournalist: Christopher Furlong (Guardian)

Anastasia Rudenko (Verve Photo)

Thomas Cristofoletti (Verve Photo)

Challenging an Old Narrative in Latin American Photojournalism (NYT Lens)

Donna De Cesare’s Photo of Violence in El Salvador (NYT Lens)

How the 1962 monsoons inspired Steve McCurry (Phaidon) Forthcoming book, Steve McCurry Untold: The Stories Behind The Photographs, tells how coverage of the Indian rainy season in Life magazine set the Magnum photographer off on a life of photography and far flung travel.

Sebastiao Salgado’s Genesis (BBC)

Sebastião Salgado documents world’s wildernesses in new Genesis exhibition (Guardian)

Sebastião Salgado: Genesis – review (Guardian)

André Kertész: Truth and Distortion, Atlas Gallery, London – review (FT)

Explore Nic Dunlop’s new book Brave New Burma (Panos Pictures blog)

Muhammed Muheisen / AP

Muhammed Muheisen / AP

Wire Photographer Spotlight: Daily Life by Muhammed Muheisen (LightBox)

A Year Later, Instagram Hasn’t Made a Dime. Was it Worth $1 Billion? (TIME)

Making Art With Tom Waits (NYT Magazine)

The National Geographic Trove (Photo Booth)

Genius in colour: Why William Eggleston is the world’s greatest photographer (The Independent)

Bert Stern’s Beautiful Photography and Less-Beautiful Personal Life, on Screen (The Atlantic) A new documentary shows two sides of the man who took some of the most iconic celebrity photographs of the 20th century: creative genius and womanizer.

“Arnold Newman: At Work” explores photographer through his archive (Harry Ransom Center Cultural Compass blog)

Native Americans: Portraits From a Century Ago (The Atlantic)

Meeting Florida’s Seminoles Through Rediscovered Photos (NPR)

Photographer David Moore’s dingy, deteriorating Derby is the real deal (Guardian) Chronicler of 80′s working-class England peers behind closed doors to capture a community indelibly marked by Margaret Thatcher.

Graham Nash’s best photograph (Guardian) Joni Mitchell listening to her new album

Unsung hero of photography Thurston Hopkins turns 100 (Guardian)

This was England: the photographs of Chris Killip (Guardian) Chris Killip’s study of the communities that bore the brunt of industrial decline in the North East have earned him a nomination for the Deutsche Börse Photography Prize.

Deutsche Börse Photography prize show: mashups and moon walkers (Guardian)

Deutsche Börse photography prize 2013 (Guardian) video | Sean O’Hagan meets the nominees for the annual Deutsche Börse photography prize. They’re all on show at the Photographers’ Gallery in London until June 30.

Estate of Jacques Lowe

Estate of Jacques Lowe

When an Archive is Lost: Jacques Lowe’s Rare (And Recently Restored) Look at JFK’s Camelot (LightBox)

The Heart of a Beast: Charlotte Dumas’ Poignant Animal Photography (LightBox)

Teenage Precinct Shoppers by Nigel Shafran: A Look Back to 1990 (LightBox)

The World’s Oldest Photography Museum Goes Digital (Smithsonian)

Pecha Kucha: The art of speed-talking about photography (BJP)

Martin Parr ‘Life’s A Beach’ Exhibit And Book Capture Fun In The Sun From Brazil To Japan (The Huffington Post)

The unseen Lee Miller: Lost images of the supermodel-turned-war photographer go on show (The Independent)

The Surreal World of Nina Leen (Photo Booth)

Rescuing a Photo Prince Vita Luckus From Obscurity (NYT Lens)

How photographers joined the self-publishing revolution (Guardian)

Elaborate Drive-By Photo Studio Takes Pedestrians by Surprise (Wired)

Interviews and Talks

John Tlumacki / The Boston Globe / Getty Images

John Tlumacki / The Boston Globe / Getty Images

John Tlumacki (LightBox) Tragedy in Boston: One Photographer’s Eyewitness Account | LightBox spoke with Boston Globe photographer John Tlumacki, who photographed the explosions at the finish line of the Boston Marathon. Tlumacki, who has photographed more than 20 marathons in his 30 years at the Globe, describes the sheer chaos of the scene.

John Tlumacki (Poynter) Globe’s Tlumacki: ‘I am dealing with trauma & trying to keep busy’ following Boston tragedy

Sebastião Salgado (Natural History Museum YouTube) Genesis

Sebastião Salgado (Guardian) A God’s eye view of the planet – interview

Sebastião Salgado (NYT) In Love With My Planet

Sebastião Salgado (Taschen) Two men, one mission: Salgado talks with Benedikt Taschen about the photographic project that changed his life.

Sebastian Junger (Indiewire) On the Value and Cost of War Reporting and Making a Film About His Late ‘Restrepo’ Co-Director Tim Hetherington

Sebastian Junger (NPR) ‘Which Way’ To Turn After Hetherington’s Death

Sebastian Junger (WNYC) The Life and Times of Tim Hetherington

Michelle McNally (Le Journal de la Photographie) The New York Times Director of Photography

James Estrin (Le Journal de la Photographie) NYT photographer and Lens blog editor

Patrick Witty (Zorye Kolektiv)  International Picture Editor at TIME

David Campbell to reveal WPPh multimedia research (Canon Professional Network)

Robin Hammond (NGM) The Moment: Caught in Zimbabwe

Jeff Jacobson (PDN) On Beauty, Ambiguity and Mortality

Yuri Kozyrev (Zorye Kolektiv)

Emilio Morenatti (Zorye Kolektiv)

Anastasia Taylor-Lind (Repor Madrid TV)

Thurston Hopkins (Guardian) On his 100th birthday this week, one of the great photojournalists of the 20th century, Thurston Hopkins, talks about his career as a photographer at Picture Post

Pari Dukovic (Wonderland magazine)

Mike Brodie (LA Times Framework blog)

Danielle Levitt (Dazed Digital) Danielle Levitt’s Favourite Tribes

Mikko Takkunen is an associate photo editor at TIME.com.

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Romney_-_47_percent_large

On Wednesday night, the anonymous videographer behind the infamous "47 percent video" shot at a private Mitt Romney fundraiser in May 2012 revealed himself on MSNBC's The Ed Show. Scott Prouty was a bartender working high-end banquets in Boca Raton, Florida, including Romney's $50,000 per plate dinner. He is a registered independent who brought his Canon camera with him in case Mitt Romney wanted to meet and take photos with the staff, as Bill Clinton had after a similar event. No one had told the staff not to bring cameras or take photos. A Secret Service agent was some distance behind him. He set the camera down on the bar and pressed "record."

Continue reading…

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EPF 2012 Finalist

 

Danny Wilcox Frazier

Lost Nation: America’s Rural Ghetto. Essay included with application, Surviving Wounded Knee, is a chapter in the overall project, Lost Nation.

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For ten years now, I have photographed throughout the Midwest, the agricultural and industrial heart of America. I began in Iowa, my home, where youth flight has brought many small towns to the brink of extinction. Lost and alienated, these communities seem entombed in obscurity. Following Iowa, my work led me to two other communities in the Midwest where systemic poverty and suffering are the norm: the Pine Ridge Reservation in South Dakota and Detroit. Pine Ridge has a long history of injustice and neglect, and sits in the poorest region of the United States (essay included with application). Detroit is the only city in America that has seen its population rise above one million residents and then fall back below. As in rural America, depopulation weighs heavily on the economy of Detroit, the poorest large city in the nation.

Rural America has lost over twelve million people since 2000, with the latest figure putting its share of the nation’s population at just 16 percent, the lowest in history in 1910, that figure was 72 percent. My photographs document those fighting to continue living in these forgotten communities, the individuals working to maintain traditions that symbolize rural life. Swaths of the Great Plains, Midwest, and Appalachia, as well as numerous Southern states are in the greatest danger. Many towns in these regions are likely already lost, and my work will simply document these communities before they fade away.

As I continue to work on this project, my travels will take me back to Jefferson County, Mississippi, North Texas, and Appalachia. Jefferson County has the highest percentage of African Americans in the United States (85%). This county has a rich history that reflects America’s troubled past; it is also the poorest county in the poorest state in the nation. I have photographed briefly in all three locations and funding from the EPF will allow me to finish these essays as I expand the project nationally.

 

Bio

Danny Wilcox Frazier has spent the last decade covering issues of marginalized communities across the United States. He is a contributing photographer at Mother Jones magazine. Frazier’s work has appeared in: TIME, GEO, The Sunday Times Magazine, Der Spiegel, and Frontline (PBS). Frazier was awarded the Center for Documentary Studies/Honickman First Book Prize in Photography leading to his book, “Driftless” (2007). After completing the book, Frazier directed a documentary that confronts issues highlighted by his photographs. The film was nominated for an Emmy in 2010 and won a Webby that same year. In 2009, Frazier received a grant from The Aftermath Project for work on the Pine Ridge Reservation. His photographs appear in numerous collections including: The Museum of Fine Arts, Houston, Philadelphia Museum of Art, and the Smithsonian, National Museum of American History. Frazier is working on his next book, “Lost Nation”, a look at economic and geographic isolation across America.

 

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Marc Shoul

Brakpan

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Brakpan is a small town that lies on the East Rand of Gauteng, sandwiched between Boksburg, Benoni and Springs. A once-prosperous mining community, today there are pawnshops, roadhouses, mechanics, mini casinos and other day-to-day shops lining the two main roads that slice through the town. Brakpan is like going back in time; so many aspects of the town remind me of old images I have seen of South Africa. Despite all the changes in nearby Johannesburg, Brakpan still goes about its business in much the same way it did before.  There is a lack of modern development. You don’t see Tuscan townhouse complexes or buildings with glass facades. It’s all very simple and straight forward – almost transparent, and this transparency can be seen in the people too. You won’t find any airs or graces, no fancy cappuccino shops, sushi cafes or organic goods in Brakpan.

The town does not seem to have benefited from its gold rush glory days, which spanned between 1911 until the mid 1950’s, and it now has very little to show for its’ past. Today, the once flourishing mining town only pulls out a small portion of gold compared to what it used to generate, and some disused gold mines now only sell rubble.

A second factor that has contributed to Brakpan’s sense of preservation is the development of Carnival Mall and Casino, which conveniently lies just off the highway a few kilometers away from Brakpan Central. All the major chains and retail shops have moved to the mall and, as a result, the town centre has been left untouched and undeveloped, stunting it economically and leaving its inhabitants with little opportunities.

And yet there are many faces to modern Brakpan. Young girls push prams while karaoke competition winners don’t get their promised prizes. Pirated DVD’s get sold on the streets, crippling the nearby video shops that rent out older movies. There is a sense of nostalgia that remains and is reflected in the buildings and in the people. This is a place where you can still enjoy school and church fete’s, rugby matches, old bars, sokkie jols, biker rallies, fishing and braaiing at the Brakpan Dam; all of which are a part of the local’s lives.

Here there is a peacefulness and relaxed country town feel, without the stress about what tomorrow may bring.  The people of Brakpan live in the now but are still bound by the constraints of the past.

The images presented here are printed on Multigrade V1 FB Fibre matt photographic paper. Exhibition prints are 40cm by 40cm in size in an edition of 10.

Bio

Marc Shoul lives and works in Johannesburg, South Africa. He was born in 1975 in Port Elizabeth, Eastern Cape, South Africa and graduated (with honors in photography) from the Nelson Mandela Metropolitan University in 1999. Since then, he has had several exhibitions of his work including group shows at the Arts Association of Bellville, Fusion (1999), Artscape, Mental Health, (2001) Cape Town, Month of Photography, Detour, (2002), Cape Town, Photo ZA, Obsess (2004) and Resolution Gallery, Faces (2008) in Johannesburg as well as at the World Health Organization TB exhibition in India (2004). Solo exhibitions of ‘Beyond Walmer’ were held by the Association of Visual Arts Gallery in Cape Town (2000) and Natal Society of Arts, Durban (2001).  “Flatlands” a solo exhibition was also held at the Association of Visual Arts in Cape Town (2009) with help from the National Arts Council. Shoul was also featured in the AGFA Youth International Photojournalism Publication 1999. He also reached the finals of the Absa L’Atelier 2009.  Flatlands showed at KZNSA in Durban, South Africa and Galerie Quai 1 in Vevey, Switzerland in 2010. Shoul was invited to hold a workshop at the Vevey School of Photography on the 2010. Shoul was also been included in After A at the Report Atri Festival, Italy, June 2010 curated by Federica Angelucci. Beyond Walmer is on show at the Nelson Mandela Metropolitan Museum June-August 2010. Brakpan (work in progress),Shoul has also been included in the Bonaini Africa 2010 Festival of Photography, Cape Town Castle of Good Hope and Museum Africa, Johannesburg. Brakpan (work in progress) was included in 10 a group exhibition at the PhotoMarket Workshop, Johannesburg, 2010. Brakpan in 2011 won the 1st prize at the Winephoto.

Nelson Mandela Metropolitan Museum added “Beyond Walmer” to its permanent collection (2007).

For the last ten years, Marc has worked for various local and international magazines such as Time, Colors, Wired, Blueprint, Dazed and Confused, Design Indaba, World Health Organization, Mother Jones, Stern, Gala, De Spiegel, Financial Times Magazine, Monocle, Smithsonian and The Telegraph Magazine, He has also shot for many advertising clients and agencies.

He has recently completed a project named ‘Flatlands’ in the Johannesburg inner city.  He is now working on a new body of work in Brakpan on the East Rand where he is exploring the city’s way of life and its people.

He is interested in exploring theams of social relevance and changes within his country and further a field.

Shoul works largely in black and white, using a medium format film camera and natural light printed on Fiber photographic paper.

 

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Marc Shoul

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Stacy Kranitz

The Other

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My project engages with history, representation, biography, personal narrative, and otherness in the documentary tradition. Each year in Pennsylvania, 500 people come together to reenact the Battle of the Bulge. During the reenactment, I portray Leni Riefenstahl and behave with soldiers, as she would have. I am intrigued by the complex story of a woman with a problematic set of morals. My work aims to understand people beyond the constraints of good vs evil. I have inserted myself into the Nazi reenactor photographs to subvert the viewer’s instinct to dismiss these people as different from themselves. This allows me to reflect upon atrocity, delve into my own relationship with my Jewish heritage, and contemplate the camera’s ability to re-imagine history.

Much of our conception of history is based on images. Historical images have been filtered through media and propaganda. These images become history as generations pass. Images are the dominant force that shape the public imagination. My images of the reenactment are part of the deconstruction process by which images first represent and then replace history.

The next phase of this project will explore Riefenstahl’s life between 1962-1977 when she lived with the Nuba in Sudan. I will visit the same Nuba tribes to focus on the disjunction between her fetishized images and my own exploration of the Nuba’s complex modern reality. The Nuba were victims of genocide during a recent civil war and it has deeply impacted their culture. They were forcibly relocated to camps and Islamicized. Hundreds of thousands died from warfare and starvation.

My project asks how we live in a world where genocide takes place in continuum? It reflects on the history of the documentary tradition as it poses new ways of expressing identity in relation to ‘otherness’. This project deconstructs the notion of the photograph as document, its power as a tool of propaganda, as a witness to history and a call for change.

 

Bio

Stacy Kranitz studied film and photography at New York University. Her work focuses on the ways we express aggression and violence in our daily rituals, habits and pastimes. Additional themes in her work include the relationship between music and culture, the emotional growth of children and environmental racism. She is interested in the theoretical underpinnings that bind together the evolution of the documentary tradition. Her work looks to explore important social issues while commenting on this tradition and challenging its boundaries.

Her clients include Adbusters, Dwell, Elle, ESPN, Entertainment Weekly, Forbes, Fortune, Men’s Journal, Mother Jones, Metropolis, Newsweek, New York Times Magazine, People, Rolling Stone, Spin, Vice, Wall Street Journal and Wired.

She was awarded a Young Photographers Alliance Scholarship Award and also received a Story Project Grant from the California Council for the Humanities. She has shown her work at galleries in NY, CA, LA and FL.

 

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Stacy Kranitz

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Features and Essays

Syrians in our minds…

Tomas Munita has done great work for the New York Times from over there… I can hardly imagine how difficult the conditions…

Tomas Munita: Fighting Intensifies in Syria (NYT) See also

Tomas Munita: A Day With the Arab League Monitors in Syria (NYT)

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Update Wednesday 8 February 2012:

Time Lightbox posted a slideshow this morning by Italian photographer Alessio Romenzi, on assignment for Time in Homs.  Rather than wait until next week, want to share the link to the work here…

Alessio Romenzi: Syria Under Siege (Lightbox)

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Antonio Bolfo’s NYPD: Impact on NYT Lens…Always loved this work… Saw it exhibited in Perpignan 2010…Definitely worth another look..

Antonio Bolfo: NYPD: Impact (NYT Lens)

Andrea Bruce from Kabul

Andrea Bruce: Children in Kabul (NYT)

Here’s Lauren Lancaster from Kabul too…Completely new photographer to me… See later in this post for Lancaster’s photos from GOP primary in Florida…posted on New Yorker’s Photo Booth

Lauren Lancaster: Youth in Kabul (Le Monde M Magazine)

GOP Primaries

Ricardo Cases from Florida on assignment for Time…Lightbox slideshow…

Plenty got printed in the magazine too…

Ricardo Cases: A Sunshine State of Mind for the Florida Primary (Lightbox)

Charles Ommanney: Newt Gingrich on the Florida Campaign Trail (Newsweek)

Charles Ommanney: US Presidential Campaign 2012 (Reportage by Getty Images)

Peter van Agtmael: On the Campaign Trail with Newt Gingrich (Lightbox)

Lauren Lancaster: Running in Florida (Photo Booth)

Massive Florida Primary gallery on NYT with photos by Heisler,Crowley,Yam,Litherland, Thayer, and Henry…

NYT (various photographers): The Florida Primary

To other issues… Here’s a link to Scottish photographer David Gillanders’  multimedia The Neglected…Finished sometime last year, but only discovered this last week…

David Gillanders: The Neglected : Street Children in Ukraine (Vimeo)

Pete Pin: The Cambodian Diaspora (Lightbox)

Sally Ryan: Black Jews of Chicago (zReportage)

Marvi Lacar: A ‘visual diary’ of depression (CNN photo blog)

Bruno Barbey: Istanbul (Magnum)

photo: Steve Liss

New Yorker (various photographers): American Poverty (Photo Booth)

Evgenia Arbugaeva: Siberian Memories (NYT Lens)

photo: Jason Andrew

Financial Times (Photos by Jason Andrew and Brandon Thibodeaux): Atheism in America (FT)

After reading Toni Greaves’ interview about her Radical Love series last week on BJP, I visited her website and ended taking a look also at the multimedia version of the project, which was posted on Time.com while back… Really enjoyed… Very good audio…

Toni Greaves: Radical Love: The Sisters of Summit, NJ (TIME)

Maija Tammi: Small Sizes and Great Love (Polka) multimedia

Lise Sarfati: She (Guardian)

Stephanie Sinclair: A Day with Warren Buffett (WSJ)

Denis Sinyakov: Moscow’s Migrant Workforce (Msnbc)

Veronique de Viguerie: With Libyan Arms, Mali Fighting Is Revived (NYT)

Adam Ferguson: Karen Rebels Remain Defiant (NYT) Myanmar

Brandon Thibodeaux: War Torn: An Iraq War Veteran’s Story (WSJ channel on Youtube) video

Andre Bruce: Leaving Iraq (NOOR)

Ayman Oghanna: Iraq (Polka)

Luis Carlos Barreto: Tropical Light (NYT Lens)

Lot of new features on Panos Pictures site….

Ivan Kashinsky: Guaranda Carnival (Panos)

Karla Gachet and Ivan Kashinsky: Dance of the Devils (Panos) Gachet and Kashinsky are both represented by Panos, but they also have a common website at Runa Photos. See later in this post for their brand new iPad App…

Xavier Cervera: Revolucion o Muerte (Panos)

Stuart Freedman: The Englishman’s Eel (Panos)

Jason Larkin: Power to the People (Panos)

Sergey Maximishin: The Institute (Panos)

Dean Chapman: Fading Memories (Panos)

Mark Henley: The Vaults (The Atlantic)

Alvaro Ybarra Zavala: Tahrir, 1 Year On (Reportage by Getty Images)

Nadia Shira Cohen: Egyptians (NYT Lens)

Ed Ou: Egyptian Youth (Reportage by Getty Images)

Alessandro Gandolfi: The Catacombs of Las Vegas (Parallelo Zero)

Brenda Ann Kenneally: The Last Nights at the Western Hotel (Lightbox)

Kadir van Lohuizen: Money, God, and Criminals (NOOR)

Liu Tao: Blood, Sweat, and Tears (zReportage)

Maciek Nabrdalik: Faith : Polish Catholicism (VII)

Adrian Fisk: Dilli Purani Dilli Naye (Foto8)

Reed Young: Brownsville (Lightbox)

Phil Moore: DRC Elections (Photographer’s website)

Peter Turnley: Cuba : A Grace of Spirit (Photgrapher’s website)

Michael Carlebach: South Florida (NYT Lens)

Jean-Marie Simon: Guatemala’s War Years (NYT Lens)

Bharat Choudhary: Young Muslims (NYT Lens)

Jordi Ruiz Cirera: The Mennonites of Bolivia (Foto8)

Olga Kravets, Maria Morina and Oksana Yushko: Grozny: Nine Cities  (PDN Photo of the Day)

David Dawson: Working with Lucian Freud (Lightbox)

Michael Tsegaye: Fighting Forgotten Tropical Diseases (BBC)

Thomas Hulton: The Lam Family of Ludlow Street (NYT Lens)

Espen Rasmussen: Transit (The Atlantic)

New Yorker (photos by Sylvia Plachy and Jeff Chien-Hsing Liao): Battle of Panoramas

Andrew Burton: Best of 2011 (Photographer’s website)

iPad Apps

Gerd Ludwig’s The Long Shadow of Chernobyl

Short Stories: From Ecuador to Tierra del Fuego by Karla Gachet and Ivan Kashinsky

Polka Magazine iPad App

Interviews

Gina #12 Oakland, CA 2009, courtesy Brancolini Grimald  by Lise Sarfati

Lise Sarfati (Telephoto)

Lise Sarfati (Guardian) related: exhibition review

Steve Pyke on reviewing over 8,000 images for the World Press Award (PicBod)

Steve Pyke from the World Press Photo Award on fifteen hour days (PicBod)

World Press Photo:  Members of the jury share their perspectives on the winners and the judging process.

Ed Kashi (Bangkok Post)

Anthony Shadid (Mother Jones)

Doug Mills (NYT Lens)

Barton Silverman (NYT Lens)

James Whitlow Delano (Asiasociety)

Harry Hardie on Lynsey Addario & Tim Hetherington’s ‘In Afghanistan’ exhibition

Ed Ou (Wired Rawfile blog)

Venetia Dearden (e-photoreview)

Kael Alford (Vimeo)

Yunghi Kim (Tiffinbox)

Leo Maguire (BJP)

Guy Martin (Ideas Tap)

JB Russell (shootlove)

Elinor Carucci (PicBod)

Brett Ziegler (NYT Lens)

Articles

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Update 8 Wednesday 2012:

Just as I had finished the post yesterday, we got news that Magnum photographer Sergio Larrain has passed away.

Sergio Larrain (1931-2012)

photo: Rene Burri

Here’s a Slate slideshow celebrating Larrain’s work…

LONDON—Baker Street Station, 1959.

Slate: Sergio Larrain 1931-2012

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PDN: Swedish Journalists Endure Inhumane Conditions in Ethiopian Jail

Slate: Can Five Great Photographers Really Collaborate? | Postcards from America: A Magnum Collaboration

Lightbox: Postcards From America: The Box Set

photo: Nick Waplington

FT: Ways of Seeing

The Sacramento Bee: To our Readers: The Sacramento Bee fired longtime photographer Bryan Patrick

UNHCR: Nansen Award winner turns her lens on the Flowers of Afghanistan

BJP: The Photographers’ Gallery will reopen its London premises on 19 May with an exhibition of Edward Burtynsky’s Oil

Phaidon: Getting to know the face behind the photograph

BJP: Crowdfunding platform Emphas.is launches publishing arm

BJP: National Media Museum is set to start work on its London-based gallery

BJP: Firecracker Grant

BJP: Photographer wins copyright infringement case

NYT Mag 6th Floor blog: The Auckland Project

PDN: US Falls To #47 On Press Freedom Index, Thanks to Occupy Crackdowns

TIME Lightbox Tumblr: Joachim Ladefoged had only 8 minutes to photograph Messi

Allen Murabayash: Why I love Photography (PhotoShelter blog)

Guardian: Featured photojournalist: Lucy Nicholson | Related on Reuters photo blog

Dallas Morning News Photo blog: Big Miracle the movie – The story behind the real photo | How a photo from an almost botched Arctic assignment inspired a Drew Barrymore film

FT: Photographer Lise Sarfati studies the lives of teenagers and young women in America

Firecracker: February 2012 newsletter

The National Press Club: Attorney details backlash against photojournalists

Verve: Sam Phelps

Verve: Anne-Stine Johnsbåten

Verve: Rafael Fabrés

LA Times Framework blog: Six Photography Game Changers

PDN: Greenfield Wins Sundance Director Prize

BJP: Keeping the tabs: The best account management applications for photographers

New Yorker: Close Inspection: Magnum Contact Sheets (Photo Booth)

Mike David: Where’s the line on toning photos, especially for contests? (Mike Davis blog)

multiMedia 

new issue…. 7.7 : Documentary Photography Digital Magazine

Exhibitions

Labyrinth Photographic Printing : ‘A Year in Development’ Exhibition’ – 17th February – 1st March 2012 : London

Behind the Scenes of Steve McCurry’s Rome exhibition (Phaidon) video

Awards, Grants, and Competitions

photo: Justin Maxon

Magnum Emergency Fund Announces 2012 Grantees (Lightbox)

Aperture 2011 Portfolio Prize Finalists

Sony World Photography Awards 2012 Shortlist Announced | on BJP

PDN Annual

FotoEvidence : Book Award

Foam Talent call 2012 now open

Getty Images relaunches creative grants programme

Gordon Parks Photo Contest Deadline July 2

Agencies and Collectives

Magnum Photos : February 2012 newsletter

NOOR newsletter February 2012

Reportage by Getty Images: Peter Dench joins Reportage

Reportage by Getty Images: Introducing John D McHugh as a featured contributor

TerraProject Newsletter

Crowd funding

UK Uncensored by Peter Dench (Emphas.is)

Faded Tulips by William Daniels (Emphas.is) featured on Telephoto

Trading to Extinction by Patrick Brown (Emphas.is) Related on NYT Lens

Workshops

Visual Storytelling in an Open Society: workshop for Egyptian photographers : Deadline for applications is Sunday FEBRUARY 12, 2012 [link to info on Lightstalkers]

2012 Noor – Nikon Masterclass : South Africa | on BJP

MediaStorm multimedia storytelling workshop in London at the Frontline Club on February 20.

Jobs

Bloomberg: Staff Photo Editor – London

Photographers

Naomi Harris has a new website…

Naomi Harris

New website also by Stuart Freedman

Ricardo Cases

Eric Thayer

Eunice Adorno

Ivan Kashinsky

Ed Ou has added a multimedia section to his website…

Ed Ou : multimedia

Adrian Fisk

Jess Ingram

Jordi Ruiz Cicera

To finish off…. ‘War Photography and Weddings’. Ahem. That really is an interesting business card via @Kiehart

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Writer and comedian John Knefel reaches for his glasses as police pull him away during an Occupy Wall Street protest in New York City yesterday. This really great photo was taken by Jessica Lehrman in the lobby of Winter Garden, a building owned by Brookfield Property, the same company that owns Zuccotti Park. To get a different view on the same scene, check out a video that someone else was filming at the same time. You can see Knefel falling down around 6:30.

The photo and video bring up something interesting. Knefel is a writer and comedian, one of the many people documenting OWS from the inside while trying to navigate the very grey boundaries of journalist and participant in the age of Internet journalism. Personally, I think this conflict is pretty interesting. If I can get all "journalism ethics class" for a minute here, I think OWS is drawing attention to the already existing need for new definitions of who constitutes "media" and who doesn't. Why is this more confusing than you might thing? Let me use Knefel as an example.

Knefel doesn't work for a major media outlet. But he's also not just some random bystander. He's got a political podcast with new episodes three times a week. Do we only call someone a journalist if they have enough page views? Do they have to have a journalism degree? What's the line?

Knefel is a biased source of information. But so are a lot of mainstream commentators. We'd call someone from Fox News a journalist. We'd call someone from Reason magazine a journalist. We'd call somebody from Mother Jones a journalist. Having a clear political angle to your coverage doesn't make you not a journalist. Except when it does. So what are the actual criteria?

Knefel didn't have a press pass. But, as Xeni has pointed out, the press pass system in New York is incredibly convoluted and contradictory. So what if you can't get one? Does that mean you aren't a journalist? This is particularly problematic given the fact that the rules seem to be set up to favor long-standing publications with lots of resources that mostly just cover New York City. How does that fit into a globalized world? Why punish media entrepreneurship?

We live in an age where publishing is easy and the tools to do it are available to a much wider swatch of people. But our standards and rules for who gets protection as a member of the press are based on a paradigm where publishing wasn't easy and only a limited number of people could do it. At the same time, we have to acknowledge that not everybody who uses the Internet is a journalist, because being a journalist comes with responsibilities not just protections. I'm pretty sure my Dad doesn't want to hold his Facebook to the same standard that I use when writing here.

I don't know the answer to these questions. But I know we need to have this conversation. Occupy Wall Street just shows us what can happen when we keep applying old rules to a new world.

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