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Vaughn Wallace

To photograph mankind and explain man to man — that was how legendary photographer Wayne Miller described his decades-long drive to document the myriad subjects gracing his work. Miller passed away Wednesday at the age of 94 at his home in California.

Rene Burri—Magnum

Rene Burri—Magnum

Wayne Miller in 2001

Miller began pursuing photography while attending college at the University of Illinois, Urbana, shooting for the school’s yearbook. Following a two-year stint at the Art Center School of Los Angeles, Miller started working as a photographer for the U.S. Navy, serving in the Pacific Theater under Edward Steichen’s Naval Aviation Unit.

“We had Navy orders that allowed us to go any place we wanted to go and, when we got done, to go home,” Miller said in an interview with the American Society of Media Photographers. “It was fantastic.”

Miller’s reportage-style images of life and death aboard U.S. aircraft carriers provide a visual narrative for a field of battle largely unknown to the American public. Miller’s war-time photographs illustrate the tension and tragedy of bloodshed and destruction underneath the beautiful skies and billowing white clouds of the South Pacific.

And after Japan capitulated in September 1945, Miller was one of the first photographers to enter Hiroshima, documenting the unimaginable effects of the 20-kilton atomic bomb detonated over the city the previous month. Miller photographed victims suffering from acute radiation poisoning and severe shock in the ruins of a city reduced to rubble in one great flash.

Miller received two grants from the Guggenheim Foundation to photograph his next major project, a documentary look at the streets of Chicago’s South Side, his hometown. Shooting between 1946 and 1948, his work — a mix of portraits and environmental scenes — broke convictions for its look at the black communities living and working in postwar Chicago.

USA. Illinois. Chicago. 1948. An alley between overcrowded tenements, with garbage thrown over the railings of the back porches. Most of the area's tenants were transient.

Wayne Miller—Magnum

An alley between overcrowded tenements, with garbage thrown over the railings of the back porches. Most of the area's tenants were transient. Chicago, 1948.

“Up until that time, these [photographs] were considered snapshots by the public and by the commercial world,” he told ASMP. The visual weight of his work didn’t go unnoticed — the hope, worry, excitement, struggle and leisure pictured in ‘The Ways of Life of the Northern Negro’ remains striking even to modern viewers today.

After his Chicago body of work, Miller went on to work as a photographer for LIFE until 1953. He began collaborating with his old boss, Steichen, on a new project called the “Family of Man” — an ambitious look at the commonalities among humans around the world through the work of 273 photographers (including Miller). As an associate curator, Miller helped Steichen produce and organize the show’s exhibition at the Museum of Modern Art in New York in 1955. One of Miller’s photographs even graced the cover of LIFE that February.

Miller held the title of president of the prestigious Magnum photo agency from 1962-1968, leading the cooperative before beginning a career with the National Park Service and later, CBS. In the mid 1970s, Miller put down his camera to follow his passion for the environment, purchasing a small plot of redwood forest in Mendocino County. For the next several years, he worked to combat tax laws that favored clear cutting forests. He continued to push for sustainable practices through retirement.

Miller is survived by his wife Joan, four child, nine grandchildren and one great grandchild.

The film about Miller’s career, embedded above, is ‘The World is Young” by Theo Rigby, a photographer and filmmaker based in San Francisco.

Vaughn Wallace is the producer of LightBox. Follow him on Twitter @vaughnwallace.

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World Water Day is observed on March 22 every year. The day to recognize the importance of earth's most precious natural resource was proposed 20 years ago at the United Nations Conference on Environment and Development. While we often take water for granted, many cannot. And water plays a role in almost everything we do. We drink it, wash in it, play in it, generate power with it, irrigate crops with it, travel and transport goods on it, fight fires with it, and worship with it. Gathered here are images of water from the last year in all its uses, in scarcity and in abundance. -- Lane Turner (48 photos total)
A child bathes from a public tap in his neighborhood in Colombo, Sri Lanka, on March 6, 2012. A UNICEF report says unhygienic conditions cause an estimated 1. 2 million child deaths before the age of five from diarrhea worldwide every year. The report says in urban areas access to improved water and sanitation is not keeping pace with population growth. (Eranga Jayawardena/Associated Press)

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Ball's Pyramid looks like a place where nothing could survive. The remnants of a long-dead volcano, it sits alone in the South Pacific ... a narrow, rocky half-moon some 1800 feet high.

But Ball's Pyramid isn't devoid of life ...

for years this place had a secret. At 225 feet above sea level, hanging on the rock surface, there is a small, spindly little bush, and under that bush, a few years ago, two climbers, working in the dark, found something totally improbable hiding in the soil below. How it got there, we still don't know.

What they found is horribly awesome and awesomely horrible and you need to read the whole story, written by NPR's Robert Krulwich.

Via Elizabeth Preston. If you want a hint, she described this as, "a really beautiful story about some really disgusting giant insects."

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