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Scenes of anguish have become part of daily life around Omonia Square in Athens, as Greece’s multiple woes have turned the vibrant commercial heart of this Mediterranean capital into a national symbol of despair and social collapse.

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On a cold autumn morning Abdul Rashid Mir and his 7-year-old daughter Ishrat arrive in a field in the Konibal area of Pampore to collect saffron flowers.

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Seemingly strange weather patterns continue to break high and low temperature records. The same patterns spawned an early tornado season in the midwestern United States and brought late season snowstorms to the west. Record snow falls and frigid temperatures characterized a particularly difficult winter across Europe with many deaths attributed to the conditions. Signs of Spring for the Northern Hemisphere (which began officially with the Vernal Equinox - March 20 - when the hours of day are approximately equal to the hours of night) like trees blossoming and flowers blooming, the shedding of winter coats and the desire of anyone -who has spent an all too long winter season indoors - to venture outside to soak up the sun. -- Paula Nelson (45 photos total)
Cherry blossoms of the Japanese Yoshino variety bloom along the Tidal Basin, March 19, 2012, in Washington, DC, with the Jefferson Memorial to the rear. This season celebrates the 100-year anniversary of the gift of the cherry trees from Japan to Washington, DC. (Paul J. Richards/AFP/Getty Images)

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World Water Day is observed on March 22 every year. The day to recognize the importance of earth's most precious natural resource was proposed 20 years ago at the United Nations Conference on Environment and Development. While we often take water for granted, many cannot. And water plays a role in almost everything we do. We drink it, wash in it, play in it, generate power with it, irrigate crops with it, travel and transport goods on it, fight fires with it, and worship with it. Gathered here are images of water from the last year in all its uses, in scarcity and in abundance. -- Lane Turner (48 photos total)
A child bathes from a public tap in his neighborhood in Colombo, Sri Lanka, on March 6, 2012. A UNICEF report says unhygienic conditions cause an estimated 1. 2 million child deaths before the age of five from diarrhea worldwide every year. The report says in urban areas access to improved water and sanitation is not keeping pace with population growth. (Eranga Jayawardena/Associated Press)

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ESSAY CONTAINS EXPLICIT CONTENT

Elena Perlino

A Sea of Light

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essay foreword by Machiel Botman

“Let’s call it the yellow photograph for now: a street sign with half an arrow, a woman touching the sign and looking at where the arrow points. Behind it all a yellow sea of light, a colored landscape, cityscape that is too good to be true.

(who-ever said that things must be true)

Elena Perlino’s photographs are not carefully constructed images, all have the sensation of immediacy, as if she is passing by all the time. One might call what she passes by ‘little moments’ that, had she not been there, would have stayed unnoticed. In a world where everything is constructed, reality and fantasy, these ‘little moments’ escape us often, and when someone shows them to us we might not accept them.
Some make it easy for us, Richard Avedon’s Boy and tree in Italy is one of these beautiful floating moments, but all the same boy and tree are carefully orchestrated in a pose that we know, that we have come to accept. Perlino’s photographs are made of different stuff and at first glance one might say she does not make it easy on us.

The woman in the yellow photograph seems to accept reality as it is, by looking into the obvious direction where the arrow points. Someone who knows about clothes might tell us the woman is upper-class and waiting for a taxi. That’s where the truth begins and ends and begins again.
To me this woman is an immigrant, coming from yellow country, waiting to be collected to go somewhere else, somewhere where all is supposed to be better, where the sun always shines. Yellow country is still very much part of her, that’s where she is rooted, that’s where she is leaving behind those she loves, those she hates. Yellow country still follows her and I am afraid it always will.

Photographs like this always make me wonder. Where does the photographer come from, where does she go? Is Elena from yellow country, collecting proof some people are leaving? Or is she a future girl, pulling in people with invisible threads?
Good photography, like good writing, or good cinema, leaves the viewer free to do as he wants and in that way Perlino’s images, perhaps one more than the other, do not make it hard on us at all.
She has paved wide roads for us to walk on, with lots of light and exotic colors, with the presence of people, she is a people girl. There are gas stations staring at us with big eyes that look like lights, there is a man about to touch the cigarette to rid it of too much ash, there is a nude woman showing a muscle behind her skin, there are ghosts in the street, shit. But apart from what there is, we are free to make our own context, to decide what it all means. Until not very long ago, this would freak out the sensible world because this maker fits in no box. I hope dearly that by now we can accept these images as strong and beautiful gifts that need no explanation, that just need a little imagination.

My only worry concerns the messenger, the photographer if you like. She appears to be a lonely soul, detached from then and there – I hope she accepts these gifts as means to stop now and then, to get out and touch.”

 

Bio

Elena Perlino (b.1972) grew up in Piedmont, Italy. She graduated with a degree in History and Cinema from the University of Turin and attended at Reflexions Masterclass in Paris. Since 2003 Elena has been working on human trafficking and migration in the Mediterranean area. She was selected as a Nominee for Magnum Emergency Fund 2011.

Elena Perlino is currently running a photography project about Nigerian trafficking on Kickstarter.

 

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Elena Perlino

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